1962
Green Gallery, New York, James Rosenquist, Jan. 30–Feb. 17.
—S[wenson], G[ene] R. “Reviews and Previews: New Names This Month: James
Rosenquist,” Artnews (New York) 60, no. 10 (Feb. 1962), p. 20.
—T[illim], S[idney]. “New York Exhibitions: In the Galleries: Jim Dine, Peter Saul, James Rosenquist,” Arts Magazine (New York) 36, no. 6 (March 1962), pp. 46–47.
—Roberts, Colette. “Les expositions: Lettre de New York,” Aujourd’hui (Paris), no. 37 (June 1962), pp. 48–49.
1964
Green Gallery, New York, James Rosenquist, Jan. 15–Feb. 8.
—S[wenson], G[ene] R. “Reviews and Previews: James Rosenquist,” Artnews
(New York) 62, no. 10 (Feb. 1964), p. 8.
—T[illim], S[idney]. “In the Galleries: James Rosenquist,” Arts Magazine (New York) 38, no. 6 (March 1964), p. 63.
—Kozloff, Max. “New York Letter: Rosenquist,” Art International (Lugano) 8, no. 3 (April 1964), p. 62.
Galerie Ileana Sonnabend, Paris, Rosenquist, June.
—Michelson, Annette. “Paris Letter,” Art International (Lugano) 8, no. 9 (Nov. 1964), p. 61.
Dwan Gallery, Los Angeles, James Rosenquist, Oct. 27–Nov. 21.
—Seldis, Henry J. “Pop Artist Will Survive Trend,” Los Angeles Times, Nov. 2, 1964, p. TK.
—W[ilson], W[illiam]. “Los Angeles: James Rosenquist, Dwan Gallery,” Artforum (San Francisco) 3, no. 3 (Dec. 1964), p. 12.
Galleria Gian Enzo Sperone, Turin, James Rosenquist, opened Nov. 5.
1965
Leo Castelli Gallery, New York, Rosenquist, April 17–May 13.
—“Art, Etc.,” Women’s Wear Daily, April 23, 1965, p. 20.
—Preston, Stuart. “Art: James Rosenquist,” The New York Times, April 24, 1965, p. 26.
—“James Rosenquist,” Time (New York), May 7, 1965, p. TK.
—L[evine], N[eil] A. “Reviews and Previews: James Rosenquist,” Artnews (New York) 64, no. 4 (summer 1965), p. 14.
—Lippard, Lucy R. “New York Letter,” Art International (Lugano) 9, no. 5 (June 1965), pp. 52–54.
—G[oldin], A[my]. “In the Galleries: James Rosenquist,” Arts Magazine (New York) 39, no. 10 (Sept.–Oct. 1965), p. 63.
—Alfieri, Bruno. “Diario critico (II): Dopo il complesso d’inferiorità di New York con Parigi (1900–1963) ecco il complesso di Parigi con New York malgré De Gaulle (intanto Londra cresce),” Metro (Milan), no. 10 (Oct. 1965), pp. 4–13 (in Italian and English, trans. Lucia Krasnik).
The Jewish Museum, New York, James Rosenquist, F-111, June 10–Sept. 8. Traveled to Moderna Museet, Stockholm, Sept. 29–Oct. 17; Stedelijk Museum, Amsterdam, Dec. 25, 1965–Feb. 6, 1966; Staatliche Kunsthalle, Baden-Baden, Feb. 12–27, 1966; Galleria Nazionale d’Arte Moderna, Rome, Oct. 15–Nov. 10, 1966. Exh. brochure (Rome), with previously published interview with Rosenquist by G[ene] R. Swenson.
—“Rosenquist’s ‘F-111’ at Jewish Museum,” The New York Times, June 12, 1965, p. 28.
1966
Leo Castelli Gallery, New York, James Rosenquist, April 30–May 25.
—W[aldman], D[iane]. “Reviews and Previews: James Rosenquist,” Artnews
(New York) 65, no. 4 (summer 1966), p. 4.
—Lippard, Lucy R. “New York Letter,” Art International (Lugano) 10, no. 8 (Oct. 1966), pp. 58–59.
1968
National Gallery of Canada, Ottawa, James Rosenquist, Jan. 24–Feb. 25. Exh. cat., in French and English, with introduction by Brydon Smith, statement by Rosenquist, and excerpt of previously published essay by Ivan Karp.
—Bergin, Jenny. “Lady Lets Her Hair Down,” The Ottawa Citizen, Jan. 24, 1968, p. 26.
—Kritzwiser, Kay. “Ottawa Shows Pop Rosenquist,” The Globe and Mail (Toronto), Jan. 24, 1968, p. 14.
—Robillard, Yves. “Rosenquist: ‘Je peins des choses anonymes,’” La Presse (Montreal), Jan. 27, 1968, p. 36.
—“James Rosenquist,” The Village Voice (New York), Feb. 22, 1968, p. TK.
—Heywood, Irene. “A Trip to Ottawa: James Rosenquist and His Power,” The Gazette (Toronto), Feb. 24, 1968, p. 44.
—Adamson, Jeremy. “Exhibition Reviews: James Rosenquist: National Gallery of Canada,” Artscanada (Toronto) 25, no. 1 (April 1968), p. 45.
—Swenson, Gene. “The Figure a Man Makes,” Art and Artists (New York) 3, no. 1 (April 1968), pp. 26–29 (part 1), and Art and Artists (New York) 3, no. 2 (May 1968), pp. 42–25 (part 2).
—Vigeant, André. “James Rosenquist temps-espace-mouvement,” Vie des arts (Montreal), no. 51 (summer 1968), pp. 58–61.
—Butler, Joseph T. “The American Way with Art: James Rosenquist Retrospective,” The Connoisseur (London) 169, no. 679 (Sept. 1968), p. 67.
—Adamson, Jeremy. “Spaghetti and Roses: A Document of an Exhibition,” Artscanada (Toronto) 26, no. 1 (Feb. 1969), pp. 8–13.
Galerie Ileana Sonnabend, Paris, Rosenquist, April 25–May. Exh. cat., with essay by Tommaso Trini (trans. Adeline Arnaud).
Galleria Gian Enzo Sperone, Turin, James Rosenquist, Nov. 5–25.
1969
Leo Castelli Gallery, New York, Rosenquist: Horse Blinders, March 29– April 19. —Canaday, John. “Richard Anuszkiewicz: It’s Baffling,” The New York Times, April 5, 1969, p. 23.
—“Art in New York: James Rosenquist,” Time (New York), April 18, 1969, section E, p. 8.
—B[aker], E[lizabeth] C. “Reviews and Previews: James Rosenquist,” Artnews (New York) 68, no. 3 (May 1969), pp. 71–72.
—Alloway, Lawrence. “Art,” The Nation (New York), May 5, 1969, pp. 581–82. —Schjeldahl, Peter. “New York Letter,” Art International (Lugano) 13, no. 6 (summer 1969), p. 65.
—Wasserman, Emily. “New York: James Rosenquist,” Artforum (New York) 7, no. 10 (summer 1969), p. 65.
1970
Leo Castelli Gallery, New York, James Rosenquist: Horizon Home Sweet Home, May 16–June 6.
—Schjeldahl, Peter. “A ‘Trip’ with Rosenquist,” The New York Times, May 31, 1970, section 2, p. 17.
—L[inville], K[asha]. “In the Galleries: Rosenquist at Castelli,” Arts Magazine (New York) 44, no. 8 (summer 1970), p. 61.
—Perreault, John. “Art: Here and There,” The Village Voice (New York) 15, no. 23 (June 4, 1970), pp. 17–18.
