1958

Walker Art Center, Minneapolis, 1958 Biennial: Paintings Prints Sculpture, May 4–June 15. Exh. cat.

1962

The Dallas Museum for Contemporary Arts, 1961, April 3–May 13. Exh. cat.

Nelson Gallery-Atkins Museum, Kansas City, Popular Art: Artistic Projections of Common American Symbols, April 28–May 26. Exh. cat., with text by Ralph T. Coe.

Art Council of the YM/YWHA, Philadelphia, Art 1963: A New Vocabulary, Oct. 25–Nov. 7, 1962. Exh. cat., with statements by George Brecht, Robert Breer, Jim Dine, Jasper Johns, Billy Klüver, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Jean Tinguely, and Robert Watts.

Sidney Janis Gallery, New York, International Exhibition of the New Realists, Nov. 1–Dec. 1. Exh. cat., with essay by Sidney Janis.
—O’Doherty, Brian. “Art: Avant-Garde Revolt: ‘New Realists’ Mock US Mass Culture in Exhibition at Sidney Janis Gallery,” The New York Times, Oct. 31, 1962, p. 41.
—O’Doherty, Brian. “Pop Goes the New Art,” The New York Times, Nov. 4, 1962, p. 23. —Rosenberg, Harold. “The Art Galleries: The Game of Illusion,” The New Yorker, Nov. 24, 1962, pp. 161–67.
—Hess, Thomas. “Reviews and Previews: New Realists,” Artnews (New York) 61, no. 8 (Dec. 1962), pp. 12–13.
—Restany, Pierre. “Paris Letter: The New Realism,” Art in America (New York) 51, no. 1 (Feb. 1963), pp. 102–04.

Dwan Gallery, Los Angeles, My Country ‘Tis of Thee, Nov. 18–Dec. 15. Exh. brochure, with text by Gerald Nordland.
—Hopkins, Henry T. “Reviews: Los Angeles: Group Show,” Artforum (Los Angeles) 1, no. 6 (Nov. 1962), p. 48.

1963

The Art Institute of Chicago, Sixty-sixth Annual American Exhibition: Directions in Contemporary Painting and Sculpture, Jan. 1–Feb. 10.

Cinéma Ranelagh, Paris, Vues Imprenables, Feb. 1–29.

The Allan Stone Gallery, New York, Exhibition for the Benefit of the Foundation for Contemporary Performance Arts, Feb. 25–March 2. Exh. cat.
—“Pictures from Modern Masters to Aid Music and Dance,” Artnews (New York) 61, no. 10 (Feb. 1963), p. 44.
—“Talk of the Town: Artists for Artists,” The New Yorker, March 9, 1963, pp. 32–34.
—J[udd], D[onald]. “New York Exhibitions: In the Galleries: Performance Arts,” Arts Magazine (New York) 37, no. 7 (April 1963), p. 52.

Solomon R. Guggenheim Museum, New York, Six Painters and the Object, March 14–June 12. Traveled to Los Angeles County Museum of Art, July 7–Aug. 25. Exh. cat., with essay by Lawrence Alloway.
—Rose, Barbara. “Pop Art at the Guggenheim,” Art International (Lugano) 7, no. 5 (May 1963), pp. 20–22.
—Judd, Donald. “New York Exhibitions: In the Galleries: Six Painters and the Object,” Arts Magazine (New York) 37, no. 9 (May–June 1963), pp. 108–09.

The Kootz Gallery, New York (organized by The Poses Institute of Fine Arts, Brandeis University, Waltham, Mass.), Recent Acquisitions: The Gevirtz-Mnuchin Collection and Related Gifts, March 26–30. Traveled to The Rose Art Museum, Brandeis University, Waltham, Mass., May 3–23. Exh. cat.

Contemporary Arts Museum, Houston, Pop! Goes the Easel, April. Exh. cat., with essay by Douglas MacAgy.

The Washington Gallery of Modern Art, Washington, D.C., The Popular Image Exhibition, April 18–June 2. Exh. cat., with essay by Alan R. Solomon. Phonograph record, On Record: Eleven Artists 1963, Interviews by Billy Klüver, with interview with Rosenquist by Klüver, released by Experiments in Art and Technology, 1981; audiocassette released 1993.

Nelson Gallery-Mary Atkins Museum of Fine Arts, Kansas City, Popular Art, April 28–May 26.

Galerie Ileana Sonnabend, Paris, Pop art américain, May.

Centre Culturel Américain, Paris, De A à Z 1963: 31 peintres américains choisis par The Art Institute of Chicago, May 10–June 20. Exh. cat.

The Museum of Modern Art, New York, Americans 1963, May 20– Aug. 18. Traveled to National Gallery of Canada, Ottawa, Nov. 8– Dec. 1. Exh. cat., with text by Dorothy C. Miller. —Rose, Barbara. “Americans 1963,” Art International (Lugano) 2, no. 7 (Sept. 1963) pp. 77–79.

Oakland Art Museum (organized with California College of Arts and Crafts), Pop Art USA, Sept. 7–29. Exh. cat., with essay by John Coplans.

Jerrold Morris International Gallery, Toronto, The Art of Things, Oct. 19–Nov. 6.

Institute of Contemporary Arts, London (organized with Ileana Sonnabend Gallery, Paris), The Popular Image, Oct. 24–Nov. 23. Exh. cat., with essay by Alan Solomon.
—Gosling, Nigel. “Pioneers of Pop,” The Observer (London), Nov. 3, 1963, p. 27.

Tate Gallery, London, Dunn International Exhibition, Nov. 15–Dec. 22.

Albright-Knox Art Gallery, Buffalo, Mixed Media and Pop Art, Nov. 19– Dec. 15. Exh. cat.

Munson-Williams-Proctor Institute, Utica, N.Y. (organized by Institute of Fine Arts, Brandeis University, Waltham, Mass.), New Directions in American Painting, Dec. 1, 1963–Jan. 5, 1964. Traveled to Isaac Delgado Museum of Art, New Orleans, Feb. 7–March 8, 1964; Atlanta Art Association, March 18–April 22, 1964; The J. B. Speed Art Museum, Louisville, May 4–June 7, 1964; Art Museum, Indiana University, Bloomington, June 22–Sept. 20, 1964; Washington University in St. Louis, Oct. 5–30, 1964; and Detroit Institute of Arts, Nov. 10–Dec. 6, 1964. Exh. cat., with introduction by Sam Hunter.

Des Moines Art Center, Signs of the Times, Dec. 6, 1963–Jan. 19, 1964. Traveled to Addison Gallery of American Art, Phillips Academy, Andover, Mass., Feb. 15–March 22, 1964. Exh. cat., Signs of the Times: Paintings by Twelve Contemporary Pop Artists.

Whitney Museum of American Art, New York, Annual Exhibition 1963: Contemporary American Painting, Dec. 11, 1963–Feb. 2, 1964.

1964

Sidney Janis Gallery, New York, Four Environments by Four New Realists, Jan. 3–Feb. 1. —Swenson, Gene R. “Reviews and Previews: Four Environments,” Artnews (New York) 62, no. 10 (Feb. 1964), p. 8.

Green Gallery, New York, James Rosenquist, closed Feb. 1.
—Swenson, Gene R. “Reviews and Previews: James Rosenquist,” Artnews (New York) 62, no. 10 (Feb. 1964), p. 8.

Dwan Gallery, Los Angeles, Boxes, Feb. 2–29. Exh. cat., with text by Walter Hopps.
—Hopps, Walter. “Boxes,” Art International (Lugano) 8, no. 2 (March 1964), pp. 38–42.
—Weber, John W. “Boxes,” Art in America (New York) 52, no. 3 (June 1964), pp. 98–102.

Moderna Museet, Stockholm, Amerikansk pop-konst, Feb. 29–April 12. Traveled to Louisiana Museum of Modern Art, Humlebaek, Denmark, as Amerikansk Popkunst, April 17–May 24; and Stedelijk Museum, Amsterdam, as American Pop Art/De Nieuwe Amerikaanse Kunst, June 22–July 26. Exh. cat. (Stockholm), with text by Alan R. Solomon. Exh. cat. (Humlebaek), special issue of Louisiana Revy (Humlebaek), no. 4 (April 1964), with text by Alan R. Solomon. Exh. cat. (Amsterdam), with text by Alan R. Solomon.

Tate Gallery, London, Painting and Sculpture of a Decade 54/64,
April 22–June 28. Exh. cat.

New York State Pavilion, New York World’s Fair, April 22–Oct. 18, 1964, and April 21–Oct. 17, 1965.
—Johnson, Philip. “Young Artists at the Fair and at Lincoln Center,” Art in America (New York) no. 4 (1964), pp. 112–21.

Whitney Museum of American Art, New York, The Friends Collect: Recent Acquisitions by Members of the Friends of the Whitney Museum of American Art; Seventh Friends Loan Exhibition, May 8–June 16.

Musée d’Art Moderne de la ville de Paris, XXe Salon de Mai, May 16–June 7. Exh. cat., with introduction by Gaston Diehl.
—Ashbery, John. “U.S. Takeover in Paris,” New York Herald Tribune (Paris), May 26, 1964, p. 5.

Whitney Museum of American Art, New York, Between the Fairs: Twenty-five Years of American Art, 1939–1964, June 24–Sept. 23.
Museum of Art, Rhode Island School of Design, Providence, Paintings and Constructions of the 1960’s Selected from the Richard Brown Baker Collection, Oct. 2–25. Exh. cat.

Bianchini Gallery, New York, American Supermarket, Oct. 6–Nov. 7.

Museum of Art, Carnegie Institute, Pittsburgh, The 1964 Pittsburgh International: Exhibition of Contemporary Painting and Sculpture, Oct. 30, 1964–Jan. 10, 1965.
—Levin, Kim. “Anything Goes at the Carnegie,” Artnews (New York) 63, no. 8 (Dec. 1964), pp. 34–36, 63.

Sidney Janis Gallery, New York, A Selection of Twentieth Century Art of Three Generations, Nov. 24–Dec. 26.

Oakland Art Museum, Pop Art U.S.A. Exh. cat., with essay by John Coplans.

1965

Palais des Beaux-Arts, Brussels, Pop Art, Nouveau Réalisme, Etc., Feb. 5–March 1. Exh. cat.

Worcester Art Museum, Worcester, Mass., The New American Realism, Feb. 18–April 4.

Milwaukee Art Center, Pop Art and the American Tradition, April 9–May 9. Exh. cat. by Tracy Atkinson.

The Larry Aldrich Museum, Ridgefield, Conn., Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection, April 25–July 5. Exh. cat.

Leo Castelli Gallery, New York, James Rosenquist, April 17–May 13.
—“Pop: Bing-Bang Landscapes,” Time (New York), May 28, 1965, p. 80.

Instituto Torcuato di Tella, Buenos Aires, International Prize Exhibition, Sept.

De Waters Art Center, Flint Institute of Arts, Flint, Mich. (organized by American Federation of Arts), The Drawing Society National Exhibition: 1965, Oct. 1–22. Traveled to University of Massachusetts, Amherst, Nov. 5–26; Oklahoma Art Center, Oklahoma City, Dec. 10–31; Atlanta Art Association, Jan. 14–Feb. 4, 1966; Museum of Art, University of Kansas, Lawrence, Feb. 18–March 11, 1966; Colorado Springs Fine Arts Center, March 25–April 14, 1966; Frederick & Nelson, Seattle, April 22–May 2, 1966; Long Beach Museum of Art, June 5–26, 1966; Honolulu Academy of Arts, July 8–29, 1966; M. H. de Young Memorial Museum, San Francisco, Aug. 12–Sept. 2, 1966; and National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., Sept. 16–Nov. 12, 1966. Exh. cat.

Sidney Janis Gallery, New York, Pop and Op, Dec. 1–31.

1966

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, The Other Tradition, Jan. 27–March 7. Exh. cat., with text by G[ene] R. Swenson.

Queens College, City University of New York, New York International, Feb. 23–March 7.

Museum of Art, Rhode Island School of Design, Providence, Recent Still Life, Feb. 23– April 4.

Galerija Suvremene Umjetnosti, Zagreb, Pop Art, March 8–22.

The Jewish Museum, New York, The Harry N. Abrams Family Collection, June 29–Sept. 5.

The Art Institute of Chicago, Sixty-eighth American Exhibition, Aug. 19–Oct. 16.

