1990

Universal Limited Art Editions, New York, James Rosenquist—Never Mind: From Thoughts to Drawing, Jan. 17–Feb. 17. Exh. cat., with essay by John Yau.
—Wallach, Amei. “Explorations in Space,” Newsday (New York), Feb. 8, 1990, part 2, 
pp. 8–9.

The Museum of Modern Art, New York, James Rosenquist: Welcome To The Water Planet, Feb. 7–May 1. Traveled to Laguna Gloria Art Museum, Austin, Tex., Sept. 8–Oct. 21; University of Missouri, Kansas City, Jan. 20–March 22, 1991; The Art Museum, University of California, Santa Barbara, June 25–Aug. 11, 1991; Center for the Arts, Vero Beach, Fla., Dec. 1–Jan. 19, 1992; and University of Kentucky Art Museum, Lexington, March 22–May 10, 1992. Exh. cat., James Rosenquist: Welcome to the Water Planet and House of Fire, 1988–1989, with essay by Judith Goldman, published by Tyler Graphics.
—Wallach, Amei. “Explorations in Space,” Newsday (New York), Feb. 8, 1990, part 2, 
pp. 8–9. 
—“James Rosenquist at The Museum of Modern Art,” Art Now: Gallery Guide (Scotch Plains, N.J.) 20, no. 7 (March 1990), p. 96.

Erika Meyerovich Gallery, San Francisco, James Rosenquist, Welcome to the Water Planet and House of Fire, 1988–1989, April 6–May 12. Traveled to Glenn-Dash Gallery, Los Angeles, April 7–May 5; Richard L. Feigen & Company, Chicago, May 5–June 2.

Leo Castelli Gallery, New York, James Rosenquist, Oct. 20–Nov. 17.
—Bass, Ruth. “Reviews: James Rosenquist: Leo Castelli,” Artnews (New York) 90, no. 1 (Jan. 1991), p. 143.
—O’Rourke, Meg. “James Rosenquist,” Arts Magazine (New York) 65, no. 5 (Jan. 1991), p. 83.
—Decter, Joshua. “Reviews: James Rosenquist: Leo Castelli,” Flash Art International (Milan) 24, no. 156 (Jan.–Feb. 1991), p. 130.
 

1991

Tretiakov Gallery, Central House of Artists, Moscow, Rosenquist: Moscow 1961–1991, Feb. 5–March 5. Exh. cat., in Russian and English, with essay by Donald J. Saff and previously published essay by Craig Adcock.

IVAM Centre Julio González, Valencia, James Rosenquist, May 17– Aug. 18. Exh. cat., in Spanish and English, with essay by Craig Adcock, previously published statements by Rosenquist, interview with Rosenquist by David Shapiro, and previously published interviews with Rosenquist by Doon Arbus, Richard Bernstein, Jeanne Siegel, Gene Swenson, and Mary Anne Staniszewski (trans. Javier García Raffi and Harry Smith).
—“James Rosenquist en el IVAM,” Guadalimar (Valencia) 18, no. 3 (April–May 1991), pp. 7–8. —“La visión fragmentada del mundo,” La Mejor Guia de Valencia, May 27, 1991, pp. 28–29.
—Jeffett, William. “Publications Received: Twentieth-Century American Art: James Rosenquist,” The Burlington Magazine (London) 134, no. 1,072 (July 1992), p. 459.

1992

Gagosian Gallery, New York, James Rosenquist: The Early Pictures 1961–1964, May 2–July 11. Exh. cat., with essay by Goldman and interview with Rosenquist by Goldman, published in association with Rizzoli.
—Kimmelman, Michael. “From Rosenquist, a Pleasing Look at Early Pop,” The New York Times, June 7, 1992, section 2, p. 33.
—Larson, Kay. “Unloading the Canon,” New York, June 8, 1992, pp. 62–63.
—Schjeldahl, Peter. “Classic Pop,” The Village Voice (New York), June 9, 1992, p. 96.
—Barrío-Garay, J. L. “David Smith y James Rosenquist,” Goya (Madrid), nos. 229–30 (July–Oct. 1992), pp. 104–05.
—Gutterman, Scott. “James Rosenquist,” Atelier (Tokyo), no. 787 (Sept. 1992), pp. 20–29 (in English and Japanese).
—K[uspit], D[onald]. “Reviews: James Rosenquist: Gagosian Gallery,” Artforum (New York) 31, no. 3 (Nov. 1992), p. 104.