—Pincus-Witten, Robert. “New York: James Rosenquist, Castelli Gallery,” Artforum (New York) 9, no. 1 (Sept. 1970), pp. 76–77.
—R[atcliff], C[arter]. “Reviews and Previews: James Rosenquist,” Artnews
(New York) 69, no. 5 (Sept. 1970), p. 18.
—Baker, Kenneth. “New York: James Rosenquist, Castelli Gallery,” Artforum (New York) 9, no. 5 (Jan. 1971), p. 75.
Leo Castelli Gallery, New York, James Rosenquist: Two Large Paintings: Area Code and Flamingo Capsule, Oct. 24–Nov. 14.
—Gruen, John. “Galleries and Museums: Bravo, Bravo: James Rosenquist,” New York, Nov. 16, 1970, p. 70.
—B[aker], E[lizabeth] C. “Reviews and Previews: James Rosenquist,” Artnews (New York) 69, no. 8 (Dec. 1970), p. 61.
Galerie Ricke, Cologne, James Rosenquist, Nov. 17–Dec. 15.
—Pfeiffer, Günter. “Ausstellungen: James Rosenquist, Jo Baer,” Das Kunstwerk (Stuttgart) 24, no. 1 (Jan. 1971), pp. 79–80.
Castelli Graphics, New York, Rosenquist: Recent Lithographs, dates unknown.
1972
Kunsthalle Köln (organized by Wallraf-Richartz-Museum, Cologne), James Rosenquist: Gemälde—Räume—Graphik, Jan. 29–March 12. Exh. cat., with text by Evelyn Weiss and excerpts from previously published articles and interviews.
—Weiss, Evelyn. “Zur Ausstellung James Rosenquist in der Kunsthalle,” Museen in Köln Bulletin 11, no. 1 (Feb. 1972), pp. 1,018–19.
Whitney Museum of American Art, New York, James Rosenquist, April 12–May 29. Traveled to Museum of Contemporary Art, Chicago, June 30–Sept. 3. Exh. cat., with essay by Marcia Tucker.
—Schjeldahl, Peter. “The Rosenquist Synthesis,” Art in America (New York) 60, no. 2
(March–April 1972), pp. 56–61.
—Canaday, John. “The Big Hic Jacet Retrospective,” The New York Times, April 23, 1972, p. 21. See also James Rosenquist, “Art Mailbag: James Rosenquist Replies,” The New York Times, May 14, 1972, pp. 23–24.
—Battcock, Gregory. “James Rosenquist,” Arts Magazine (New York) 46, no. 7 (May 1972), pp. 49–52. Revised and reprinted in Battcock, Why Art: Casual Notes on the Aesthetics of the Immediate Past, (New York: E. P. Dutton, 1977), pp. 57–65. See also Marcia Tucker, Letter to the Editor, Arts Magazine (New York) 46, no. 8 (summer 1972), p. 71.
—S[iegel], J[eanne]. “Reviews and Previews: James Rosenquist,” Artnews (New York) 71, no. 4 (summer 1972), p. 58.
Margo Leavin Gallery, Los Angeles, James Rosenquist: Lithographs, May 9–31.
1973
Leo Castelli Gallery, New York, James Rosenquist, May 26–June 16.
—“Epilogue,” Newsweek (New York), July 2, 1973, p. TK.
—Frank, Peter. “Reviews and Previews: James Rosenquist,” Artnews (New York) 72, no. 7 (Sept. 1973), pp. 84–85.
Amerika Haus Berlin, James Rosenquist, Sept. 20–Oct. 27. Exh. cat., with essay by Karl Ruhrberg.
Portland Center for the Visual Arts, Portland, Ore., James Rosenquist, Oct.
—Kelly, David. “Unusual Images Jar Viewers at James Rosenquist Show,” The Sunday Oregonian (Portland), Oct. 28, 1973, p. 16.
Stedelijk Museum, Amsterdam, James Rosenquist, Oct. 5–Dec. 2. Exh. cat., in Dutch and English, with essay by Wim A. L. Beeren.
Jack Glenn Gallery, Corona del Mar, Calif., Rosenquist, opened Oct. 27.
1974
Max Protetch Gallery, Washington, D.C., Rosenquist, opened Jan. 18.
Castelli Graphics, New York, Feb. 2–16.
—Dreiss, Joseph. “Arts Reviews: Museum and Gallery Reviews: James Rosenquist,” Arts Magazine (New York) 48, no. 7 (April 1974), p. 64.
Scottish Arts Council Gallery, Edinburgh, Rosenquist Prints, Feb. 9–March 10. Traveled to Art Gallery and Museum, Aberdeen, March 16–April 7; and City Museum and Art Gallery, Dundee, April 13–May 12. Exh. cat., with previously published essay by W. A. L. Beeren.
Jared Sable Gallery, Toronto, James Rosenquist, March 30–April 13.
—Nasgaard, Roald. “Arts Reviews: James Rosenquist at Jared Sable,” Arts Magazine (New York) 48, no. 9 (June 1974), p. 71.
Norrköpings Konstmuseum, Norrköping, Sweden, James Rosenquists Litografier, summer. Exh. cat.
Mayor Gallery, London, James Rosenquist: An Exhibition of Paintings 1961–1973, Dec. 3, 1974–Jan. 18, 1975. Exh. cat., with introduction by David Sylvester and previously published statements by Rosenquist.
—Burr, James. “Round the Galleries: Pop of the Billboard,” Apollo (London) 100, no. 154
(Dec. 1974), p. 518.
—Burn, Guy. “James Rosenquist,” Arts Review (London), Dec. 13, 1974, p. 747.
1975
The New Gallery, Cleveland, James Rosenquist: Recent Work, Jan. 11– Feb. 8.
Knoedler Contemporary Prints, New York, James Rosenquist: Recent Mural Prints, April 23–June 6. —Ellenzweig, Allen. “Arts Reviews: James Rosenquist,” Arts Magazine (New York) 50, no. 1 (Sept. 1975), p. 4.
Leo Castelli Gallery, New York, Rosenquist: Drawings, Sept. 27–Oct. 18.
—Patton, Phil. “Reviews: James Rosenquist, Leo Castelli Gallery Uptown,” Artforum (New York) 14, no. 4 (Dec. 1975), pp. 69–70.
Castelli Graphics, New York, Nov. 12–30.
—Dreiss, Joseph. “Arts Reviews: James Rosenquist,” Arts Magazine (New York) 49, no. 5 (Jan. 1975), p. 14.
Margo Leavin Gallery, Los Angeles, James Rosenquist: Paintings, Dec. 12, 1975–Jan. 24, 1976.
—Lewallen, Constance. “Rosenquist’s New Work,” Artweek (Oakland), Jan. 10, 1976, pp. 1, 16.
1976
Greenberg Gallery, St. Louis, James Rosenquist, May 15–June 30.
—Shreffler, Philip A. “Greenberg Gallery Shows Pop Works,” St. Louis Post-Dispatch, June 2, 1976, section B, p. 6.
Mayor Gallery, London, James Rosenquist: New Paintings, Sept. 29– Nov. 5.
—Vaizey, Marina. “Rosenquist,” Arts Review (London), Oct. 15, 1976, pp. 538–39.
1977
Sable-Castelli Gallery, Toronto, James Rosenquist, April 9–23.
Institute of Modern Art, Brisbane, Australia, James Rosenquist: Nine Large Drawings, May.
Leo Castelli Gallery, New York, James Rosenquist, Sept. 24–Oct. 15.
—Russell, John. “Art: New Works by James Rosenquist,” The New York Times, Oct. 7, 1977, section C, p. 22.