The Larry Aldrich Museum, Ridgefield, Conn., Selections from the John G. Powers Collection, Sept. 25–Dec. 11.

Sidney Janis Gallery, New York, Erotic Art ‘66, Oct. 3–29.
—Schjeldahl, Peter. “Erotic and/or Art,” The Village Voice (New York), Oct. 13, 1966, p. 13.

The National Museum of Modern Art, Tokyo (organized with the International Council of The Museum of Modern Art, New York), Two Decades of American Painting, Oct. 15–Nov. 27. Traveled to The National Museum of Modern Art, Kyoto, Dec. 10, 1966–Jan. 22, 1967; Lalit Kala Academy, New Delhi, March 25–April 16, 1967; National Gallery of Victoria, Melbourne, June 6–July 9, 1967; and Art Gallery of New South Wales, Sydney, July 26–Aug. 20, 1967. Exh. cat., in Japanese and English, with introduction by Waldo Rasmussen and essays by Lucy R. Lippard, Irving Sandler, and Gene Swenson.

William Rockhill Nelson Gallery of Art, Kansas City, Sound, Light, Silence, Nov. 4–Dec. 4.

Flint Institute of Arts, Flint, Mich., Flint Invitational, Nov. 4–Dec. 31. Exh. cat.

Galleria la Bertesca, Genoa, American Pop Artists, Nov. 12–Dec. 10. Exh. cat., with essay by Maurizio Calvesi.

1967

State University College, Oswego, N.Y. (organized by The Museum of Modern Art, New York), Contemporary American Still Life, Jan. 6–29. Traveled to Wabash College, Crawfordsville, Ind., Feb. 14–March 7; Texas Technological College, Lubbock, March 24–April 16; Cummer Gallery of Art, Jacksonville, Fla., May 1–22; San Francisco State College, June 6–27; Kresge Art Center, Michigan State University, East Lansing, Sept. 29–Oct. 22; Mercer University, Macon, Ga., Nov. 13–Dec. 4; and University of Maryland, College Park, Jan. 5–28, 1968.

Leo Castelli, New York, Leo Castelli: Ten Years, Feb. 4–26.

Städtische Kunstausstellung, Gelsenkirchen, Germany, Original Pop Art, March 5–20.

Krannert Art Museum, University of Illinois, Champaign, Contemporary American Painting and Sculpture 1967, March 5–April 9.

U.S. Pavilion, Expo ’67, Montreal World’s Fair, American Painting Now, April 28–Oct. 27. Traveled to Horticultural Hall, Boston, Dec. 15, 1967–Jan. 10, 1968. Exh. cat., with text by Alan Solomon.
—Vineburg, Dusty. “Under the Dome: A Powerful, Brainy Show of Pop, Op, Geometric Art,” The Montreal Star, May 13, 1967, Entertainment, p. 4.

Art Gallery, University of California, Irvine, A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, May 2–21. Traveled to San Francisco Museum of Art, June 2–July 2.

New Jersey State Museum, Trenton, Focus on Light, May 20–Sept. 10. Exh. cat. with essays by Richard Bellamy, Lucy R. Lippard, and Leah P. Sloshberg.

The Museum of Modern Art, New York, The 1960’s: Painting and Sculpture from the Museum Collection, June 28–Sept. 24.

Palazzo Grassi, Centro Internazionale delle Arti e del Costume, Venice, Campo Vitale: Mostra Internazionale d’arte contemporanea, July–Oct.

Palazzo dei Congressi, San Marino, Nuove Tecniche d’Immagine, July 15–Sept. 30.

Museu de Arte Moderna de São Paulo, Environment U.S.A.: 1957–1967 (part of IX Bienal de São Paulo), Sept. 22, 1967–Jan. 8, 1968.
—Glueck, Grace. “For São Paulo–Some Pop, Lots of Hop(per),” The New York Times, March 19, 1967, section D, p. D–29.
—Kramer, Hilton. “Art: United States’ Exhibition Dominates São Paulo’s Ninth Bienal,” The New York Times, Sept. 20, 1967, p. 42.

The Washington Gallery of Modern Art, Washington, D.C., Art for Embassies Selected from the Woodward Foundation Collection, Sept. 30–Nov. 5. Exh. cat., with introduction by Charles Millard.

Whitney Museum of American Art, New York, 1967 Annual Exhibition of Contemporary Painting, Dec. 13, 1967–Feb. 4, 1968.

Frankfurter Kunstverein, Frankfurt, Kompass, New York: Paintings after 1945 in New York, Dec. 30, 1967–Feb. 11, 1968. Traveled to Stedelijk van Abbemuseum, Eindhoven, Nov. 9–Dec. 17, 1968. Exh. cat., in English and German, with essay by Jean Leering.

Sidney Janis Gallery, New York, Homage to Marilyn Monroe, Dec. 6– 30. Exh. cat.
—Alloway, Lawrence. “Marilyn as Subject Matter,” Arts Magazine (New York) 42, no. 3 (Dec. 1967–Jan. 1968), p. 29.

1968

The Museum of Modern Art, New York, Three Generations of Twentieth-Century Art: The Sidney and Harriet Janis Collection, Jan. 16– March 4. Traveled to Minneapolis Institute of Arts, May 15–June 30; Portland Museum of Art, Portland, Maine, Sept. 13–Oct. 13; Pasadena Art Museum, Nov. 11-Dec. 15; San Francisco Museum of Art, Jan. 13–Feb. 16, 1969; Seattle Art Museum, March 12–April 13, 1969; Dallas Museum of Fine Arts, May 14–June 15, 1969; Albright-Knox Art Gallery, Buffalo, Sept 15–Oct. 19, 1969; and The Cleveland Museum of Art, Nov. 18, 1969–Jan. 4, 1970.

The Metropolitan Museum of Art, New York, History Painting: Various Aspects, Feb. 6–May 5.
—Kramer, Hilton. “Art: A New Hangar for Rosenquist’s Jet-Pop ‘F-111,’” The New York Times, Feb. 17, 1968, p. 25.
—Canaday, John. “It Would Be Awfully Nice If We Were All Wrong about the Whole Thing,” The New York Times, Feb. 25, 1968, section 2, p. 23.
—Geldzhaler, Henry. “James Rosenquist’s F-111,” The Metropolitan Museum of Art Bulletin (New York) 26, no. 7 (March 1968), pp. 276–81.
—Scull, Robert C. “Re the F-111: A Collector’s Notes,” The Metropolitan Museum of Art Bulletin (New York) 26, no. 7 (March 1968), pp. 282–83.
—B[attcock], G[regory]. “In the Museums: James Rosenquist,” Arts Magazine (New York) 42, no. 6 (April 1968), p. 54.
—Tillim, Sidney. “Rosenquist at the Metropolitan: Avant-garde or Red Guard?” Artforum (New York) 6, no. 8 (April 1968), pp. 46–49.

Dayton’s Gallery 12, Minneapolis, Contemporary Graphics Published by Universal Limited Art Editions, Feb. 21–March 6. Exh. cat., with introduction by Harmony Clover.

Fine Arts Center, University of Wisconsin, Milwaukee, Art 1968: Hang Ups and Put Downs, May 15–June 11. Exh. cat., with introduction by John N. Colt.

Kassel, West Germany, Documenta 4, June 27–Oct. 6.

Guild Hall, East Hampton, N.Y., American Printmaking 1670–1968, July 21–Aug. 11.
—Karshan, Donald H. “American Printmaking 1670–1968,” Art in America (New York) 56, no. 4 (July–Aug. 1968), pp. 22–57.

The National Museum of Modern Art, Tokyo, The Sixth International Biennial Exhibition of Prints in Tokyo 1968, Nov. 2–Dec. 15.

San Francisco Museum of Art, Untitled 1968, Nov. 9–Dec. 29.

The Museum of Modern Art, New York, The Machine as Seen at the End of the Mechanical Age, Nov. 25, 1968–Feb. 9, 1969. Exh. cat., with essay by Billy Klüver.
Galerie Ricke, Cologne, Querschnitt, Nov. 27, 1968–Jan. 7, 1969.

1969

Art Gallery, University of Notre Dame, South Bend, Ind., Richard Brown Baker Collection, Jan. 5–Feb. 23. Exh. cat.

Pennsylvania Academy of the Fine Arts, Philadelphia, and the Philadelphia Water Color Club, The One Hundred and Sixty-Fourth Annual Exhibition, Jan. 17–March 2.

Vancouver Art Gallery, New York 13, Jan. 21–Feb. 16. Traveled to
The Norman MacKenzie Art Gallery, Regina, Saskatchewan, March 10–April 29; and Musée d’Art Contemporain, Montreal, June 3–July 5. Exh. cat., with introduction by Doris Schadbolt, text by Lucy Lippard, and statements by Rosenquist.

The Winnipeg Art Gallery, OK America, Feb. 7–March 4.

Neuen Nationalgalerie, Berlin, Sammlung 1968 Karl Ströher, March 1– April 14. Traveled to Städtischen Kunsthalle, Düsseldorf, April 25–  June 17; and Kunsthalle Bern, July 12–Sept. 28.

Art Gallery, University of California, Irvine, New York: The Second Breakthrough, 1959–1964, March 18–April 27. Exh. cat., with essay by Alan Solomon.

Galleria Civica d’Arte Moderna, Turin, New-Dada e Pop Art Newyorkesi, April 2–May 4. Exh. cat. by Luigi Mallé.

Slovak National Gallery, Bratislava, Czechoslovakia (organized by Smithsonian Institution, Washington, D.C.), The Disappearance and Reappearance of the Image: Painting in the United States since 1945, April 14–June 15. Traveled to National Gallery, Prague, July 1–Aug. 15; Palais des Beaux-Arts, Brussels, Oct. 21–Nov. 16; Sala Dalles, Bucharest, Jan. 17–Feb. 2, 1969; Museul Banatului, Timisoara, Romania, Feb. 14–March 1, 1969; and Galeria de Arte, Cluj, Romania, March 14–April 2, 1969.

The Jewish Museum, New York, Superlimited: Books, Boxes and Things, April 16–June 29. Exh. cat., with introduction by Susan Tumarkin Goodman.

Dayton’s Gallery 12, Minneapolis, Castelli at Dayton’s, April 19–May 17. Exh. cat., with introduction by Martin Friedman.

York University, Toronto, American Art of the Sixties in Toronto Private Collections, May 31–June 28. Exh. cat. by Michael Greenwood.

Hayward Gallery, London, (organized by the Arts Council of Great Britain), Pop Art, July 9–Sept. 3. Exh. cat., Pop Art Redefined, ed. John Russell and Suzi Gablik, published by Thames and Hudson.
—Gosling, Nigel. “Pop Art: The Birth of a New Literature,” The Observer Review (London), July 13, 1969, p. 22.
—Strong, Roy. “Style for the Strident Sixties,” The Sunday Times (London), July 13, 1969,  p. 51.

The Metropolitan Museum of Art, New York, New York Painting and Sculpture: 1940–1970, Oct. 14, 1969–Feb. 8, 1970. Exh. cat., with texts by Michael Fried, Henry Geldzahler, Clement Greenberg, Harold Rosenberg, Robert Rosenblum, and William Rubin, published in association with E. P. Dutton.

The Metropolitan Museum of Art, New York, Prints by Five New York Painters: Jim Dine, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, James Rosenquist, Oct. 18–Dec. 8. Exh. cat.

Denver Art Museum, American Report: The Sixties, Oct. 24–Dec. 7.

Fort Worth Art Center Museum, Drawings: An Exhibition of Contemporary American Drawings, Oct. 28–Nov. 30. Exh. cat., with essays by Peter Plagens.

Whitney Museum of American Art, New York, Contemporary American Painting: 1969 Annual Exhibition, Dec. 16, 1969–Feb. 1, 1970.

1970

Contemporary Arts Center, Cincinnati, Prints by Nine New York Painters: Jim Dine, Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers, James Rosenquist, Feb. 9–March 22.

Kunsthalle Basel, Sidney and Harriet Janis Collection, Feb. 28–March 30. Traveled to Akademie der Künste, Berlin, June 12–Aug. 2; and Kunsthalle Nürnberg, Nuremberg, Sept. 11–Oct. 25.

Indiana University Art Museum, Bloomington, The American Scene 1900–1970, April 6–May 17.