Galería Weber, Alexander y Cobo, Madrid, James Rosenquist: Paintings 1990–1992, May 14–July 25. Exh. cat., in Spanish and English, with statement by Rosenquist.

Galerie Thaddaeus Ropac, Paris, James Rosenquist: Recent Paintings, Oct. 17–Nov. 21. Exh. cat., James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, in French and English, with essay by Ann Hindry and statements by Rosenquist (trans. Nathalie Brunet, Neal Cooper, and Hélène Gille).

1993

Walker Art Center, Minneapolis (organized by University Art Museum, California State University, Long Beach), James Rosenquist: Time Dust, The Complete Graphics, 1962–1992, March 7–May 9. Traveled to Honolulu Academy of Arts, June 16–Aug. 8; Sarah Campbell Blaffer Gallery, University of Houston, Sept. 10–Oct. 31; Samuel P. Harn Museum of Art, University of Florida, Gainesville, Dec. 5, 1993–Feb. 6, 1994; Montgomery Museum of Fine Arts, March 8–June 13, 1994; Huntsville Museum of Art, Huntsville, Ala., Oct. 23, 1994–Jan. 8, 1995; Elvehjem Museum of Art, Madison, March 4–April 30, 1995; Joslyn Art Museum, Omaha, June 17–Sept. 10, 1995; Neuberger Museum of Art, State University of New York at Purchase, Oct. 22, 1995–Jan. 7, 1996; San Diego Museum of Art, March 2– May 5, 1996; and Davenport Museum of Art, Davenport, Iowa, March 1–April 27, 1997. Exh. cat. and catalogue raisonné by Constance W. Glenn, Time Dust, James Rosenquist: Complete Graphics, 1962–1992, published by Rizzoli in association with University Art Museum, California State University, Long Beach.
—Abbe, Mary, and Steven Henry Madoff. “Prints: Rosenquist’s Magic Dust,” Artnews (New York) 92, no. 6 (summer 1993), p. 125.

Leo Castelli Gallery, New York, James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, March 20–April 17. Exh. cat., with statements by Rosenquist and interview with Rosenquist by David Whitney.
—Russell, John. “A Painter Finds That Dolls Can Be Dynamite,” The New York Times, April 11, 1993, p. 30.
—Heartney, Eleanor. “Reviews: Malevolent Dolls,” Artnews 
(New York) 92, no. 6 (summer 1993), p. 167.
—Adams, Brooks. “Review of Exhibitions: James Rosenquist at Castelli,” Art in America (New York) 82, no. 1 (Jan. 1994), p. 109.

Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, Calif., James Rosenquist: Recent Paintings, March 27–May 29.

Galerie Thaddaeus Ropac, Salzburg, James Rosenquist: Recent Paintings, April 3–May 22. Exh. cat.

Akira Ikeda Gallery, Tokyo, Japan, James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls, Sept. 3–30. Exh. cat., in English.

Richard L. Feigen & Company, Chicago, James Rosenquist: Gift Wrapped Dolls or Serenade for the Doll after Claude Debussy, Sept. 10– Oct. 9. Exh. cat., with poem by Jessica Hagedorn and previously published essay by John Russell.
 

1994

Richard L. Feigen & Company, London, James Rosenquist: Gift Wrapped Dolls, May 25–June 24.

Leo Castelli Gallery, New York, James Rosenquist: The Thirtieth Anniversary Exhibition, Oct. 15–Nov. 12. Exh. cat., James Rosenquist, The Big Paintings: Thirty Years, Leo Castelli, ed. Susan Brundage, published in association with Rizzoli. 
—Aukeman, Anastasia. “Reviews: James Rosenquist: Leo Castelli,” Artnews (New York) 94, no. 2 (Feb. 1995), p. 122.
—“What It Is,” Artnews (New York) 94, no. 2 (Feb. 1995), p. 27.
—Kalina, Richard. “Review of Exhibitions: James Rosenquist at Leo Castelli,” Art in America (New York) 83, no. 3 (March 1995), p. 100.