—Henry, Gerrit. “New York Reviews: James Rosenquist,” Artnews (New York) 76, no. 10 (Dec. 1977), p. 140.
—Rubinfien, Leo. “Reviews: James Rosenquist, Leo Castelli Gallery,” Artforum (New York) 16, no. 4 (Dec. 1977), pp. 67–68.
—Zimmer, William. “Arts Reviews: James Rosenquist,” Arts Magazine (New York) 52, no. 5 (Jan. 1978), p. 24.
Getler/Pall, New York, James Rosenquist: New Prints, Sept. 27–Oct. 20.
—Pomfret, Margaret. “Arts Reviews: James Rosenquist,”
Jacksonville Art Museum, Jacksonville, Fla., Jim and Bob: The Florida Connection, Oct. 20–Nov. 20. Exh. cat.
1978
Multiples/Goodman, New York, James Rosenquist: Hand-Colored Etchings, 1978, Nov. 18–Dec. 30.
—Whelan, Richard. “James Rosenquist,” Artnews (New York) 78, no. 2 (Feb. 1979), p. 168.
Mayor Gallery, London, James Rosenquist: Recent Paintings, Nov. 29, 1978–Jan. 1979.
—Dagley, Jan. “London Reviews: James Rosenquist: The Mayor Gallery,” Arts Review
(London), Dec. 8, 1978, p. 682.
1979
The John and Mable Ringling Museum of Art, Sarasota, James Rosenquist Graphics Retrospective, Feb. 1–March 25. Traveled to Fort Lauderdale Museum of Arts, May 8–June 24. Exh. cat., with introduction by Elayne H. Varian.
Galerie Sonnabend, Paris, May 19–June 13.
Albright-Knox Art Gallery, Buffalo, Recent Prints by James Rosenquist, June 12–July 1.
Plains Art Museum, Moorhead, Minn., James Rosenquist: Seven Paintings, Oct. 7–Nov. 25. Exh. cat., with statement by the artist.
1980
Castelli-Feigen-Corcoran Gallery, New York, Rosenquist, May 17–June 14.
—Russell, John. “Art: Rosenquist,” The New York Times, May 30, 1980, section C, p. 14.
—Ffrench-Frazier, Nina. “A New York Letter: James Rosenquist,” Art International (Lugano) 24, nos. 1–2 (Sept.–Oct. 1980), pp. 82–84.
—Frank, Elizabeth. “Review of Exhibitions: James Rosenquist at Castelli-Feigen-Corcoran,” Art in America (New York) 68, no. 9 (Nov. 1980), p. 137.
Texas Gallery, Houston, James Rosenquist, Sept. 27–Oct. 25.
1981
Leo Castelli Gallery, New York, James Rosenquist, Jan. 24–Feb. 21.
—“‘Star Thief,’ Rosenquist’s New Forty-Six-Foot Painting Goes on View,” The New York Times, Jan. 23, 1981, section C, p. 20.
—Ashbery, John. “Art: Spaced-Out Rosenquist,” Newsweek (New York), Feb. 9, 1981, p. 84. —Nadelman, Cynthia. “New York Reviews: James Rosenquist,” Artnews (New York) 80, no. 5 (May 1981), p. 189.
Castelli-Goodman-Solomon Gallery, East Hampton, N.Y., James Rosenquist: Selected Prints, Aug. 8–22.
Dolly Fiterman Art Gallery, Minneapolis, High Technology and Mysticism: A Meeting Point, Oct. 30–Nov. 30.
—Addington, Fran. “Rosenquist Takes New Directions,” Minneapolis Tribune, Nov. 15, 1981, section G, p. 14.
I. Irving Feldman Gallery, Sarasota, James Rosenquist, Nov.–Dec. 4.
—“I. Irving Feldman Gallery: Graphics by James Rosenquist,” The Long Boat Observer (Long Boat Key, Fla.), Nov. 12, 1981, p. 18.
—Corbino, Marcia. “Transitional Period Emerges in Era of Realism,” Sarasota Herald-Tribune, Nov. 22, 1981, section C, p. 13.
1982
Castelli-Feigen-Corcoran Gallery, New York, James Rosenquist: House of Fire, March 3–April 17.
—Hooton, Bruce Duff. “Rosenquist’s House of Fire,” Art World (New York) 6, no. 7 (March–April 1982), pp. 1, 4.
—Larson, Kay. “The Fire Within,” New York, March 22, 1982, pp. 54–55.
—Russell, John. “Art: A Good Way to Look at French Old Masters,” The New York Times, March 26, 1982, section C, p. 24.
—Kohen, Helen L. “Rosenquist’s View of Reality,” The Miami Herald, June 20, 1982, section L, p. 2.
Gloria Luria Gallery, Bay Harbor Islands, Fla., James Rosenquist: Major New Works, opened June 9.
—Kohen, Helen L. “Rosenquist’s View of Reality,” The Miami Herald, June 20, 1982, section L, p. 2.
Metropolitan Museum and Art Center, Coral Gables, Fla., F-111 and Flamingo Capsule, closed July 4.
—Kohen, Helen L. “Rosenquist’s View of Reality,” The Miami Herald, June 20, 1982, section L, p. 2.
Mayor Gallery, London, James Rosenquist: Paintings from the Sixties, June 1–July 3. Exh. cat., with essay by Richard Shone and previously published statements by Rosenquist.
—Snodgrass, Susan de Alba. “An Interview with the Man Who Painted Flying Bacon,” The Miami News, June 14, 1982, section B, pp. 1–2.
—Hooker, Denise. “London Reviews: James Rosenquist: Mayor Gallery,” Arts Review
(London), June 18, 1982, p. 32.
Colorado State University, Fort Collins, James Rosenquist at Colorado State University, Sept. 1–Oct. 31. Exh. cat., with essay by Ron G. Williams.
—Clurman, Irene. “Rosenquist: Multiple Messages Are Delivered on Mammoth Scale,” Rocky Mountain News (Denver), Sept. 3, 1982, Weekend section, pp. 10, 16.
Castelli-Feigen-Corcoran Gallery, New York, James Rosenquist: Reflector-Deflector, Nov. 9, 1982-Jan. 8, 1983.
—Larson, Kay. “The Fire Within,” New York, March 22, 1982, pp. 54–55.
1983
Center for the Fine Arts, Miami, James Rosenquist, April 22–June 5.
—Tasker, Fredric. “Flying Bacon, Arts Policy Sizzling Again,” The Miami Herald, Feb. 9, 1983, section C, p. 1.
—Harper, Paula. “A Spacy Fantasy: ‘Star Thief,’” The Miami News, April 22, 1983, section D, p. 5.
—Tielis, Laurel. “‘Star Thief’ Was the Star, But Fans Stole the Show,” The Miami Herald, April 27, 1983, section B, p. 2.
—Glueck, Grace. “Art Notebook,” The New York Times, July 21, 1983, section C, p. 15.
Van Straaten Gallery, Chicago, James Rosenquist: Paintings and Works on Paper, May.
Thordén Wetterling Galleries, Göteborg, Sweden, James Rosenquist, Sept. 17–Oct. 16.
Leo Castelli Gallery, New York, James Rosenquist, Oct. 1–22.
—Raynor, Vivien. “Art: American Imagery by James Rosenquist,” The New York Times, Oct. 14, 1983, section C, p. 29.
—Smith, Roberta. “Photos and Realism,” The Village Voice (New York), Nov. 1, 1983, p. 95.
—Moufarrege, Nicolas A. “James Rosenquist,” Arts Magazine (New York) 58, no. 4 (Dec. 1983), p. 7.
—Moufarrege, Nicolas A. “Flash Art Reviews: James Rosenquist: Leo Castelli,” Flash Art International (Milan), no. 115 (Jan. 1984), p. 36.