Galerie Ricke, Cologne, Zeichnungen amerikanischer künstler, May–Sept.

Virginia Museum of Fine Arts, Richmond, American Painting 1970, May 4–June 7.
—Selz, Peter H. “American Painting 1970,” Arts in Virginia (Richmond) 10, no. 3 (spring 1970), pp. 10–23.

Princeton University Art Museum, American Art since 1960, May 6–27. Exh. cat., with essays by John Hand, Michael D. Levin, and Peter P. Morrin.

The Brooklyn Museum, New York, Seventeenth National Print Exhibition, June 1–Sept. 1.

Kunsthalle Nürnberg, Nuremberg, Das Ding als Objekt, July 10–Aug. 30.

Fondation Maeght, Saint-Paul-de-Vence, France, L’Art vivant aux Etats-Unis, July 16–Sept. 30. Exh. cat., with introduction by Dore Ashton.

Contemporary Arts Center, Cincinnati, Monumental Art, Sept. 13–Nov. 1.

Emily Lowe Gallery, Hofstra University, Hempstead, N.Y., Graphics in Long Island Collections from the Studio of Universal Limited Art Editions, Sept. 21–Oct. 22.

Whitechapel Art Gallery, London, 3 Æ •: New Multiple Art, Nov. 19, 1970–Jan. 3, 1971. Exh. cat., with essays by Reyner Banham, Anthony Wedgwood Benn, John Berger, and Janet Daley.

Mayfair Fine Art Gallery, London, Pop! ‘70, Nov. 26, 1970–Jan. 16, 1971.

1971

The Nelson-Atkins Museum of Art, Kansas City, Communications ’71: An Exhibition of Prints, Banners, and Posters, Feb. 7–March 7.

Philadelphia Museum of Art, Multiples: The First Decade, March 5–April 14. Exh. cat. by John L. Tancock.

Palais des Beaux-Arts, Brussels, Méetamorphose de l’Objet, Art et Anti-Art 1910–1970, April 22–June 6. Traveled to Museum Boijmans Van Beuningen, Rotterdam, June 25–Aug. 15; Nationalgalerie, Berlin, Sept. 15–Nov. 7; Palazzo Reale, Milan, Dec. 15, 1971–Feb. 10, 1972; Kunsthalle Basel, March 4–April 22, 1972; and Musée des Arts Décoratifs, Paris, May–June 1972. Exh. cat. (Brussels), with essays by Jean Dypréau, Werner Haftmann, Françcois Mathey, Jörn Merkert, John Russell, and Franco Russoli. Exh. cat. (Berlin), Métamorphose de des Dinges: Kunst und Antikunst, 1910–1970.

Emily Lowe Gallery, Hofstra University, Hempstead, N.Y., Art Around the Automobile, June 20–Aug. 26. Exh. cat., with essay by Robert R. Littman.
—Paris, Jeanne. “Exciting Exhibit at Hofstra,” Long Island Press (Garden City, N.Y.), July 4, 1971, p. 55.

The Metropolitan Museum of Art, New York, Summer Loan 1971 Paintings from New York Collections: Collection of Kimiko and John Powers, July 1–Sept. 7.

Albright-Knox Art Gallery, Buffalo, ¿Kid stuff?, July 25–Sept. 6.

Whitney Museum of American Art, New York, Oversize Prints, Nov. 2–Dec. 12. 

1972

Emily Lowe Gallery of Hofstra University, Hempstead, N.Y., The Green Gallery Revisited, Feb. 22–March 29.

High Museum of Art, Atlanta, The Modern Image, April 15–June 11.

Multiples, New York, June Exhibition, June.

Grand Palais, Paris, Festival d’Automne à Paris, dates unknown.

La Jolla Museum of Contemporary Art, La Jolla, Calif., Dealer’s Choice, dates unknown.

Leo Castelli Gallery, New York, Drawings, dates unknown.

1973

Whitney Museum of American Art, New York, American Drawings 1963–1973, May 25–July 22. Exh. cat. by Elke M. Solomon.

Galerie Sonnabend au Musée Galliera, Paris, Aspects de l’art actuel, Sept. 14–Oct. 25.

San Francisco Museum of Art, A Selection of American and European Paintings from the Richard Brown Baker Collection, Sept. 14–Nov. 11. Traveled to Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Dec. 7, 1973–Jan. 27, 1974. Exh. cat.

Yale University Art Gallery, New Haven, American Drawing 1970–1973, Oct. 9–Nov. 25. Exh. cat., with introduction by Christina Orr.

Moderna Museet, Stockholm, The New York Collection for Stockholm, Oct. 27–Dec. 2. Exh. cat., with essays by Emile de Antonio and Billy Klüver.

1974

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Nine Artists/Coenties Slip, Jan. 10–Feb. 14. Exh. brochure.
—“Nine Artists/Coenties Slip,” The Village Voice (New York), Jan. 31, 1974, p. 33.

Sidney Janis Gallery, New York, Twenty-five Years of Janis, March 13–April 13.

Whitney Museum of American Art, New York, American Pop Art, April 6–June 16. Exh. cat., with essay by Lawrence Alloway.
—Kramer, Hilton. “Art: American Pop at the Whitney,” The New York Times, April 6, 1974, p. 27.
—Geldzahler, Henry, and Kenworth Moffett. “Pop Art: Two Views,” Artnews (New York) 73, no. 5 (May 1974), pp. 30–32.
—Baldwin, Carl R. “On the Nature of Pop,” Artforum (New York) 12, no. 10 (June 1974), pp. 34–38.
—Russell, John. “The Paintings Are Outliving Their Subjects: Persistent Pop,” The New York Times Magazine, July 21, 1974, pp. 6–7, 25, 27, 32–34.

Contemporary Arts Center, Cincinnati, The Ponderosa Collection, May 3–June 24.

Leo Castelli Gallery, New York, In Three Dimensions, Sept. 21–Oct. 12.

The Museum of Modern Art, New York, Works from Change, Inc., Sept. 25–Oct. 20.

Leo Castelli Gallery, New York, Drawings, dates unknown.

1975

Denver Art Museum, American Art Since 1960: The Virginia and Bagley Wright Collection, Feb. 1–16. Exh. cat., with text by Marlene Chambers.

Kennedy Galleries, New York, Hundredth Anniversary Exhibition of Paintings and Sculptures by One Hundred Artists Associated with the Art Students League of New York, March 6–29. Exh. cat., with foreword by Lawrence Campbell.

Art Students League of New York, One Hundred Prints by One Hundred Artists of the Art Students League of New York, 1875–1975, April 22–May 17.

Yale University Art Gallery, New Haven, Richard Brown Baker Collects!, April 23–July 13. Exh. cat.

Davison Art Center, Wesleyan University, Middletown, Conn., Recent American Etching, Oct. 10–Nov. 23. Traveled to Grey Art Gallery and Study Center, New York University, New York, Jan. 13–Feb. 5, 1976; National Collection of Fine Arts, Washington, D.C., Jan. 21–March 27, 1977; and Gibbes Art Gallery, Charleston, May 25–June 21, 1977.

1976

The New Gallery of Contemporary Art, Cleveland, American Pop Art and the Culture of the Sixties, Jan. 10–Feb. 21.

University Art Museum, California State University, Long Beach, The Lyon Collection: Modern and Contemporary Works on Paper, March 29–May 2.

Contemporary Art Society of the Indianapolis Museum of Art, Painting and Sculpture Today, June 9–July 18. Exh. cat.

Allentown Art Museum, Allentown, Penn., The American Flag in the Art of Our Country, June 14–Nov. 14.

Guild Hall, East Hampton, Artists and East Hampton: A Hundred-Year Perspective, Aug. 14–Oct. 3. Exh. cat.

The Metropolitan Museum of Art, New York, Contemporary American Prints: Gifts from the Singer Collection, Aug. 26–Oct. 17.

Fendrick Gallery, Washington, D.C., Prints from the Untitled Press, Oct. 30–Nov. 30.

Alberta College of Art Gallery, Calgary, The Art of Playboy: From the First Twenty-five Years, Nov. 12–28.

The Cleveland Museum of Art, Materials and Techniques of Twentieth-Century Artists, Nov. 17, 1976–Jan. 2, 1977.

The Brooklyn Museum, New York, Thirty Years of American Printmaking, Nov. 20, 1976–Jan. 30, 1977.

1977

Galerie Bucholz, Munich, In Honor of Oyvind Fahlstrom–An Exposition of His Friends, Jan. 20–Feb. 28.

Fitzwilliam Museum, Cambridge, England, Jubilation: American Art During the Reign of Elizabeth II, May 10–June 18.

Kassel, West Germany, Documenta 6, June 26–Oct. 2.

The Aldrich Museum of Contemporary Art, Ridgefield, Conn., Fall 1977: Contemporary Collectors, Sept. 25–Dec. 18. Exh. cat., with introduction by Carlus Dyer.

Sable-Castelli Gallery, Toronto, Drawings, Oct. 1–22.

The New York State Museum, Albany, New York: The State of Art, Oct. 8–Nov. 27. Exh. cat.

The University of Michigan Museum of Art, Ann Arbor, Works from the Collection of Dorothy and Herbert Vogel, Nov. 11, 1977–Jan. 1, 1978.

1978

Flint Institute of Arts, Flint, Mich., Art and the Automobile, Jan. 12–March 12. Exh. cat.

Margo Leavin Gallery, Los Angeles, Three Generations: Studies in Collage, Jan. 26–
March 4.

Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Von Arakawa bis Warhol Grafik aus den USA, Jan. 31–March 5.

Staatliche Museen, Preussischer Kulturbesitz, Berlin, Aspekte der 60er Jahre aus der Sammlung Reinhard Onnasch, Feb. 2–April 23.

Mead Art Museum, Amherst College, Amherst, Mass., New York Now, March 9–April 12.

Stamford Museum, Stamford, Conn., The Eye of the Collector, March 20–May 21.

The Brooklyn Museum, New York, Graphicstudio U.S.F.: An Experiment in Art and Education, May 13–July 16. Exh. cat. by Gene Baro.

Leo Castelli Gallery at Northpark National Bank, Dallas, June 6–Aug. 15.

Central Pavilion, Venice, Sei stazione per artenatura: La natura dell’arte (part of XXXVIII Biennale di Venezia), July 2–Oct. 15.

Leo Castelli Gallery, New York, Chamberlain, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Warhol, Oct. 28–Nov. 18.

Albright-Knox Art Gallery, Buffalo, American Painting of the 1970s, Dec. 8, 1978–Jan. 14, 1979. Traveled to Newport Harbor Art Museum, Newport Beach, Calif., Feb. 3–March 18, 1979; The Oakland Museum, April 10–May 20, 1979; Cincinnati Art Museum, July 6–Aug. 26, 1979; Art Museum of South Texas, Corpus Christi, Sept. 9–Oct. 21, 1979; and Krannert Art Museum, University of Illinois, Champaign, Nov. 11, 1979–Jan. 2, 1980. Exh. cat., with essay by Linda L. Cathcart.

1979

Galerie Ricke, Cologne, Drawings, Jan. 19–Feb. 21.
Art Gallery of Ontario, Toronto, Contemporary American Prints from Universal Limited Art Editions/The Rapp Collection, Jan. 20–March 4.

Montgomery Art Gallery, Pomona College, and Lang Art Gallery, Scripps College, Claremont, Calif., Black and White Are Colors: Paintings of the 1950s–1970s, Jan. 28–March 7. Exh. cat., with essay by David S. Rubin.

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Auto Icons, March 7–April 11.

Galerie Daniel Templon, Paris, Une Peinture Américaine, June 9–July 12.
The Metropolitan Museum of Art, New York, Summer Loans, July 17–Sept. 30.
Squibb Gallery, Princeton, N.J., Selections from the Collection of Richard Brown Baker, Oct. 4–Nov. 4.

Galerie d’Art Contemporain des Musées de Nice, American Pop Art, Nov. 9, 1979–Jan. 6, 1980.

Soft-Art Kunsthaus, Zurich, Weich und Plastisch, Nov. 16, 1979–Feb. 4, 1980.

1980

University Gallery, University of South Florida, Tampa, Five in Florida: Recent Work by Anuszkiewicz, Chamberlain, Olitski, Rauschenberg, Rosenquist, Jan. 7–Feb. 8. Exh. cat., with essay by Joanne Milani Rodriguez.