Wetterling Teo Gallery, Singapore, James Rosenquist—Paintings, Oct. 31– Dec. 4.

Wetterling Teo Gallery, Singapore, Flower Paintings, Nov. 1994–Feb. 1995. Exh. cat.

Portland Art Museum, Portland, Ore., James Rosenquist: Recent Work, Dec. 9, 1994–April 2, 1995.

1995

Pyo Gallery, Seoul, James Rosenquist: The Big Paintings, March 7–30. Exh. cat., in Korean and English, with previously published essays by Kay Larson, Meg O’Rourke, Carter Ratcliff, and Roberta Smith.

Seattle Art Museum, James Rosenquist Paintings, May 15–Aug. 6.

Civico Museo Revoltella, Galleria d’Arte Moderna, Trieste, James Rosenquist: Gli anni novanta, June 11–Sept. 15. Exh. cat., in Italian and English, with introductions by Roberto Damiani and Maria Masau Dan and essay by Craig Adcock.

1996

Indigo Galleries, Boca Raton, James Rosenquist: New Paintings and Constructions, Feb. 8–March 2.

Graphicstudio Gallery, University of South Florida, College of Fine Arts, Tampa, James Rosenquist: A Retrospective of Prints Made at Graphicstudio 1971–1996, April 11–June 27. —Milani, Joanne. “Rosenquist: The Vision Quest,” The Tampa Tribune, May 5, 1996, pp. 1–2.

Leo Castelli Gallery, New York, James Rosenquist, 4 E 77 St 1970 Revisited and New Paper Constructions from Gemini G.E.L., April 20–May 18. Exh. cat., with statement by Rosenquist.

Galerie Thaddaeus Ropac, Paris, James Rosenquist: Target Practice, May 14–June 15. Exh. cat., with statement by Rosenquist.

Richard L. Feigen & Company, Chicago, Target Practice: Recent Paintings by James Rosenquist, May 31–July 26. Exh. cat., with essay by Craig Adcock and statement by Rosenquist.

Brenau University Galleries, Gainesville, Ga., James Rosenquist: Painting and Prints, July 13–Oct. 4. Exh. cat., with essay by Craig Adcock.

Gemini G.E.L., Los Angeles, New Paper Constructions, Sept. 20–Dec. 1996.

1997

Galerie Thaddaeus Ropac, Paris, James Rosenquist: Three Large Paintings,
Feb. 4–March 8.

Heland Wetterling Gallery, Stockholm, Target Practice, March–April. Exh. Cat.

Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Fukushima, Japan, The Graphics of James Rosenquist, March 1–June 15. Exh. cat., in Japanese and English, with essay by Judith Goldman and interview with Rosenquist by Kaoru Yanase and Shunichi Kamiyama.

Wetterling Teo Gallery, Singapore, James Rosenquist: New Works 1996, Aug. 15–Sept. 30. Exh. cat., with statement by Rosenquist.

1998

Deutsche Guggenheim Berlin, James Rosenquist: The Swimmer in the Econo-mist, March 7–June 14. Exh. cat., with essay by Judith Goldman and interview with Rosenquist by Robert Rosenblum.

Feigen Contemporary, New York, James Rosenquist/After Berlin: New Paintings, Oct. 23–Nov. 28.

1999

Baldwin Gallery, Aspen, Colo., James Rosenquist/Meteors: New Paintings, March 12–May 1. Exh. cat., James Rosenquist: Paintings 1996–1999, with introduction by Judith Goldman.
—Bradley, Jeff. “Large-scale Art, Huge Images Fill Rosenquist Works,” Denver Post, March 26, 1999, section E, p. 22.

Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images From Everywhere, News From Nowhere, Sept. 5–Oct. 31.
—Marger, Mary Ann. “Museum Features Two of Florida’s Best,” St. Petersburg Times, Sept. 3, 1999, p. 27.
—Marger, Mary Ann. “Reality, Readjusted,” St. Petersburg Times, Sept. 10, 1999, section D, p. 1.
—Milani, Joanne. “The Art of Recycling,” The Tampa Tribune, Oct. 3, 1999, p. 14.