1984
SVC Fine Arts Gallery, University of South Florida, Tampa, Rosenquist, May 18–June 30.
—Loft, Kurt. “It Takes Work to Create ‘The Smell of a Robot,’” The Tampa Tribune, May 20, 1984, section G, pp. 1–2.
Thordén Wetterling Galleries, Stockholm, James Rosenquist: New Paintings, Sept. 29–Nov. 4. Exh. cat.
Smith College Museum of Art, Northampton, Mass., James Rosenquist and Maurice Sanchez: Artist and Printer, A Decade of Collaboration, Nov. 8, 1984–Jan. 20, 1985.
1985
Leo Castelli Gallery, New York, James Rosenquist: The Persistence of Electrical Nymphs in Space, April 27–June 18.
—Glueck, Grace. “Art: James Rosenquist,” The New York Times, May 3, 1985, section C, p. 23.
The Denver Art Museum, James Rosenquist: Paintings 1961–1985, May 15–July 14. Traveled to Contemporary Arts Museum, Houston, Aug. 24–Oct. 20; Des Moines Art Center, Nov. 29, 1985–Jan. 26, 1986; Albright-Knox Art Gallery, Buffalo, March 14–May 4, 1986; Whitney Museum of American Art, New York, June 26–Sept. 21, 1986; and National Museum of American Art, Smithsonian Institution, Washington, D.C., Oct. 24, 1986–Jan. 11, 1987. Exh. cat. by Judith Goldman.
—Gabriel, Trip. “Rosenquist Up Close,” United (Greensboro) 30 no. 2 (Feb. 1985), pp. 46–51, 60–61.
—Price, Max. “Rosenquist Pop Work Will Be Very Big in May,” The Denver Post, April 21, 1985, p. 19.
—Clurman, Irene. “Retrospective,” Rocky Mountain News (Denver), May 12, 1985, section E, pp. 2–3.
—Price, Max. “Monumental Images,” The Denver Post, May 12, 1985, section D, pp. 1, 20.
—Clurman, Irene. “Old, New Loom Large in Rosenquist’s Work,” Rocky Mountain News (Denver), May 15, 1985, p. 52.
—Price, Max. “A Really Big Show,” The Denver Post, May 15, 1985, section D, pp. 1, 3.
—Price, Max. “Visiting Painter Likes the Site of His Show,” The Denver Post, May 15, 1985, section D, pp. 1, 3.
—Ratcliff, Carter. “Rosenquist’s Rouge,” Artforum (New York) 23, no. 10 (summer 1985), pp. 92–94.
—Price Max. “Visual Radio,” Daytona Beach Sunday News Journal, July 7, 1985, section F, p. 11.
—Johnson, Patricia C. “Rosenquist’s Billboard-Size Works Are Beautifully Rewarding,” Houston Chronicle, Aug. 31, 1985, section 4, p. 1.
—Fudge, Jane. “From Pop’s Place to Outer Space: The James Rosenquist Retrospective,” Artspace (Albuquerque) 9, no. 4 (fall 1985), pp. 20–23.
—Everingham, Carol J. “James Rosenquist Paints the Signs of the Times,” The Houston Post, Sept. 28, 1985, section G, pp. 1, 3.
—Heartney, Eleanor. “Rosenquist Revisited,” Artnews (New York) 85, no. 6 (summer 1986), pp. 98–103.
—Russell, John. “Art: James Rosenquist in Retrospective,” The New York Times, June 27, 1986, section C, p. 28.
—Wallach, Amei. “New Flights of Fancy,” Newsday (New York), June 29, 1986, part 2, pp. 4–5, 13.
—Sozanski, Edward J. “A Superstar Pop Artist Twenty-five Years Later,” The Philadelphia Inquirer, July 13, 1986, section H, p. 12.
—Larson, Kay. “Fire and Ice,” New York, July 21, 1986, pp. 58–59.
—Pincus, Robert L. “Poet of Pop Art Finds Bigger Is Still Better,” The San Diego Union, July 27, 1986, section E, pp. 1, 4.
—Hughes, Robert. “Art: Memories Scaled and Scrambled,” Time (New York), Aug. 11, 1986, p. 69.
—Tourigny, Maurice. “Rosenquist: Le peintre a ses raisons . . . ,” Le Devoir (Montreal), Sept. 6, 1986, section C, p. 7.
—Levin, Kim. “Below Zero,” The Village Voice (New York), Sept. 9, 1986, p. 76.
—Wilson, William. “James Rosenquist: Put On or Great American Artist?” Daytona Beach Sunday News-Journal, Sept. 21, 1986, section H, p. 10.
—Kuspit, Donald. “New York: James Rosenquist: Whitney Museum of American Art,” Artforum (New York) 25, no. 2 (Oct. 1986), pp. 128–29.
—Tillyard, Virginia. “Exhibition Reviews: New York, Whitney Museum Rosenquist Retrospective,” The Burlington Magazine (London) 128, no. 1003 (Oct. 1986), pp. 771–72.—Richard, Paul. “James Rosenquist’s Dreamy Landmarks in Time,” The Washington Post, Oct. 23, 1986, section C, pp. 1–2.
—Addams Allen, Jane. “‘Pop’ Prince Rosenquist Looks Ahead,” The Washington Times, Oct. 24, 1986, section B, pp. 1, 9.
—Schwabsky, Barry. “James Rosenquist at the Whitney Museum,” Artscribe International (London), no. 60 (Nov.–Dec. 1986), pp. 77–78.
—Narrett, Eugene. “Rosenquist in Retrospect: Wrestling with the American Goddess,” New Art Examiner (Chicago) 14, no. 4 (Dec. 1986), pp. 23–25.
—Jones, Roland. “Reviews: New York: James Rosenquist: Paintings 1961–1985, Whitney Museum,” Flash Art International (Milan), no. 131 (Dec. 1986–Jan. 1987), p. 88.
—“View at National Museum,” Antiques and the Arts Weekly (Washington, D.C.), Dec. 19, 1986, p. 47.
—Cotter, Holland. “Advertisements for a Mean Utopia,” Art in America (New York) 75, no. 1 (Jan. 1987), pp. 82–89.
—Camnitzer, Luis. “James Rosenquist en el Museo Whitney,” Arte en Colombia (Bogotá), no. 33 (May 1987), pp. 47–49.
—“Fine Art Goes Outdoor,” Signs of the Times (Cincinnati) 3, no. 2 (May 1987), section 2, pp. 86–87.
Catherine G. Murphy Gallery, St. Paul, James Rosenquist Prints, Sept. 4–27.
1986
Heland Thordén Wetterling Galleries, Stockholm, James Rosenquist Prints: Ladies of the Opera Terrace, Oct.
1987
Heland Thordén Wetterling Galleries, Stockholm, James Rosenquist: One Painting and One Print, Jan. 22–28.
Galerie Daniel Templon, Paris, James Rosenquist, April 29–May 30.
Heland Thordén Wetterling Galleries, Stockholm, James Rosenquist: Paintings 1987, Dec. 3, 1987–Jan. 17, 1988. Exh. cat., with statement by Rosenquist.
1988
Florida State University Gallery and Museum, Tallahassee, James Rosenquist, March 11–April 17. Traveled to The University Gallery at Memphis State, Memphis, April 29–June 12; and Polk Museum of Art, Lakeland, Fla., Sept. 16–Nov. 25. Exh. Cat., with essay by Craig Adcock.
Leo Castelli Gallery, New York, James Rosenquist: Through the Eye of the Needle to the Anvil, April 23–May 14.