Joe and Emily Lowe Art Gallery, Syracuse University, Recent Acquisitions, Feb. 10–April 16.

The School of Visual Arts, New York, The Object Transformed: Contemporary American Drawing, Feb. 12–29.

The Museum of Modern Art, New York, Printed Art: A View of Two Decades, Feb. 14–April 1.

Allen Memorial Art Museum, Oberlin College, From Reinhardt to Christo, Feb. 20–March 19.

Instituto di Cultura di Palazzo Grassi, Venice, Pop Art: evoluzione di una generazione, March–July.

Neuberger Museum, State University of New York, Purchase, Hidden Desires, March 9–June 15.

Pace Gallery, New York, Major Paintings and Reliefs of the ‘60’s from a New York Private Collection, March 28–April 26.

La Jolla Museum of Contemporary Art, La Jolla, Calif., Seven Decades of Twentieth-Century Art from the Sidney and Harriet Janis Collection of the Museum of Modern Art and the Sidney Janis Gallery Collection, March 29–May 11. Traveled to Santa Barbara Museum of Art, June 6–Aug. 10.

Castelli Graphics, New York, Master Prints by Castelli Artists, June 7–28.
The Chrysler Museum, Norfolk, Va., American Figure Painting 1950–1980, Oct. 17–Nov. 30.

Castelli Graphics, New York, Amalgam, Nov. 22–Dec. 22.

The Brooklyn Museum, New York, American Drawings in Black and White 1970–1980, Nov. 22, 1980–Jan. 18, 1981. Exh. cat., with introduction by Gene Baro.

Leo Castelli Gallery, New York, Drawings to Benefit the Foundation for Contemporary Performance Art, Inc., Nov. 29–Dec. 20.

Walker Art Center, Minneapolis, Artist and Printer: Six American Print Studios, Dec. 7, 1980–Jan. 18, 1981. Traveled to Sarah Campbell Blaffer Gallery, University of Houston, Feb. 2–April 5, 1981. Exh. cat., with text by Graham W. J. Beal.

1981

Richard Hines Gallery, Seattle, Group Exhibition: Major Works, Jan. 9–Feb. 21.
Neil G. Ovsey Gallery, Los Angeles, Selections from Castelli: Drawings and Works on Paper, Jan. 18–Feb. 21.

Whitney Museum of American Art, New York, 1981 Biennial Exhibition, Jan. 20–April 19.

Boehm Gallery, San Marcos, Calif., Prints by American Artists: A History of American Art Through Printmaking, Feb. 17–March 14.

Gloria Luria Gallery, Bay Harbor Islands, Fla., Leo Castelli Selects Johns, Judd, Lichtenstein, Rauschenberg, Rosenquist, Stella, Feb. 27–March 17.

Cologne, Internationale Ausstellung Köln 1981, May 30–Aug. 16.

Akron Art Museum, The Image in American Painting and Sculpture 1950–1980, Sept. 12–Nov. 8. Exh. cat.

New England Foundation for the Arts, Harold Reed Gallery, New York, Works by the Yale Faculty 1930–1978, Oct. 15, 1981–June 30, 1982.

Landfall Gallery, Chicago, Possibly Overlooked Publications: A Re-Examination of Contemporary Prints and Multiples, Nov. 20, 1981–Jan. 16, 1982.

Whitney Museum of American Art, New York, American Prints: Process and Proofs, Nov. 25, 1981–Jan. 24, 1982. Exh. cat. by Judith Goldman, published in association with Harper and Row.

1982

Milwaukee Art Museum, American Prints 1960–1980, Feb. 5–March 21. Exh. cat.

Rosa Esman Gallery, New York, A Curator’s Choice 1942–1963, Feb. 6–March 6.

Arras Gallery, New York, Cast Paper and Intaglio Multiples, March 6–April 3.

Glenbow Museum, Calgary (organized by Art Gallery of Ontario, Toronto), Pop Art Prints and Multiples, March 13–April 25. Traveled to Kitchener/Waterloo Art Gallery, Kitchener, May 30–June 22; London Regional Art Gallery, London, Ontario, Canada, July 9–Aug. 8; Laurentian University Museum and Arts Centre, Sudbury, Sept. 14–Oct. 3; Rodman Hall Arts Centre, St. Catharines, Oct. 8–31; The Art Gallery of Peterborough, Nov. 11–Dec. 5; Art Gallery of Ontario, Toronto, Dec. 18, 1982–Feb. 6, 1983; and Art Gallery of Nova Scotia, Halifax, March 4–April 3, 1983.

La Jolla Museum of Contemporary Art, La Jolla, Calif. (organized by Aspen Center for the Visual Arts), Castelli and His Artists: Twenty-five Years, April 23–June 6. Traveled to Aspen Center for the Visual Arts, June 17–Aug. 7; Leo Castelli Gallery, New York, Sept. 11–Oct. 9; Portland Center for the Visual Arts, Portland, Ore., Oct. 22–Dec. 3; and Laguna Gloria Art Museum, Austin, Dec. 17, 1982–Feb. 13, 1983. Exh. cat., ed. Julie Augur.

Leo Castelli Gallery, New York, New Works by Gallery Artists, June 1–Sept. 19.

Galerie Bischofmerger, Zurich, Homage to Leo Castelli, June 15–Sept. 4.

Contemporary Arts Museum, Houston, The Americans: The Collage, July 11–Oct. 3. Exh. cat., with essay by Linda L. Cathcart.

Edith C. Blum Institute, Avery Center for the Arts, Bard College, Annandale-on-Hudson, N.Y., The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists, Aug. 15–Sept. 24. Exh. cat., with introduction by Linda Weintraub.

The Museum of Fine Arts, Houston, Post-1945 Prints from the Permanent Collection, Aug. 17, 1982–Jan. 9, 1983.

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Universal Limited Editions: A Tribute to Tatyana Grossman, Aug. 30–Sept. 28.

Contemporary Arts Museum, Houston, In Our Time, Oct. 23, 1982–Jan. 2, 1983.

The Fine Arts Museum of Long Island, Hempstead, N.Y., The New Explosion: Paper Art, Nov. 7, 1982–Jan. 13, 1983.

1983

Multiples Inc., New York, An Exhibition of Small Paintings, Drawings, Sculpture and Photographs, Feb. 10–March 5.

La Jolla Museum of Contemporary Art, La Jolla, Calif., A Contemporary Collection on Loan from the Rothschild Bank AG, Zürich, Feb. 26–April 3. Exh. cat., with introduction by Robert McDonald.

Wilhelm-Hack-Museum, Ludwigshafen, Germany, Horrors of War: Prints of the War from Five Centuries, Feb. 26–April 24.

Castelli Graphics, New York, Black and White: A Print Survey, March 30–May 30.

The Aldrich Museum of Contemporary Art, Ridgefield, Conn., Changes, May 22–Sept. 11. Exh. cat., with introduction by Larry Aldrich.

Museum Haus Lange, Krefeld, Germany, Sweet Dreams Baby!: American Pop Graphics, Sept. 4–Oct. 23.

Godwin-Ternbach Museum, Queens College, City University of New York, Twentieth Century Prints from the Godwin-Ternbach Museum, Sept. 26–Nov. 10.

Spectrum Fine Art Gallery, New York, Art and Sport, Sept. 29–Oct. 28.

Nippon Club Gallery, New York, Portfolios, Oct.

National Museum of Contemporary Art, Tokyo, Photography in Contemporary Art, Oct. 7–Dec. 4. Traveled to National Museum of Contemporary Art, Kyoto, Dec. 13, 1983–Jan. 22, 1984.

Margo Leavin Gallery, Los Angeles, Art for a Nuclear Weapons Freeze, Oct. 18–20. Traveled to Fuller Goldeen Gallery, San Francisco, Oct. 21–27; Munson Gallery, Santa Fe, Oct. 28–Nov. 3; Delahunty Gallery, Dallas, Nov. 4–7; Greenberg Gallery, St. Louis, Nov. 8–11; John C. Stoller & Co., Minneapolis, Nov. 12–20; Richard Gray Gallery, Chicago, Nov. 21–24; Barbara Krakow Gallery, Boston, Nov. 25–Dec. 2; and Brooke Alexander, New York, closing auction, Dec. 1–3. Exh. brochure.

Associated American Artists, New York, The Master Print: America since 1960, Nov. 1–23.

Grey Art Gallery, New York University, New York, The Permanent Collection: Highlights and Recent Acquisitions, Nov. 8–Dec. 10.

Hewlett Gallery, College of Fine Arts, Carnegie-Mellon University, Pittsburgh, Harry Stein: Portraits of Artists, Nov. 14–Dec. 10.

1984

The Minneapolis Institute of Arts, The Vermillion Touch: Master Prints from the Minneapolis Studio’s Archives, Jan. 21–March 18.

Alex Rosenberg Gallery, New York, Techniques in Printmaking, Feb. 3–27.

Portland Center for the Visual Arts, Portland, Ore., Lewis and Clark Collection, Feb. 17–March 18.

Pratt Graphics Center, New York, From the Beginning, Feb. 18–March 24.

Whitney Museum of American Art, Fairfield County, Stamford, Conn., Autoscape: The Automobile in the American Landscape, March 30–May 30.

Modern Art Museum of Fort Worth, Pop! The Pop Art Print, April 7– June 17.

Santa Barbara Museum of Art, Art of the States: Works from a Santa Barbara Collection, June 22–Aug. 26. Exh. cat.

Fuller Goldseen Gallery, San Francisco, Fifty Artists/Fifty States, July 11–Aug. 25.

The Museum of Contemporary Art, Los Angeles, Automobile and Culture, July 21, 1984–Jan. 6, 1985. Traveled to Detroit Institute of Arts, as Automobile and Culture: Detroit Style, June 12–Sept. 8, 1985. Exh. cat. by Gerald Silk, with essays by Angelo Tito Anselmi, Strother MacMinn, Silk, and Henry Flood Robert, Jr.

Museum of Fine Arts, Boston, Ten Painters and Sculptors Draw, Aug. 1–Sept. 30. Exh. cat. by Clifford S. Ackley.

Monique Knowlton Gallery, New York, Ecstasy, Sept. 12–Oct. 10.

Whitney Museum of American Art, New York, BLAM! The Explosion of Pop, Minimalism, and Performance 1958–1964, Sept. 20–Dec. 2. Exh. cat. by Barbara Haskell, with essay by John G. Hanhardt.
—Danto, Arthur C. “Art: BLAM! The Explosion of Pop, Minimalism, and Performance 1958–1964,” The Nation (New York), Oct. 20, 1984, pp. 390–93.

Castelli Graphics, New York, New Drawings by Castelli Artists, Oct. 31–Nov. 3.

Museo Rufino Tamayo, Mexico City, El Arte Narrativo, Nov. 6, 1984–Jan. 3, 1985.

Marisa del Re Gallery, New York, The Masters of the Sixties: From New Realism to Pop Art, Nov. 7–Dec. 31.

National Gallery of Art, Washington, D.C., Gemini G.E.L.: Art and Collaboration, Nov. 18, 1984–Feb. 24, 1985. Exh. cat. by Ruth E. Fine, with essay by Bruce Davis.

Marilyn Pearly Gallery, New York, Plastics?!, Dec. 4, 1984–Jan. 5, 1985.

Barbara Toll Fine Arts, New York, Drawings, Dec. 6–22.

Getler/Pall/Saper, New York, Major Prints, Dec. 18, 1984–Feb. 12, 1985.

1985

Princeton University Art Museum, Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s, Feb. 3–June 9. Traveled to Archer M. Huntington Art Gallery, University of Texas at Austin, Sept. 8–Oct. 27; and Walker Art Center, Minneapolis, Nov. 23, 1985–March 9, 1986. Exh. cat., with essay by Robert Pincus-Witten.

The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art: The Panza Collection, Feb. 13–Sept. 29. Exh. cat., ed. Julia Brown, with introduction by Richard Koshalek.

Art Gallery of New South Wales, Sydney (organized by the International Council of The Museum of Modern Art, New York), Pop Art 1955–70, Feb. 27–April 14. Traveled to Queensland Art Gallery, Brisbane, May 1–June 1; and National Gallery of Victoria, Melbourne, June 26–Aug. 11. Exh. cat., ed. Henry Geldzahler.