Richard L. Feigen & Company, Chicago, James Rosenquist: New Work, May 5–June 24.
USF Art Museum, College of Fine Arts, University of South Florida, Tampa, James Rosenquist at USF, Oct. 10–Dec. 3. Exh. cat., with essay by Donald J. Saff.
1989
Richard L. Feigen & Company, Chicago, James Rosenquist: Flashlife, opened May 12.
Richard L. Feigen & Company, London, James Rosenquist: New Paintings, June 27–July 28. —W[ood], J[ames]. “Reviews: James Rosenquist: Feigen & Company,” Artforum (New York) 28, no. 2 (Oct. 1989), pp. 180–81.
Heland Wetterling Gallery, Stockholm, Welcome to the Water Planet, Nov. 1989–Jan. 1990. Exh. cat., James Rosenquist: Welcome to the Water Planet and House of Fire, 1988–1989, with essay by Judith Goldman, published by Tyler Graphics.
1990
Universal Limited Art Editions, New York, James Rosenquist—Never Mind: From Thoughts to Drawing, Jan. 17–Feb. 17. Exh. cat., with essay by John Yau.
—Wallach, Amei. “Explorations in Space,” Newsday (New York), Feb. 8, 1990, part 2,
pp. 8–9.
The Museum of Modern Art, New York, James Rosenquist: Welcome To The Water Planet, Feb. 7–May 1. Traveled to Laguna Gloria Art Museum, Austin, Tex., Sept. 8–Oct. 21; University of Missouri, Kansas City, Jan. 20–March 22, 1991; The Art Museum, University of California, Santa Barbara, June 25–Aug. 11, 1991; Center for the Arts, Vero Beach, Fla., Dec. 1–Jan. 19, 1992; and University of Kentucky Art Museum, Lexington, March 22–May 10, 1992. Exh. cat., James Rosenquist: Welcome to the Water Planet and House of Fire, 1988–1989, with essay by Judith Goldman, published by Tyler Graphics.
—Wallach, Amei. “Explorations in Space,” Newsday (New York), Feb. 8, 1990, part 2,
pp. 8–9.
—“James Rosenquist at The Museum of Modern Art,” Art Now: Gallery Guide (Scotch Plains, N.J.) 20, no. 7 (March 1990), p. 96.
Erika Meyerovich Gallery, San Francisco, James Rosenquist, Welcome to the Water Planet and House of Fire, 1988–1989, April 6–May 12. Traveled to Glenn-Dash Gallery, Los Angeles, April 7–May 5; Richard L. Feigen & Company, Chicago, May 5–June 2.
Leo Castelli Gallery, New York, James Rosenquist, Oct. 20–Nov. 17.
—Bass, Ruth. “Reviews: James Rosenquist: Leo Castelli,” Artnews (New York) 90, no. 1 (Jan. 1991), p. 143.
—O’Rourke, Meg. “James Rosenquist,” Arts Magazine (New York) 65, no. 5 (Jan. 1991), p. 83.
—Decter, Joshua. “Reviews: James Rosenquist: Leo Castelli,” Flash Art International (Milan) 24, no. 156 (Jan.–Feb. 1991), p. 130.
1991
Tretiakov Gallery, Central House of Artists, Moscow, Rosenquist: Moscow 1961–1991, Feb. 5–March 5. Exh. cat., in Russian and English, with essay by Donald J. Saff and previously published essay by Craig Adcock.
IVAM Centre Julio González, Valencia, James Rosenquist, May 17– Aug. 18. Exh. cat., in Spanish and English, with essay by Craig Adcock, previously published statements by Rosenquist, interview with Rosenquist by David Shapiro, and previously published interviews with Rosenquist by Doon Arbus, Richard Bernstein, Jeanne Siegel, Gene Swenson, and Mary Anne Staniszewski (trans. Javier García Raffi and Harry Smith).
—“James Rosenquist en el IVAM,” Guadalimar (Valencia) 18, no. 3 (April–May 1991), pp. 7–8. —“La visión fragmentada del mundo,” La Mejor Guia de Valencia, May 27, 1991, pp. 28–29.
—Jeffett, William. “Publications Received: Twentieth-Century American Art: James Rosenquist,” The Burlington Magazine (London) 134, no. 1,072 (July 1992), p. 459.
1992
Gagosian Gallery, New York, James Rosenquist: The Early Pictures 1961–1964, May 2–July 11. Exh. cat., with essay by Goldman and interview with Rosenquist by Goldman, published in association with Rizzoli.
—Kimmelman, Michael. “From Rosenquist, a Pleasing Look at Early Pop,” The New York Times, June 7, 1992, section 2, p. 33.
—Larson, Kay. “Unloading the Canon,” New York, June 8, 1992, pp. 62–63.
—Schjeldahl, Peter. “Classic Pop,” The Village Voice (New York), June 9, 1992, p. 96.
—Barrío-Garay, J. L. “David Smith y James Rosenquist,” Goya (Madrid), nos. 229–30 (July–Oct. 1992), pp. 104–05.
—Gutterman, Scott. “James Rosenquist,” Atelier (Tokyo), no. 787 (Sept. 1992), pp. 20–29 (in English and Japanese).
—K[uspit], D[onald]. “Reviews: James Rosenquist: Gagosian Gallery,” Artforum (New York) 31, no. 3 (Nov. 1992), p. 104.
Galería Weber, Alexander y Cobo, Madrid, James Rosenquist: Paintings 1990–1992, May 14–July 25. Exh. cat., in Spanish and English, with statement by Rosenquist.
Galerie Thaddaeus Ropac, Paris, James Rosenquist: Recent Paintings, Oct. 17–Nov. 21. Exh. cat., James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, in French and English, with essay by Ann Hindry and statements by Rosenquist (trans. Nathalie Brunet, Neal Cooper, and Hélène Gille).
1993
Walker Art Center, Minneapolis (organized by University Art Museum, California State University, Long Beach), James Rosenquist: Time Dust, The Complete Graphics, 1962–1992, March 7–May 9. Traveled to Honolulu Academy of Arts, June 16–Aug. 8; Sarah Campbell Blaffer Gallery, University of Houston, Sept. 10–Oct. 31; Samuel P. Harn Museum of Art, University of Florida, Gainesville, Dec. 5, 1993–Feb. 6, 1994; Montgomery Museum of Fine Arts, March 8–June 13, 1994; Huntsville Museum of Art, Huntsville, Ala., Oct. 23, 1994–Jan. 8, 1995; Elvehjem Museum of Art, Madison, March 4–April 30, 1995; Joslyn Art Museum, Omaha, June 17–Sept. 10, 1995; Neuberger Museum of Art, State University of New York at Purchase, Oct. 22, 1995–Jan. 7, 1996; San Diego Museum of Art, March 2– May 5, 1996; and Davenport Museum of Art, Davenport, Iowa, March 1–April 27, 1997. Exh. cat. and catalogue raisonné by Constance W. Glenn, Time Dust, James Rosenquist: Complete Graphics, 1962–1992, published by Rizzoli in association with University Art Museum, California State University, Long Beach.
—Abbe, Mary, and Steven Henry Madoff. “Prints: Rosenquist’s Magic Dust,” Artnews (New York) 92, no. 6 (summer 1993), p. 125.
Leo Castelli Gallery, New York, James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, March 20–April 17. Exh. cat., with statements by Rosenquist and interview with Rosenquist by David Whitney.
—Russell, John. “A Painter Finds That Dolls Can Be Dynamite,” The New York Times, April 11, 1993, p. 30.
—Heartney, Eleanor. “Reviews: Malevolent Dolls,” Artnews
(New York) 92, no. 6 (summer 1993), p. 167.