Lorence-Monk, New York, Drawings, April 4–27.

The Mayor Gallery, London, A Tribute to Leo Castelli, April 16–May 17.

Smith College Museum of Art, Northampton, Mass., Dorothy C. Miller: With an Eye to American Art, April 19–June 16.

Museum of Contemporary Art, Chicago, Selections from the William J. Hokin Collection, April 20–June 16.

Ecole Nationale Supérieure des Beaux-Arts, Paris, Cinquante ans de dessins américains, May 3–July 13.

Castelli Graphics, New York, Recent Editions by Castelli Artists, May 7–June 8.

Janie C. Lee Gallery, Houston, Charcoal Drawings 1880–1985, Oct.–Nov.

The Museum of Modern Art, New York, Dedication of Tatyana Grosman Gallery, June 11–Sept. 22.

The Museum of Modern Art, New York, New Work on Paper 3, June 26–Sept. 3.

ARCA Centre d’Art Contemporain, Marseille, New York 85, July 9–Aug. 31.
Barbara Krakow Gallery, Boston, Universal Limited Art Editions Recent Publications, Sept. 7–Oct. 2.

Tatyana Grosman Gallery, Tatyana Grosman Gallery: Inaugural Installation, Sept. 11– Dec. 31.

Larry Gagosian Gallery, Los Angeles, Actual Size: Small Paintings and Sculpture, Sept. 24–Oct. 16.

National Museum of American Art, Washington, D.C., Art, Design, and the Modern Corporation, Oct. 24, 1985–Jan. 19, 1986.

Daniel Weinberg Gallery, Los Angeles, AIDS Benefit Exhibition: Works on Paper, Nov. 9–30.

The Museum of Modern Art, New York, Contemporary Works from the Collection, Nov. 21, 1985–April 1, 1986.

Solomon R. Guggenheim Museum, New York, Transformations in Sculpture: Four Decades of American and European Art, Nov. 22, 1985–Feb. 16, 1986.
—Poirier, Maurice. “New York Reviews: A Vast Sculptural Dialogue,” Artnews (New York) 85, no. 3 (March 1986), p. 143.

Städtische Galerie, Frankfurt, Amerikanische Zeichnungen 1930–1980, Nov. 28, 1985–Jan. 26, 1986. Exh. cat.

Holly Solomon, New York, Paintings, Sculpture and Furnishings, Dec. 5–31.

1986

The Brooklyn Museum, New York, Public and Private: American Prints Today, Feb. 7–May 5.

The Museum of Contemporary Art, Los Angeles, Individuals: A Selected History of Contemporary Art 1945–1986, Dec. 10, 1986–Jan. 10, 1988.

Bell Gallery, Brown University, Providence, Definitive Statements: American Art, 1964–66, March 1–30. Traveled to Parrish Art Museum, Southampton, N.Y., May 3–June 15.

Lorence-Monk Gallery, New York, Real Surreal, May 4–25.

Barbara Brathen Gallery, New York, Surrealismo!, May 15–June 15.

Butler Institute of American Art, Youngstown, Ohio, Fiftieth Annual National Midyear Show, June 29–Aug. 24

Museum Ludwig Köln, Cologne, America/Europa, Sept. 6–Nov. 30.

Museum of Fine Arts, Boston, 70s into 80s: Printmaking Now, Oct. 22, 1986–Feb. 8, 1987.

The Clocktower, New York, Neil Williams, James Rosenquist, Robert Creeley, Oct. 30– Nov. 30.

Thomas Segal Gallery, Boston, Salute to Leo Castelli, Nov. 19, 1986–Jan. 5, 1987.

Gabrielle Breyers Gallery, New York, Leo Castelli and Castelli Graphics at Gabrielle Breyers, Nov. 29, 1986–Jan. 3, 1987.

1987

Helander Gallery, Palm Beach, Fla., Five Floridians, Jan. 14–Feb. 10.

Florida International University Art Museum, Miami (organized by Art Museum Association of America, American Federation of Arts), Postwar Paintings from Brandeis University, Jan. 16–Feb. 18. Traveled to University Gallery, University of Florida, Gainesville, March 29–May 24; Tucson Museum of Art, Sept. 13–Nov. 8; Palm Springs Desert Museum, Jan. 17–March 13, 1988; and Scottsdale Center for the Arts, April 15–June 12, 1988.
—Ahlander, Leslie Judd. “FIU Offers Excellent Survey of Postwar Painting,” Miami Art Scene, Feb. 6, 1987, section C, p. 6–C.

University Art Museum, University of California, Berkeley, Made in U.S.A.: An Americanization in Modern Art, the 50’s and 60’s, April 4–June 21. Traveled to The Nelson-Atkins Museum of Art, Kansas City, July 25–Sept. 6; and Virginia Museum of Fine Arts, Richmond, Oct. 7–Dec. 7. Exh. cat., ed. Sidra Stich.

American Academy and Institute of Arts and Letters, New York, Exhibition of Work by Newly Elected Members and Recipients of Awards, May 20–June 14.

National Gallery of Art, Washington, D.C., Twentieth Century Drawings: From the Whitney Museum of American Art, May 21–Sept. 7. Traveled to The Cleveland Museum of Art, Sept. 30–Nov. 8; California Palace of the Legion of Honor, San Francisco, March 5–June 5, 1988; Arkansas Arts Center, Little Rock, June 30–Aug. 28, 1988; and Whitney Museum of American Art, Fairfield County, Stamford, Conn., Nov. 17, 1988–Jan. 25, 1989. Exh. cat. by Paul Cummings, published by Whitney Museum of American Art.

Centro Cultural de Arte Contemporáneo, Mexico City, Leo Castelli and His Artists: Thirty Years of Promoting Contemporary Art, June 25–Oct. 18.

The Butler Institute of American Art, Youngstown, Ohio, Leo Castelli: A Tribute Exhibition, June 28–Sept. 27.

Acme Art, San Francisco, Small Paintings and Sculptures: 1960’s, Sept. 8–Oct. 17.

Padiglione d’Arte Contemporanea, Milan, Dalla Pop Art Americana alla Nuova Figurazione: Opere del Museo d’Arte Moderna di Francoforte, Sept. 23–Nov. 23. Exh. cat.

Stanford University Museum of Art, Palo Alto, Calif., The Anderson Collection: Two Decades of American Graphics 1967–1987, Sept. 29, 1987–Jan. 3, 1988.

International Monetary Visitors’ Center, Washington, D.C., International Show for the End of World Hunger, Oct. 14–Nov. 12. Traveled to Minnesota Museum of Art, St. Paul, Sept. 15–Nov. 15; Henie Onstad Art Center, Oslo, Dec. 8, 1987–Jan. 20, 1988; Kölnischer Kunstverein, Cologne, Feb. 25–April 14, 1988; and La Grande Halle de la Villette, Paris, April 15–May 15, 1988. Exh. cat. (St. Paul), ed. Nancy Grubb and Arthur R. Blumenthal.

The Nelson-Atkins Museum of Art, Kansas City, A Bountiful Decade: Selected Acquisitions, Oct. 14–Dec. 6.

St. Louis Gallery of Contemporary Art, Contemporary Masters: Selections from the Collection of Southwestern Bell Corporation, Oct. 18–Nov. 29.

Clocktower Gallery, Institute for Contemporary Art, New York, Modern Dreams: The Rise and Fall of Pop, Oct. 22, 1987–June 12, 1988. Exh. cat., Modern Dreams: The Rise and Fall and Rise of Pop, ed. Edward Leffingwell and Karen Marta.

Galerie Daniel Templon, Paris, Hommage to Leo Castelli: Dedicated to the Memory of Toiny Castelli, Oct. 23–Nov. 25.

Moderna Museet, Stockholm, Implosion: A Postmodern Perspective, Oct. 24, 1987–Jan. 10, 1988. Exh. cat., with introduction by Lars Nittve and essays by Germano Celant, Kate Linker, and Craig Owens.

Sarah Campbell Blaffer Gallery, University of Houston, Images on Stone: Two Centuries of Artists’ Lithographs, Oct. 30–Dec. 19. Traveled to San Angelo Museum of Fine Arts, San Angelo, Tex., March 3–April 3, 1988; Tyler Museum of Art, Tyler, Tex., April 21–July 3, 1988; and Aspen Art Museum, Aspen, Colo., Sept. 22–Oct. 30, 1988. Exh. cat., with introduction by Peter C. Marzio and essay by Elizabeth Broun.

The Helander Gallery, Palm Beach, Fla., New Space–New Work– New York, Nov. 13–Dec. 9.

1988

The Museum of Modern Art, New York, Committed to Print: Social and Political Themes in Recent American Printed Art, Jan. 31–April 19. Exh. cat. by Deborah Wye.

La Galerie de Poche, Paris, Pop Art Americain: Les Cinq de New York, Feb. 29–March 19. Exh. cat.

Galerie Kajforsblom, Helsinki, Celebrating Leo Castelli and Pop Art, March 12–April 4. Exh. cat., with essays by Laura de Coppet and Alan Jones.

The Museum of Modern Art, New York, In Honor of Toiny Castelli: Drawings from the Toiny, Leo, and Jean-Christophe Castelli Collection, April 6–July 17.

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Made in the Sixties: Paintings and Sculpture from the Permanent Collection of the Whitney Museum of American Art, April 18–July 13.

Castelli Graphics, New York, Castelli Graphics 1969–1988: An Exhibition of Selected Works in Honor of Toiny Castelli, May 7–June 15.

Museum of Fine Arts, Houston, Twentieth Century Art in the Museum: Direction and Diversity, May 21–Sept. 4.

The Butler Institute of American Art, Youngstown, Ohio, Leo Castelli: A Tribute Exhibition, June 28–Sept. 27.

Fundación Juan March, Madrid, Colección Leo Castelli, July 10, 1988–Jan. 8, 1989.

Galerie des Ponchettes, Nice, Hommage à Toiny Castelli: Prints, July 13–Sept. 18.

Parrish Art Museum, Southampton, N.Y., Drawings on the East End, 1940–1988, Sept. 13–Nov. 13.

Birmingham Museum of Art, Birmingham, Ala., Looking South: A Different Dixie, Oct. 14, 1988–Jan. 7, 1989. Traveled to Brooks Museum of Art, Memphis, March 4–April 16, 1989; Sheldon Swope Museum of Art, Terre Haute, Ind., May 7–July 2, 1989; St. Petersburg Museum of Fine Arts, St. Petersburg, Fla., Aug. 6–Oct. 1, 1989; and The Columbus Museum, Columbus, Ga., Nov. 17, 1989–Jan. 30, 1990. Exh. cat., with essays by Michelle Fleming, Robin Reidy, and Jeffrey J. York and Cindia Pickering.
—Nelson, James R. “In ‘Looking South’ Exhibit Size Is Impressive Factor,” Birmingham News, Nov. 6, 1988, section F, p. 4–F.
—Lieberman, Laura C. “‘Looking South’: A Different Dixie Is Broad but Successful,” Arts and Entertainment (Atlanta), Nov. 24, 1988, p. H.

Lawrence Oliver Gallery, Philadelphia, That Was Then: This Is Now, Oct. 15–Nov. 26.

Leo Castelli Gallery, New York, and Brooke Alexander Gallery, New York, The Twenty-fifth Anniversary Exhibition to Benefit the Foundation for Contemporary Performance Arts, Incorporated, Dec. 8–30.

1989

Wight Art Gallery, University of California, Los Angeles, Selected Works from the Frederick R. Weisman Art Foundation, Jan. 10–Feb. 26.

Jacksonville Art Museum, Jacksonville, Fla., Art in Bloom: The Flower as Subject, Feb. 2–March 19.

Leo Castelli Gallery, New York, James Rosenquist, Joseph Kosuth, Meyer Vaisman, March 4–25.

The Bass Museum of Art, Miami, The Future Now: An Exhibition Commemorating the Twenty-fifth Anniversary of the Bass Museum of Art, March 11–June 3.

University of South Florida Art Museum and Barnett Bank, Tampa, Made in Florida, March 11–June 3.