—Adams, Brooks. “Review of Exhibitions: James Rosenquist at Castelli,” Art in America (New York) 82, no. 1 (Jan. 1994), p. 109.
Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, Calif., James Rosenquist: Recent Paintings, March 27–May 29.
Galerie Thaddaeus Ropac, Salzburg, James Rosenquist: Recent Paintings, April 3–May 22. Exh. cat.
Akira Ikeda Gallery, Tokyo, Japan, James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls, Sept. 3–30. Exh. cat., in English.
Richard L. Feigen & Company, Chicago, James Rosenquist: Gift Wrapped Dolls or Serenade for the Doll after Claude Debussy, Sept. 10– Oct. 9. Exh. cat., with poem by Jessica Hagedorn and previously published essay by John Russell.
1994
Richard L. Feigen & Company, London, James Rosenquist: Gift Wrapped Dolls, May 25–June 24.
Leo Castelli Gallery, New York, James Rosenquist: The Thirtieth Anniversary Exhibition, Oct. 15–Nov. 12. Exh. cat., James Rosenquist, The Big Paintings: Thirty Years, Leo Castelli, ed. Susan Brundage, published in association with Rizzoli.
—Aukeman, Anastasia. “Reviews: James Rosenquist: Leo Castelli,” Artnews (New York) 94, no. 2 (Feb. 1995), p. 122.
—“What It Is,” Artnews (New York) 94, no. 2 (Feb. 1995), p. 27.
—Kalina, Richard. “Review of Exhibitions: James Rosenquist at Leo Castelli,” Art in America (New York) 83, no. 3 (March 1995), p. 100.
Wetterling Teo Gallery, Singapore, James Rosenquist—Paintings, Oct. 31– Dec. 4.
Wetterling Teo Gallery, Singapore, Flower Paintings, Nov. 1994–Feb. 1995. Exh. cat.
Portland Art Museum, Portland, Ore., James Rosenquist: Recent Work, Dec. 9, 1994–April 2, 1995.
1995
Pyo Gallery, Seoul, James Rosenquist: The Big Paintings, March 7–30. Exh. cat., in Korean and English, with previously published essays by Kay Larson, Meg O’Rourke, Carter Ratcliff, and Roberta Smith.
Seattle Art Museum, James Rosenquist Paintings, May 15–Aug. 6.
Civico Museo Revoltella, Galleria d’Arte Moderna, Trieste, James Rosenquist: Gli anni novanta, June 11–Sept. 15. Exh. cat., in Italian and English, with introductions by Roberto Damiani and Maria Masau Dan and essay by Craig Adcock.
1996
Indigo Galleries, Boca Raton, James Rosenquist: New Paintings and Constructions, Feb. 8–March 2.
Graphicstudio Gallery, University of South Florida, College of Fine Arts, Tampa, James Rosenquist: A Retrospective of Prints Made at Graphicstudio 1971–1996, April 11–June 27. —Milani, Joanne. “Rosenquist: The Vision Quest,” The Tampa Tribune, May 5, 1996, pp. 1–2.
Leo Castelli Gallery, New York, James Rosenquist, 4 E 77 St 1970 Revisited and New Paper Constructions from Gemini G.E.L., April 20–May 18. Exh. cat., with statement by Rosenquist.
Galerie Thaddaeus Ropac, Paris, James Rosenquist: Target Practice, May 14–June 15. Exh. cat., with statement by Rosenquist.
Richard L. Feigen & Company, Chicago, Target Practice: Recent Paintings by James Rosenquist, May 31–July 26. Exh. cat., with essay by Craig Adcock and statement by Rosenquist.
Brenau University Galleries, Gainesville, Ga., James Rosenquist: Painting and Prints, July 13–Oct. 4. Exh. cat., with essay by Craig Adcock.
Gemini G.E.L., Los Angeles, New Paper Constructions, Sept. 20–Dec. 1996.
1997
Galerie Thaddaeus Ropac, Paris, James Rosenquist: Three Large Paintings,
Feb. 4–March 8.
Heland Wetterling Gallery, Stockholm, Target Practice, March–April. Exh. Cat.
Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Fukushima, Japan, The Graphics of James Rosenquist, March 1–June 15. Exh. cat., in Japanese and English, with essay by Judith Goldman and interview with Rosenquist by Kaoru Yanase and Shunichi Kamiyama.
Wetterling Teo Gallery, Singapore, James Rosenquist: New Works 1996, Aug. 15–Sept. 30. Exh. cat., with statement by Rosenquist.
1998
Deutsche Guggenheim Berlin, James Rosenquist: The Swimmer in the Econo-mist, March 7–June 14. Exh. cat., with essay by Judith Goldman and interview with Rosenquist by Robert Rosenblum.
Feigen Contemporary, New York, James Rosenquist/After Berlin: New Paintings, Oct. 23–Nov. 28.
1999
Baldwin Gallery, Aspen, Colo., James Rosenquist/Meteors: New Paintings, March 12–May 1. Exh. cat., James Rosenquist: Paintings 1996–1999, with introduction by Judith Goldman.
—Bradley, Jeff. “Large-scale Art, Huge Images Fill Rosenquist Works,” Denver Post, March 26, 1999, section E, p. 22.
Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images From Everywhere, News From Nowhere, Sept. 5–Oct. 31.
—Marger, Mary Ann. “Museum Features Two of Florida’s Best,” St. Petersburg Times, Sept. 3, 1999, p. 27.
—Marger, Mary Ann. “Reality, Readjusted,” St. Petersburg Times, Sept. 10, 1999, section D, p. 1.
—Milani, Joanne. “The Art of Recycling,” The Tampa Tribune, Oct. 3, 1999, p. 14.
2000
Salvador Dalí Museum, St. Petersburg, Fla., James Rosenquist Paintings/James Rosenquist Selects Dalí, April 29–Sept. 10. Exh. cat., with essay by William Jeffett and interviews with Rosenquist by Jeffett.
—Marger, Mary Ann. “Pop Goes the Dalí,” St. Petersburg Times, May 5, 2000, section D, p. 1.
—Milani, Joanne. “Taking Aim,” The Tampa Tribune, June 25, 2000, p. 14.
—Milani, Joanne. “Gallery Glimpses,” The Tampa Tribune, July 2, 2000, p. 4.
2001
Gagosian Gallery, New York, James Rosenquist: The Stowaway Peers Out at the Speed of Light, April 28–June 9. Exh. cat., with essay by William Jeffett.
—Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In,” The New York Times, June 1, 2001, section E, p. 29.
—Schwabsky, Barry. “James Rosenquist,” Artforum (New York) 40, no. 1 (Sept. 2001), p. 193.
—Heartney, Eleanor. “James Rosenquist at Gagosian,” Art in America (New York) 89, no. 11 (Nov. 2001), p. 145.
Tampa Museum of Art, James Rosenquist: The Florida Years 1976–2001, May 13–Aug. 5.
—Hammer, Esther. “Abstract Paintings Come in Three Panels, Many Emotions,” The Tampa Tribune, May 10, 2001, p. 3.
—Hammer, Esther. “Summer Cooks with First of Three ‘Hot’ Shows,” The Tampa Tribune, June 7, 2001, p. 3.
—Milani, Joanne. “James Rosenquist: The Florida Years,” The Tampa Tribune, July 1, 2001, p. 13.
2003
The Menil Collection and the Museum of Fine Arts, Houston, James Rosenquist: A Retrospective, May 17–Aug. 17. Traveled to Solomon R. Guggenheim Museum, New York, Oct. 16, 2003–Jan. 18, 2004; Solomon R. Guggenheim Museum, Bilbao, Spain, May 12–Oct. 17, 2004; and Kunstmuseum Wolfsburg, Germany. Feb. 19–June 5, 2005. Exh. cat. by Walter Hopps and Sarah Bancroft, with essays by Walter Hopps, Julia Blaut, and Ruth E. Fine.