Galleria Nazionale d’Arte Moderna, Rome, La Collezione Sonnabend: Dalla Pop Art in poi, April 14–Oct. 2. Exh. cat., with texts by Michel Bourel, Jean Louis Froment, Christos M. Joachimides, and Augusta Monferini, and statements by Achille Bonito Oliva, Maurizio Calvesi, Germano Celant, Edi de Wilde, Peter Ludwig, Gréegoire Muller, Giuseppe Panza, Robert Pincus-Witten, Michel Ragon, and Harald Szeemann.

Newport Harbor Art Museum, Newport Beach, Calif., LA Pop in the Sixties, April 20–July 9. Exh. cat. by Anne Ayres et al.

Helsinki Art Hall, Modern Masters ’89, May 17–July 30.

Walker Art Center, Minneapolis, First Impressions: Early Prints by Forty-six Contemporary Artists, June 4–Sept. 10. Traveled to Laguna Gloria Art Museum, Austin, Dec. 2, 1989–Jan. 21, 1990; Baltimore Museum of Art, Feb. 25–April 22, 1990; and Neuberger Museum, State University of New York, Purchase, June 27–Sept. 23, 1990. Exh. cat., with introduction by Elizabeth Armstrong and essays by Armstrong and Sheila McGuire.
—Armstrong, Elizabeth. “First Impressions,” The Print Collector’s Newsletter (New York) 20, no. 2 (May–June 1989), pp. 41–46.

Duson Gallery, Seoul, Five Great American Artists: Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Frank Stella, June 23–July 12.

The Bemis Foundation, Omaha, Sheldon at Bemis: American Contemporary Graphics, July 2–Aug. 22.

Whitney Museum of American Art, New York, Art in Place: Fifteen Years of Acquisitions, July 7–Oct. 29. Exh. cat. by Tom Armstrong and Susan C. Larsen.

Daniel Weinberg Gallery, Los Angeles, A Decade of American Painting, 1980–89, July 15–Aug. 26.

Whatcom Museum of History and Art, Seattle, A Different War, Aug. 19–Nov. 12.

The Brunnier Gallery and Museum, Iowa State University, Ames, American Contemporary Graphics, Aug. 29–Sept. 29.

Susan Sheehan Gallery, New York, American Prints from the Sixties, Nov.–Dec. Exh. cat.

Whitney Museum of American Art, New York, Image World: Art and Media Culture, Nov. 9, 1989–Feb. 18, 1990.

Galerie Busche, Cologne, John Baldessari, Robert Rauschenberg, James Rosenquist, Tishan Hsu, Holt Quentel, Nov. 16, 1989–Jan. 20, 1990.

Tavelli Gallery, Aspen, Medium Cool, Dec. 21, 1989–Jan. 12, 1990.

1990

Washington County Museum of Fine Arts, Hagerstown, Md., Art of the 60’s and 70’s, March 4–April 29.

James Goodman Gallery, New York, Pop on Paper, May 4–June 15. Exh. cat.

Tony Shafrazi Gallery, New York, American Masters of the 60’s: Early and Late Works, May 9–June 23.

Pensacola Museum of Art, Pensacola, Fla., Cars in Art: The Automobile Icon, May 11– June 30.

Nassau County Museum of Art, Roslyn Harbor, N.Y., Two Decades of American Art: The 60’s and 70’s, May 20–Sept. 3.

The Albuquerque Museum, Printers’ Impressions, June 10–Sept. 9.

Milwaukee Art Museum, Words as Image: American Art 1960–1990, June 15–Aug. 26. Traveled to Oklahoma City Art Museum, Nov. 17, 1990–Feb. 2, 1991; and Contemporary Arts Museum, Houston, Feb. 23–May 12, 1991.

Guild Hall, East Hampton, N.Y., Prints of the Eighties, June 17–July 29.

Nippon Convention Center, Makuhari Messe International Exhibition Hall, Tokyo, Pharmakon ’90: Makuhari Messe Contemporary Art Exhibition, July 28–Aug. 20.

Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., Art What Thou Eat, Sept. 2–Nov. 18. Traveled to New York Historical Society, New York, Dec. 18, 1990–March 22, 1991. Exh. cat.

Hofstra Museum, Hofstra University, Hempstead, N.Y., The Transparent Thread: Asian Philosophy in Recent American Art, Sept. 16–Nov. 11. Traveled to Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., Dec. 2, 1990–Feb. 14, 1991; The Salina Art Center, Salina, Kans., March 21–May 23, 1991; Sarah Campbell Blaffer Gallery, University of Houston, June 8–July 28, 1991; Crocker Art Museum, Sacramento, Calif., Sept. 6–Oct. 30, 1991; and Laguna Art Museum, Laguna Beach, Calif., Nov. 22, 1991–Feb. 9, 1992. Exh. cat.

The Museum of Modern Art, New York, High and Low: Modern Art and Popular Culture, Oct. 7, 1990–Jan. 15, 1991. Traveled to The Art Institute of Chicago, Feb. 20–May 12, 1991; and The Museum of Contemporary Art, Los Angeles, June 21–Sept. 15, 1991. Exh. cat., with texts by Kirk Varnedoe and Adam Gopnik.

Galerie Montaigne, Paris, Virginia Dwan et les Nouveaux Réalistes, Los Angeles, les Années 60, Oct. 23–Dec. 29.

Whitney Museum of American Art, New York, Image World: Art and Media Culture, Nov. 8, 1990–Feb. 18, 1991. Exh. cat., with essays by John G. Hanhardt, Marvin Heiferman, and Lisa Phillips.

Katonah Museum of Art, Katonah, N.Y., The Technological Muse, Nov. 11, 1990–Feb. 3, 1991. Exh. cat.

1991

Margo Leavin Gallery, Los Angeles, Twentieth Century Collage, Jan. 12–Feb. 16.

Henie Onstad Art Center, Oslo, Pop Art from the Lilja Collection, Feb. 9–April 1.

Galerie Nichido, Tokyo, Lichtenstein, Rauschenberg, Rosenquist, Feb. 18–26. Traveled to Galerie Nichido, Nagoya, March 1–9.

Tate Gallery, London, Aspects of Printmaking in Britain and the USA, 1959–1982, March 6–June 23.

National Gallery of Art, Washington, D.C., Art for the Nation: Gifts in Honor of the Fiftieth Anniversary of the National Gallery of Art, March 17–June 16.

Harumi New Hall, Tokyo International Trade Center, Tokyo Art Expo, March 30–April 3.

Virginia Beach Center for the Arts, Motion as a Metaphor, April 13–June 16. Exh. cat. by Sue Scott.

Guild Hall, East Hampton, N.Y., Aspects of Collage, May 5–June 9.

Dorsky Galery, New York, Prints, May 16–June 29.

The Museum of Modern Art, New York, Seven Master Printmakers: Innovations in the Eighties, May 16–Aug. 13.

Leo Castelli Gallery, New York, Summer Group Exhibition, June 8–Sept. 15.

Tony Shafrazi Gallery, New York, Summertime, June 14–July 20.

Whitney Museum of American Art, New York, Constructing American Identity, June 19–Aug. 30. Exh. cat.

Setagaya Art Museum, Tokyo, Beyond the Frame: American Art 1960–1990, July 6–Aug. 18. Traveled to The National Museum of Art, Osaka, Aug. 29–Sept. 29; and Fukuoka Art Museum, Fukuoka, Nov. 15–Dec. 15.

Newport Harbor Art Museum, Newport Beach, Calif., Committed to Print, July 15–Sept. 23.

Meredith Long & Company, Houston, Important Works on Paper, Aug. 1–31.

Guild Hall, East Hampton, N.Y., A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection, Aug. 10–Sept. 22.
—Smith, Roberta. “Vision of the 60’s from Two Dealers Who Shaped It,” The New York Times, Aug. 16, 1991, Weekend, pp. 1, 17.
—Lipson, Karin. “View from an Active Era,” Newsday (New York), Aug. 21, 1991, p. 61.

Holm Gallery, London, Pop Art 1960–1969, Sept. 11–Oct. 26.

The Mayor Gallery, London, Summer Selection from the Sixties, Sept. 11–Oct. 26.

Waddington Graphics, London, Pop Art Prints in England, Sept. 11– Oct. 26.

Royal Academy of Arts, London, Pop Art, Sept. 13–Dec. 15. Exh. cat., Pop: An International Perspective, ed. Marco Livingstone. Traveled to Museum Ludwig, Cologne, as Die Pop Art Show, Jan. 23–April 19, 1992 (exh. cat.); Centro de Arte Reina Sofía, Madrid, as Arte Pop, June 16–Sept. 14, 1992 (exh. cat.); and Musée des Beaux-Arts de Montréal, Oct. 23, 1992–Jan. 24, 1993 (exh. cat.).
—Hughes, Robert. “Wallowing in the Mass Media Sea,” Time (New York), Oct. 28, 1991, pp. 102–03.

Modern Art Museum of Fort Worth, American Pop Art: A Survey of the Permanent Collection, Sept. 15–Nov. 4.

National Gallery of Art, Washington, D.C., Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, Sept. 15, 1991–Jan. 5, 1992.

Richard Green Gallery, Santa Monica, Five Artists from Coenties Slip: 1956–1965, Sept. 20–Oct. 27.

Musée d’Art Moderne et d’Art Contemporain, Nice, Collage of the Twentieth Century, Oct. 11–Nov. 24.

Paris, Foire Internationale d’Art Contemporain, Oct. 25–Nov. 1.

Vermillion Gallery, Minneapolis, Group Show: Works on Paper, Nov. 2–Dec. 11.

Leo Castelli Gallery, New York, Large Scale Drawings and Prints, Dec. 14, 1991–Feb. 1, 1992.

1992

Galerie Renate Kammer, Hamburg, Pop Art, Feb. 6–March 14.

Museum of Art, Fort Lauderdale, Stars in Florida, Feb. 7–March 22. Exh. cat., with introduction by Kenworth W. Moffett.

Richard L. Feigen & Company, Chicago, Contemporary Masterworks, May 15–June 20.

Yokohama Museum of Art, Innovation in Collaborative Printmaking: Kenneth Tyler 1963–1992, June 13–July 26.

Musée d’Art Moderne et d’Art Contemporain, Nice, Le Portrait dans l’Art Contemporain, July 3–Sept. 27.

Telfair Museum of Art, Savannah, Master Prints from Gemini G.E.L., Oct. 21–Dec. 13.

Brooks Museum of Art, Memphis, Pop on Paper, Nov. 21, 1992–Jan. 17, 1993.
—“The Visual Dimension,” Memphis Business Journal, Nov. 30, 1992, pp. 21, 24.

Richard Green Gallery, Santa Monica, The Pop Show, Dec. 3, 1992–Jan. 30, 1993.

The Museum of Contemporary Art, Los Angeles, Hand-Painted Pop: American Art in Transition 1955–62, Dec. 6, 1992–March 7, 1993. Traveled to Museum of Contemporary Art, Chicago, April 3–June 20, 1993; and Whitney Museum of American Art, New York, July 16–Oct. 3, 1993. Exh. cat., ed. Russell Ferguson, with essays by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver, and John Yau, published by Rizzoli.
—Artner, Alan G. “Pop Art’s Start,” Chicago Tribune, April 18, 1993, The Arts, pp. 14–15.
—Kimmelman, Michael. “Explosive Painting: The Path to Pop,” The New York Times, July 9, 1993, section C, pp. 1, 24.
—Patner, Andrew. “Hand-Painted Pop,” Art and Antiques 15, no. 7 (Aug. 1993), p. 87.
—Larson, Kay. “Reflux Action,” New York, Aug. 2, 1993, pp. 55–56.

1993

Pace Gallery, New York, Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip, Jan. 16–Feb. 13. Exh. cat., with essay by Mildred Glimcher.

Musée d’Art Moderne et d’Art Contemporain, Nice, 7 Maîtres de l’Estampe: Innovations des Années 80’s aux Etats-Unis, Jan. 22–March 14.

San Francisco Museum of Modern Art, The Anderson Collection Gift of American Pop Art, Feb. 4–May 23.

Leo Castelli Gallery, New York, Prints, March 20–April 17.

Rose Art Museum, Brandeis University, Waltham, Mass., Prefab: Reconsidering the Legacy of the Sixties, April 1–May 23.

Martin-Gropius-Bau, Berlin, Amerikanische Kunst im 20. Jahrhundert, Malerei und Plastik 1913–1993, May 8–July 25. Traveled to Royal Academy of Arts and The Saatchi Gallery, London, as American Art in the Twentieth Century–Painting and Sculpture 1913–1993, Sept. 16–Dec. 12.