—Johnson, Patricia C. “Rosenquist’s Giants Take Over Two Galleries.” Houston Chronicle, 16 May 2003.
—Sischy, Ingrid. “Rosenquist’s Big Picture.” Vanity Fair, no. 513 (May 2003): 186–193, 228–230.
—Thon, Ute. “Eiscreme, Sex und Revolver - Willkommen in Amerika.” Art - Das Kunstmagazin, no. 5 (May 2003): 10–28.
—“Larger than Life.” Museums Texas (Spring/Summer 2003): 1, 6.
—Stevens, Mark. “Americana Idol.” New York 36, no. 30 (September 8, 2003): 79.
—Lobel, Michael, et al. “Sign Language.” Artforum 42, no. 2 (October 2003): 126–33.
—Turner, Elisa. “The Right Stuff.” Artnews 102, no. 9 (October 2003): 96–99.
—Goldman, Judith. “James Rosenquist: Menil Collection and Museum of Fine Arts, Houston.” Artnews 102, no. 9 (October 2003): 132–33.
—Golub, Adrienne M. “The Big Picture.” The Weekly Planet 16, no. 30 (October 15–October 21, 2003): 12–14, 16–18.
—Kimmelman, Michael. “Mixing Catchy Pop Images to Make Haiku Writ Large.” The New York Times, 17 October 2003: E33, E42.
—Schjeldahl, Peter. “The Art World: Time Pieces, James Rosenquist at the Guggenheim.” The New Yorker 79, no. 32 (27 October 2003): 106–107.
—Stevens, Mark. “King of Pop.” New York 36, no. 37 (October 27, 2003): 86.
—Kifner, John. “Artist’s Journey from Billboards to Supersize Art.” The New York Times, 29 October 2003: B1, B2.
—Halle, Howard. “Working for Scale.” Time Out New York, issue 422 (October 30–November 6, 2003): 48–49.
—Killeen, Michael. “Rosenquist.” Soloarte, no. 2, (November-December 2003): 110–115.
—Nakamura, Marie-Pierre. “James Rosenquist.” Art Actuel, no. 29 (November-December 2003): 76–79.
—Bennett, Lennie. “Rosenquist’s America.” The St. Petersburg Times, 16 November 2003: 8D.
—Saltz, Jerry. “First-Round Knockout.” The Village Voice, November 18, 2003.
—Minthorn, David. “Pop Artist Rosenquist Spills Paint on History.” Minneapolis-St. Paul Star Tribune, 23 November 2003: F3.
—Foster, Hal. “At the Guggenheim.” London Review of Books 25, no. 24 (18 December 2003).
—Watson, Bruce. “Big!” Smithsonian 34, no. 10 (January 2004): 70–75.
—Kalina, Richard. “James Rosenquist at Full Scale.” Art in America 92, no. 2 (February 2004): 96–103, 135.
—Karcher, Eva. Big Life. Vogue Deutsche (February 2005): pp. 214–219, 241.
—“Kunst: ‘Partys geschmissen’.” Der Spiegel, no. 7 (14 February 2005): 154─55.
—Parsons, Sarah Fatima. "Das nächste wird grauenhaft!" Artinvestor 5, no. 1 (2005): 46–52.
McClain Gallery, Houston, James Rosenquist: Recent Paintings, May 17–June 30.
Leo Castelli Gallery, New York, James Rosenquist: Selected Works on Paper, Sept. 26–Nov. 22.
Jim Kempner Fine Art, New York, James Rosenquist Prints: A Mini-Retrospective, Oct. 11–Nov. 29.
AXA Gallery, New York, James Rosenquist, Oct. 14, 2003–Jan. 9, 2004.
Robert Miller Gallery Temporary Annex Space, New York, James Rosenquist, Oct. 23–Nov. 22.
Jacobson Howard Gallery, New York, James Rosenquist: Collages, Oct. 23–Nov. 26.
Barbara Gillman Gallery, Miami, Rosenquist in Florida: Major Prints, Nov. 8, 2003–Jan. 12, 2004.
—Schudel, Matt. “Arts Briefs: Rosenquist Exhibit.” Sun-Sentinal (Broward County, Florida) 22 November 2003.
2004
Godt-Cleary Projects, Las Vegas, James Rosenquist: Prints from the ‘80s and ‘90s, Feb. 1–March 31.
—Twardy, Chuck. “Optic Nerve: Archeology at the Speed of Light.” Las Vegas Weekly, February 12–18, 2004.
Galerie ArtPoint der Ferratec AG, Rudolfstetten, Switzerland, James Rosenquist: Welcome to the Water Planet, March 12–April 9. Exh. cat. with an essay by Gottfried Honegger.
2005
Givon Art Gallery, Tel Aviv, James Rosenquist: Ten Paintings, 1965–2004 Collage, 1987, March 12–April 30.
Acquavella Contemporary Art, Inc., New York, James Rosenquist: Monochromes, Oct. 4–Nov. 11. Exh. cat. by Craig Adcock.
—Vogel, Carol. “Inside Art: Rosenquist at Acquavella.” The New York Times, 7 October 2005: B36.
2006
Miami Art Museum, Miami, James Rosenquist, March 3–Jan. 2. Exh. cat. by Lorie Mertes. —Turner, Elisa. “James’ Juxtaposition.” The Miami Herald, 9 April 2006: 3M, 11M.
National Gallery of Australia, Canberra, Welcome to the Water Planet: Paperworks by James Rosenquist, June 10–Sept. 12.
—Kinsman, Jane. “Rosenquist: Welcome to the Water Planet.” artonview, no. 46 (Winter 2006): 24–31.
—Kinsman, Jane. “Rosenquist: Welcome to the Water World.” Imprint (The Journal of the Print Council of Australia Inc.) 41, no. 2 (Winter 2006): 36–37.
Art Unlimited/Art Basel, James Rosenquist: Celebrating the Fiftieth Anniversary of the Signing of the Universal Declaration of Human Rights by Eleanor Roosevelt, June 13–18. Exh. cat. by Sarah Celeste Bancroft.
—A[dam], G[eorgina]. “Provincial Town Asks for Option on Rosenquist.” The Art Newspaper (Art Basel Daily Edition), 16, 17, 18 June 2006: 1.
—May, Derwent. “Nothing Faulty About Basel.” The Times (London), 6 June 2006.
— “Revealed: Rosenquist’s Monumental Tribute to Human Rights.” The Art Newspaper (Art Basel Daily Edition), 13 June 2006: 1.
—Vogel, Carol. “At Basel Fair, High Rollers and Blue-Chip Artists.” The New York Times, 15 June 2006: B1, B7.
—Couto, Rodrigo Carrizo. “James Rosenquist: Artista.” El País, 18 June 2006: 50.
Carl Solway Gallery, Cincinnati, James Rosenquist: Print Retrospective, 1965–2005, Sept. 8–Dec. 23.
Haunch of Venison, London, James Rosenquist, Oct. 11–Nov. 18. Exh. cat. with an introduction by Ben Tufnell, essays by Carter Ratcliff and Sarah Bancroft, and an interview of James Rosenquist by Scott Rothkopf.
—Teodorczuk, Tom. “The 40-Year Overnight Success.” Evening Standard (London), 9 October 2006.
—Pitman, Joanna. “Putting the Fizz into Pop.” The Times (London), 24 October 2006.
—Green, Alison. “James Rosenquist.” Art Monthly, no. 301 (November 2006): 16–17.