United States Pavilion, Expo ’93, Taejon World’s Fair, Taejon, South Korea, Renewing Our Earth: The Artistic Vision; Art and the Environment, An Exhibition by American Artists, Aug. 7–Nov. 7.

The Murray and Isabella Rayburn Foundation, New York, Roma–New York, 1948–1964: An Art Exploration, Nov. 5, 1993–Jan. 10, 1994. Exh. cat. by Germano Celant.

Des Moines Art Center, F-111 and American Pop Images, Nov. 13, 1993–Jan. 30, 1994.

Contemporary Arts Center, Cincinnati, The Figure as Fiction: The Figure in Visual Art and Literature, Dec. 3, 1993–Jan. 23, 1994.

1994

Brenau University, Gainesville, Ga., Pop! A Print Survey of the Pop Art Style, from the Collection of Leo Castelli, March 25–May 10.

Florida International University Art Museum, Miami, American Art Today: Heads Only, April 8–May 6.

Museum of Fine Arts, Santa Fe, Museum of Romantic Modernism, One Hundred Years, June 4–July 31.

Graphicstudio, University of South Florida, Tampa, Portraits: Selections from Twenty-five Years of Graphicstudio Works, Sept. 16–Oct. 31.
—Milani, Joanne. “’Portraits’ Pictures Work of Graphicstudio Stars,” The Tampa Tribune, Oct. 6, 1994, pp. 1, 5.
—Milani, Joanne. “Graphicstudio Masters: For Twenty-five Years,” The Tampa Tribune, Oct. 7, 1994, Friday Extra!, unpaginated.

Marlborough Graphics, New York, The Pop Image: Prints and Multiples, Nov. 9–Dec. 3.

1995

Kunstal, Rotterdam, Pop Art, April 8–Oct. 29. Exh. cat., with text by Cees Straus.

Yale University Art Gallery, New Haven, Collecting with Richard Brown Baker: From Pollock to Lichtenstein, May 19–Sept. 13. Exh. cat.
—“Richard Brown Baker Makes Art Gift to Yale Gallery,” Antiques and The Arts Weekly (Newtown), June 23, 1995, p. 59.

Marisa del Re Gallery and O’Hara Gallery, New York, The Popular Image: Pop Art in America, Oct. 26–Dec. 9.

1996

Gagosian Gallery, Los Angeles, Leo Castelli: An Exhibition in Honor of His Gallery and Artists, Jan. 29–March 16.

Leo Castelli Gallery, New York, New Works, Feb. 10–March 9.

The Museum of Modern Art, New York, Thinking Print: Books to Billboards, 1980–95, June 20–Sept. 10.

Musée d’Art Moderne et d’Art Contemporain, Nice, Chimériques Polymères, le plastique dans l’art du XXème siècle, June 29-Sept. 15.

Cincinnati Art Museum, Pop Prints, July 22, 1996–Jan. 21, 1997.

The Art Museum, Florida International University, Miami, Miami Pops! Pop Art from Miami Collections, Sept. 20–Nov. 20. Exh. cat.
—Turner, Elisa. “Art Museum Goes Pop with Local Collectors’ Pieces,” The Miami Herald, Sept. 15, 1996, The Arts, pp. 1, 41.

Los Angeles County Museum of Art, Hidden in Plain Sight: Illusion in Art from Jasper Johns to Virtual Reality, Oct. 27, 1996–Jan. 12, 1997.

Centre Georges Pompidou, Paris, Face à l’Histoire, 1933–1996: L’artiste moderne devant l’événement historique, Dec. 19, 1996–April 7, 1997.

1997

Leo Castelli Gallery, New York, Exploration and Innovation: The Artists of the Castelli Gallery, Part One, 1957–1997, Oct. 25–Nov. 15. <>

The Pacific Design Center, Los Angeles, Gemini G.E.L.: Celebrating Thirty Years, Jan. 20–Feb. 24.

Corcoran Gallery of Art, Washington, D.C., Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997, Feb. 15–June 30. Traveled to Gallery of Contemporary Art, University of Colorado Springs, Aug. 4–Sept. 19; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Oct. 27, 1997–Jan. 4, 1998; and Sezon Museum of Art, Tokyo, Feb. 27–April 6, 1998. Exh. cat.
—Christakos, John. “The Proof Is in the Printing,” The Daily Yomiuri (Tokyo), March 24, 1998, p. 10.

Salvador Dalí Museum, St. Petersburg, Fla., Prints and Processes, April 4–Nov. 2.

Contemporary Arts Museum, Houston, Finders/Keepers, May 10– Aug. 3.

University Art Museum, California State University, Long Beach, The Great American Pop Art Store: Multiples of the Sixties, Aug. 26–Oct. 26. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, N.J., Nov. 22, 1997–Feb. 22, 1998; The Baltimore Museum of Art, March 25–May 31, 1998; Montgomery Museum of Fine Arts, June 27–Aug. 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Oct. 3–Dec. 6, 1998; Marion Koogler McNay Art Museum, San Antonio, Jan. 18–March 14, 1999; Wichita Art Museum, April 11–June 6, 1999; Muskegon Museum of Art, Muskegon, Mich., July 29–Sept. 12, 1999; Joslyn Art Museum, Omaha, Oct. 23, 1999–Jan. 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, Feb. 3–March 26, 2000; and The Toledo Museum of Art, June 4–Aug. 13, 2000.
—Van Gelder, Lawrence. “Footlights,” The New York Times, May 31, 2000, p. 1.

Musée d’Art Moderne et d’Art Contemporain, Nice, De Klein à Warhol: Face-à-Face, France/Etats-Unis, Nov. 14, 1997–March 16, 1998.

Contemporary Arts Center, New Orleans, The Prophecy of Pop, Nov. 24, 1997–Feb. 7, 1998.
—Waddington, Christopher. “Prophets of Pop; Works by Warhol, Basquiat, Haring and More Make Their New Orleans Debut in a CAC Show,” The Times-Picayune (New Orleans), Dec. 6, 1997, section E, p. 1.
—Waddington, Christopher. “Pop Art’s Family Tree Takes Root at the CAC; Warhol Is the Poster Boy, but Others Up the Artistic Ante,” The Times-Picayune (New Orleans), Jan. 9, 1998, section L, p. 14.

1998

Galeria de Arte IBEU Copacabana, Rio de Janeiro, Artistas Norte-Americanos, Jan. 13–March 13. Exh. cat.

Seattle Art Museum, Paintings from the Jon and Mary Shirley Collection, March 4–May 9.

Hara Museum of Contemporary Art, Tokyo, The Painted Vision: Selections from the Hara Museum’s Permanent Collection, July 11–Oct. 11.

Kalamazoo Institute of Arts, Art and the American Experience, Sept. 13–Dec. 6. Exh. cat., with text by Jan van der Marck.

Solomon R. Guggenheim Museum, New York, Rendezvous: Masterpieces from the Centre Georges Pompidou and the Gugenheim Museums, Oct. 16, 1998–Jan. 24, 1999. Exh. cat., with essays by Bernard Blistène and Lisa Dennison, Yve-Alain Bois, Stanley Cavell, Jean-Louis Cohen, and Mark C. Taylor, and texts by Craig Houser.

1999

Colorado University Art Galleries, Boulder, Pop! Selections From the Colorado Collection, Jan. 22–March 30.
—Chandler, Mary Voelz. “’Pop!’ Exposes Light, Dark Sides of Art,” Rocky Mountain News (Denver), Jan. 31, 1999, section D, p. 6D.

Spencer Museum of Art, University of Kansas, Lawrence, Decade of Transformation: American Art of the 1960s, Jan. 23–March 14. Exh. cat., ed. David Cateforis, with essays by Cateforis, Jill R. Chancey, Stefanie Olson, and Rachel Epp Buller.

Centre Cultural de la Fundació “la Caixa,” Barcelona (organized with Schirn Kunsthalle, Frankfurt am Main), Made in USA 1940–1970: De l’Expressionisme Abstracte al Pop, Jan. 28–March 28. Traveled to Schirn Kunsthalle, as Between Art and Life: Vom Abstrakten Expressionismus zur Pop Art, April 30–July 10. Exh. cat. (Barcelona), in Spanish, Catalan, and English, with introduction by Lluis Monreal and texts by Thomas M. Messer and Irving Sandler. Exh. cat. (Frankfurt), in German and English, with introduction by Thomas M. Messer, and text by Irving Sandler.

The Museum of Modern Art, New York, Pop Impressions Europe/ U.S.A.: Prints and Multiples from the Museum of Modern Art, Feb. 18–May 18. Exh. cat.
—Glueck, Grace. “Pop’s Fifteen Minutes Keeps On Ticking,” The New York Times, April 23, 1999, section E, part 2, p. 33.

Seattle Art Museum, The Virginia and Bagley Wright Collection of Modern Art, March 4– May 9.

Massachusetts Museum of Contemporary Art, North Adams, Test Site, May 30, 1999–March 15, 2000.
—Smith, Robert F. “Test Site,” Artnews (New York) 98, no. 9 (Oct. 1999), p. 195.

Museu de Arte Contemporânea de Serralves, Porto, Circa 1968, June 6–Aug. 29.

Whitney Museum of American Art, New York, The American Century: Art and Culture 1900–2000/Part II, 1950–2000, Sept. 26, 1999–Feb. 13, 2000.

National Building Museum, Washington, D.C., Tools as Art V: Fantasy at Work, Nov. 19, 1999–Jan. 9, 2000.
—O’Sullivan, Michael. “Building Castles in the Air,” The Washington Post, Nov. 19, 1999, p. 68.

Michael Carr Art Dealer, Sydney, Old and New: The Millennium Summer Exhibition 1999–2000, Nov. 30, 1999–Jan. 16, 2000.
—Glass, Alexie. “The Galleries,” Sydney Morning Herald, Nov. 20, 1999, p. 16.

The Museum of Contemporary Art, Los Angeles, Panza: The Legacy of a Collector, Dec. 12, 1999–April 30, 2000. Exh. cat., ed. Cornelia H. Butler.
—Knight, Christopher. “Panza’s Two Divergent Worlds,” Los Angeles Times, Feb. 5, 2000, section F, p. F1.

2000

Detroit Institute of Arts, Pop Art: Prints and Multiples from the DIA Collection, Sept. 9–Dec. 31.

The Museum of Modern Art, New York, Open Ends, Sept. 28, 2000–Jan. 2, 2001.
—Cotter, Holland. “A Postwar Survey, Semi-Wild at Heart,” The New York Times, Sept. 29, 2000, section E, p. 27.

Fine Arts Museum of San Francisco, California Palace of the Legion of Honor, An American Focus: The Anderson Graphic Arts Collection, Oct. 7–Dec. 31, 2000.
—Baker, Kenneth, “Double Bonanza for Modern Art Fans,” San Francisco Chronicle, Aug. 27, 2000, p. 58.
—Littlejohn, David. “The Gallery: One Collection, Many Suitors—Two Shows in California Display a Wealth of Postwar Art; The Tastes of Hunk and Moo,” The Wall Street Journal (New York), Nov. 7, 2000, section A, p. 24.

San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection, Oct. 7, 2000–Jan. 15, 2001.
—Baker, Kenneth, “Double Bonanza for Modern Art Fans,”San Francisco Chronicle, Aug. 27, 2000, p. 58.
—Littlejohn, David. “The Gallery: One Collection, Many Suitors—Two Shows in California Display a Wealth of Postwar Art; The Tastes of Hunk and Moo,” The Wall Street Journal (New York), Nov. 7, 2000, section A, p. 24.

2001

The Menil Collection, Houston, Pop Art: U.S./U.K. Connections 1956–1966, Jan. 26–May 13. Exh. cat., with introduction by David E. Brauer and Jim Edwards, interview with Walter Hopps by Jim Edwards, and essays by David E. Brauer, Jim Edwards, and Christopher Finch.
—Johnson, Patricia C. “Channeling Icons: Menil Showcases Pop Art Works,” Houston Chronicle, Jan. 27, 2001, p. 5.

Pasadena Armory Center for the Arts, Contemporary Art and the Cosmos, Feb. 4–April 22.
—Knight, Christopher, “A Space Oddity,” Los Angeles Times, Feb. 10, 2001, section F, p. F1.