2007
Silvermine Guild Arts Center, New Canaan, Conn., James Rosenquist: The Speed of Light and Beyond, June 15–July 15.
Acquavella Contemporary Art, Inc., New York, James Rosenquist: Time Blades, Oct. 31–Dec. 14. Exh. cat. by Sarah Bancroft.
—Goldman, Judith. “Time on His Mind.” Vogue 197, no. 10 (October 2007): 404–9.
—Kastner, Jeffrey. “In the Studio: James Rosenquist.” Art + Auction 31, no. 3 (November 2007): 86–92.
—Rosenberg, Karen. “Art in Review: James Rosenquist, Time Blades.” The New York Times, 16 November 2007.
—Ebony, David. “James Rosenquist at Acquavella.” Art in America 96, no. 5 (May 2008): 189.
2008
Jablonka Galerie, Berlin, James Rosenquist: The Hole in the Center of Time, Sept. 5–Oct. 25. Exh. cat. by Craig Adcock.
2009
DaFeng Gallery, Beijing, James Rosenquist: Speed of Light Lithograph Series, Sept. 12–Nov. 8. Exh. cat. by Austin M. Powers.
2010
Acquavella Contemporary Art, Inc., New York, James Rosenquist: The Hole in the Middle of Time and the Hole in the Wallpaper, Feb. 18–March 19. Exh. cat. by Sarah Celeste Bancroft. —Ayers, Robert. “Reviews: James Rosenquist.” Artnews 109, no. 6 (June 2010): 100.
2012
The Museum of Modern Art, New York, James Rosenquist: F-111, Jan. 25–July 30.
—Woodward, Richard B. “Destruction All Around.” The Wall Street Journal, 10 March 2012: C13.
—Guiducci, Mark. “VF Daily: James Rosenquist on the Re-staging of his F-111 at MoMA, the Zen of Duchamp, and Teaching Dalí to Drink a Screwdriver.” Vanity Fair, 20 January 2012.
Leslie Sacks Contemporary, Santa Monica, James Rosenquist, Sept. 29–Nov. 11.
Acquavella Contemporary Art, Inc., New York, James Rosenquist: Multiverse You Are, I Am, Sept. 10–Oct. 13. Exh. cat. by Judith Goldman.
—Nadelman, Cynthia. “Reviews: New York.” Artnews 111, no. 10 (November 2012): 144.
2013
North Dakota Museum of Art, Grand Forks, James Rosenquist: An Exhibition Celebrating His 80th Birthday, Aug. 22, 2013–Jan. 21, 2014.
—Maki, Jasmine. “N.D. Native James Rosenquist’s 17-by-46 foot, One-piece Painting on Display at North Dakota Museum of Art.” Grand Forks Herald, 21 August 2013.
Richard L. Feigen and Co., New York, James Rosenquist: A Pale Angel’s Halo and Slipping off the Continental Divide, 1973, Oct. 30, 2013–Jan. 10, 2014.
Boca Raton Museum of Art, Fla., James Rosenquist’s “High Technology and Mysticism: A Meeting Point”, Nov. 23, 2013–April 6, 2014.
2014
Wetterling Gallery, Stockholm, James Rosenquist: All Things are Devoid of Intrinsic Existence, April 29–June 14. Exh. cat. by Lars O. Ericsson.
Senior and Shopmaker Gallery, New York, James Rosenquist: F-111 (South, West, North, East) and Drawings from the 70s, Sept. 19–Nov. 8.
Oklahoma State University Museum of Art, Stillwater, James Rosenquist: Illustrious Works on Paper, Illuminating Paintings, Nov. 10, 2014–March 14, 2015. Traveled to Syracuse University Art Galleries, New York, Aug. 20–Nov. 22, 2015. Exh. cat. by Sarah C. Bancroft.
—Newman, Emily L. “The New York Project: James Rosenquist.” Art Focus Oklahoma 29, no. 6 (November/December 2014): 16–17.
—Keys, Elizabeth. “Pop Art Debuts with James Rosenquist Exhibit in Oklahoma State University Postal Plaza Gallery’s ‘New York Project’.” Stillwater News Press, 19 November 2014.
—Hays, Jordan. “Expanding Connections: New York Project Brings Urban Art Experience to OSU Museum of Art.” Slate Magazine 10, no. 2 (Winter 2014): 60–65.
2015
The Heckscher Museum of Art, Huntington, New York, James Rosenquist: Tripartite Prints, Aug. 15–Nov. 22.
—Jacobson, Aileen. “Pizza in Flight, and Other Pictures in Motion.” New York Times, 8 November 2015: L19.
2016
Museum of Contemporary Art Jacksonville, University of North Florida, Time Zones: James Rosenquist and Printmaking at the Millennium, Feb. 13–May 15.
—Patton, Charlie. “Arts Notes: Printmaking Now the Focus at MOCA Jacksonville.” The Florida Times-Union, 6 February 2016.
—Patton, Charlie. “MOCA Showcases Work of Andy Warhol, James Rosenquist, Other Printmakers.” The Florida Times-Union, 20-21 February 2016.
Pacific Northwest College of Art Center for Contemporary Art and Culture, Portland, Oregon, Lifetime Achievement Award Exhibition: James Rosenquist, March 22–June 4.
Judd Foundation, New York, James Rosenquist, May 13–Aug. 6.
—Moss, Hilary. “Installing Pop Art in Donald Judd’s Former Home.” The New York Times Style Magazine, 19 April 2016.
—Mason, Brook. “Home from Home: James Rosenquist at the Judd Foundation.” Wallpaper*, 24 May 2016.
—Herriman, Kat. “Strange Bedfellows? James Rosenquist Shows at Donald Judd’s House in SoHo.” Blouin Art Info International, 13 May 2016.
Honolulu Museum of Art, James Rosenquist’s House of Fire: A Masterwork of American Pop Art, July 7–Oct. 2.
—Pennybacker, Mindy. “Hot Pop: James Rosenquist’s ‘House of Fire’ Stars in a New Print Show.” Honolulu Star-Advertiser, 31 July 2016.
Galerie Thaddaeus Ropac, Paris Marais, Paris, James Rosenquist: The Collages, 1960–2010, Sept. 10–Oct. 15.
Galerie Thaddaeus Ropac, Paris Pantin, Paris, James Rosenquist: Four Decades, 1970–2010, Sept. 11, 2016–Jan. 7, 2017. Exh. cat. by Alain Cueff and Sarah Celeste Bancroft.
—Durand, Jean-Marie. “L’extase James Rosenquist, figure du Pop Art, exposé à Pantin.” Les Inrocks, 17 September 2016.
—Lavrador, Judicaël. “Rosenquist, le papy pop art.” Libération, 16 October 2016.
2017
Museum Ludwig, Cologne, Germany, James Rosenquist: Painting as Immersion, Nov. 18, 2017–March 4, 2018. Travels to ARoS Aarhus Art Museum, Denmark, March 31–Sept. 16, 2018. Eds. Stephan Diederich, Exh. cat. with essays by , Sarah Bancroft, Stephan Diederich, Yilmaz Dziewior, Isabel Gebhardt, Tino Grass, Tim Griffin.
USF Contemporary Art Museum, Tampa, Florida, James Rosenquist: Tampa, Nov. 13–Dec. 9, 2017. Exh. brochure.
2019
Kasmin Gallery, New York. James Rosenquist: Two Paintings. October 17–November 16, 2019.
Galerie Thaddaeus Ropac, London, UK. James Rosenquist: Visualizing the Sixties. September 11–November 22, 2019.
2022
Kasmin Gallery, New York. James Rosenquist. April 28–June 4, 2022