Centre Georges Pompidou, Paris, Les Années Pop: 1956–1968, March 15–June 18. Exh. cat., with essays by Chantal Béret, Jean-Michel Bouhours, Mark Francis, Catherine Grenier, and Martine Lobjoy.

Gagosian Gallery, New York, Pop Art: The John and Kimiko Powers Collection, An Exhibition in Memory of John Powers, April 20–June 30. Exh. cat., with interview with Kimiko Powers by Bob Monk and essays by Germano Celant, Rainer Crone and Petrus Graf Schaesberg, Jim Dine, Jeremy Gilbert-Rolfe, Judith Goldman, Dave Hickey, Monk, Linda Norden, Lane Relyea, Scott Rothkopf, and David Shapiro.
—Glueck, Grace. “A Collector’s Collector Whose Works Went Pop,” The New York Times, May 4, 2001, section E, p. 35.

Wetterling Teo Gallery, Singapore, Made in America, May 29–June 24.
—“Eclectic Showcase,” The Business Times (Singapore), June 2, 2001, p. 17.

Matthew Marks Gallery, New York, We Set Off in High Spirits, July 11–Aug. 17.
—Cotter, Holland. “We Set Off in High Spirits,” The New York Times, Aug. 3, 2001, section E, p. 32.

Rose Art Museum, Brandeis University, Waltham, Mass., A Defining Generation: Then and Now–1961 and 2001, Sept. 30–Dec. 9.
—“Artists Talkin’ About Their Generation,” Boston Globe, Oct. 7, 2001, p. 6.

Museum of Art, Fort Lauderdale (organized by Davis Museum and Cultural Center, Wellesley College, Mass.), Surrounding Interiors: Views inside the Car, Oct. 5, 2001–Jan. 6, 2002. Traveled to Davis Museum and Cultural Center, Wellesley College, Feb. 21–June 9, 2002; and Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Sept. 7, 2002–Jan. 3, 2003. Exh. cat., Inside Cars, special issue of 2wice: Visual and Performing Arts (New York) 5 , no. 2, with essays by Paul Arthur, Adam Bartos, Giuliana Bruno, Andrew Bush, Lucy Flint-Gohlke, Judith Hoos Fox, David Frankel, Greil Marcus, Phil Patton, Tobi Tobias, and James Wolcott.

Elliot Smith Contemporary Art, St. Louis, Contemporary Print Expo, Dec. 7, 2001–Jan. 13, 2002.
—“Fine Art,” St. Louis Post-Dispatch, Jan. 3, 2002, section G, p. 23.

2002

Acquavella Galleries, New York, XIX and XX Century Master Paintings and Sculpture, March 18–April 27.

Tate Liverpool, Pin-Up: Glamour and Celebrity Since the Sixties, March 26, 2002–Jan. 19, 2003.
—Van Gelder, Lawrence. “Eye Catchers,” The New York Times, March 26, 2002, section E, p. 1.

The Art Students League of New York, A Century on Paper: Prints by Arts Students League Artists 1901–2001, April 11–June 21.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, N.Y., From Pop to Now: Selections from the Sonnabend Collection, June–Sept. Traveled to Wexner Center for the Arts at Ohio State University, Columbus, Nov. 2002–Feb. 2003; and Milwaukee Art Museum, Feb.–May, 2003. Exh. cat., ed. Margaret Sundell, with introduction by Charles Ashley Stainback and texts by Rachel Haidu.

J. Johnson Gallery, Jacksonville Beach, Fla., Contemporary Printmakers, Sept. 14– Nov. 1.

Barbara Mathes Gallery, New York, Collage: Abstract Expressionist and Pop, Oct. 18– Dec. 21.

Miami Art Museum, Miami Currents: Linking Collection and Community, Oct. 30, 2002–March 2, 2003.

2003

Lukman Gallery, California State University, Los Angeles, Pop and More from the Frederick R. Weisman Art Foundation Collection, Jan. 6–March 1.

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Intricacy, Jan. 18–April 6.

The Galleries at the Gershman Y, Philadelphia, A Happening Place, April 29–June 30.

Nassau County Museum of Art, Roslyn Harbor, New York, A Century of Prints: 1900–2000, March 2–May 25.

Tampa Museum of Art, Modern Art in Florida 1948–1970: A Climate for Contemporary–Tampa Bay, May 11–July 6. Exh. cat. by Mark Ormand.

Guggenheim Hermitage Museum, Las Vegas, American Pop Icons, May 15–Nov. 2. Exh. cat. edited by Susan Davidson.

Stiftung Museum Kunst Palast, Düsseldorf, The Pow!er of Pop, June 21–Aug. 31.

Arizona State University Art Museum, Tempe, Andy Warhol and the Pop Aesthetic, June 21–Sept. 13.

Polk Museum of Art, Lakeland, Fla., Print It! Printmaking Techniques and Artistic Solutions, July 5, 2003–Feb. 1, 2004.

Milwaukee Art Museum, Think Big: Print Workshop Collaborations from the Tatalovich Collection, July 18–Oct. 5.

Contemporary Art Center of Virginia, Virginia Beach, Contemporary Works from the Frederick R. Weisman Art Foundation, Aug. 7–Nov. 8.

Polk Museum of Art, Lakeland, Fla., Some Assembly Required: Collage Culture in Post-War America, Aug. 30–Nov. 2.

Galerie Burkhard Eikelmann, Düsseldorf, The Pop Art Show, Sept. 1–Nov. 30.

Walker Art Center, Minneapolis, Pop3: Oldenburg, Rosenquist, Warhol, Sept. 6, 2003–Feb. 14, 2004.

Neuberger Museum of Art, Purchase College, State University of New York, Purchase, Facing Reality: The Seavest Collection of Contemporary Realism, Sept. 14, 2003–Feb. 15, 2004.
—Genocchio, Benjamin. “For the Eyes, Bubble Gum.” The New York Times, 30 November 2003.
—Johnson, Ken. “Realism, Admittedly Slippery, Explores What Can and Can’t Be Seen.” The New York Times, 19 December 2003.

Allen Memorial Art Museum, Oberlin College, Ohio, Going Modern at the Allen: American Painting and Sculpture 1950–1980, Sept. 16, 2003–May 30, 2004.

Bruce Museum of Arts and Science, Greenwich, Conn., JFK and Art, Sept. 20, 2003–Jan. 11, 2004. Traveled to Norton Museum of Art, West Palm Beach, Fla., Feb. 6–May 2, 2004. Exh. cat. by Kenneth E. Silver.

North Carolina Museum of Art, Raleigh, Defying Gravity: Contemporary Art and Flight, Nov. 2, 2003–March 7, 2004. Exh. cat. by Huston Paschal and Linda Johnson Dougherty, with contributions by Robert Wohl, Anne Collins Goodyear, and Laura M. André.

Miami Art Museum, Between Art and Life: From Joseph Cornell to Gabriel Orozco, Nov. 28, 2003–April 4, 2004.

Galerie Wolfgang Exner, Vienna, Pop Art – Druckgraphieken, Dec. 6, 2003–Jan. 10, 2004.

2004

Brooke Alexander Editions, New York, Under $2000: Albers < Zaugg, Jan. 15–March 20.

Kunsthalle Bielefeld, Germany, Das Große Fressen: Von Pop bis Heute, Jan. 25–April 24. Exh. cat. by Michael Althen, Thomas Dellein, and Angela Lampe.
—Schmitter, Elke. “Kunst: Ekel statt schöner Schau; Eine abgründige Ausstellung zeigt Nahrungskunst aus Europa und den USA.” Der Spiegel, no. 4 (19 January 2004): 150.

Mori Art Museum, Tokyo, Modern Means: Continuity and Change in Art, 1880 to the Present–Highlights from the Collection of the Museum of Modern Art, New York, April 28–Aug. 1.

ARoS Aarhus Kunstmuseum, Denmark, Pop Classics, May 28–Sept. 5. Exh. cat.

Katonah Museum of Art, New York, Behind Closed Doors: Collectors Celebrate the Museum’s Golden Anniversary, May 29–July 11. Exh. cat. by Susan H. Edwards.

Addison Gallery of American Art, Phillips Academy, Andover, Mass., 4 x 4: Selections from the Tyler Graphics Collection, Sept. 7, 2004–Jan. 2, 2005.

Louisiana Museum of Modern Art, Humlebæk, Denmark, The Flower as Image, Sept. 10, 2004–Jan. 16, 2005. Exh. cat. edited by Michael Juul Holm, Ernst Jonas Bencard, and Poul Erik Tøjner.

Northern Illinois University Art Museum, Dekalb, Highlights from the Permanent Collection, Oct. 18–Dec. 12.

Essl Museum Contemporary Art, Klosterneuburg bei Wien, Austria, Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, Oct. 21, 2004–March 6, 2005.

2005

Katherine E. Nash Gallery, Regis Center for Art, University of Minnesota, Minneapolis, Looking Back and Moving Forward: Success in the Making, Jan. 11–Feb. 17.

Lentos Kunstmuseum Linz, Germany, The Spirit of Pop, Feb. 26–Fall.

Fondation Beyeler, Basel, Switzerland, Flower Myth: Van Gogh to Jeff Koons, Feb. 27–May 22.

Contessa Gallery, Cleveland, Ohio, Picasso to Pop, March 3–April 3.

Museo Civico, Cremona, Italy, Art and the Printing Press – Cremona 2005: Graphicstudio/Institute for Research in Art, April 10–June 26. Exh. cat. by Dino Formaggio, Vladimiro Elvieri, Margaret A. Miller, Deli Sacilotto, Laura Gensini, and Mauro Mainardi

Museum of Art, University of Michigan, Ann Arbor, Pop!, June 5–Sept. 25.

Royal Academy of Arts, London, Summer Exhibition 2005, June 7–Aug. 15. Exh. cat. edited by Chris Orr and Stephen Farthing.

Villa Manin, Centro d’Arte Contemporanea, Passariano, Italy, Il Teatro dell’Arte: Capolavori dalla Collezione del Museo Ludwig di Colonia, June 9–Nov. 6.

Frederick R. Weisman Museum of Art, Center for the Arts, Pepperdine University, Malibu, Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, July 30–Oct. 2.

Tufts University Art Gallery, Medford, Mass., Pattern Language: Clothing as Communicator, Sept. 9–Nov. 13. Traveled to Krannert Art Museum, University of Illinois, Urbana–Champaign, Jan. 20–April 9, 2006; University Art Museum, University of California, Santa Barbara, July 5–Aug. 27, 2006; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Oct. 14, 2006–Jan. 7, 2007; and Paul and Lulu Hilliard University Art Museum, University of Louisiana at Lafayette, Spring 2007. Exh. cat. edited by Judith Hoos Fox and Amy Ingrid Schlegel.

Printemps de septembre à Toulouse, Toulouse, France, Vertiges, Sept. 23–Oct. 16. Exh. cat. by Pascal Pique, et al.

Museo de Arte de Puerto Rico, Santurce, El Impulso Figurativo: Obras de la Colección de Arte UBS, Sept. 23, 2005–Jan. 8, 2006.

Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy, Dalla Pop art alla Minimal, Sept. 28, 2005–Jan. 29, 2006.

Bernard Jacobson Gallery, London, Rauschenberg, Rosenquist, Lichtenstein, Oct. 6–29.

Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, Obras Maestras del Siglo XX en las Colecciones del IVAM, Oct. 7, 2005–Feb. 19, 2006.

Andrea Rosen Gallery, New York, Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper, Nov. 2, 2005–Jan. 2006.

Museum of Contemporary Art, Los Angeles, After Cézanne, Nov. 20, 2005–June 19, 2006.

Salvador Dalí Museum, St. Petersburg, Fla., Pollock to Pop: America’s Brush with Dalí, Dec. 9, 2005–April 28, 2006.

2006

Jacobson Howard Gallery, New York, Group Show, Jan.–Feb.

Larissa Goldston Gallery, New York, Red, Yellow, Blue, Jan. 12–Feb. 11.

Polk Museum of Art, Lakeland, Fla., Pop Art 1956–2006: The First 50 Years, Feb. 18–April 16.

Ullens Center for Contemporary Art, Beijing, Inside a Book a House of Gold – Aritsts’ Editions for Parkett, Feb. 26–April 8.

Whitney Museum of American Art, New York, Whitney Biennial 2006: Day for Night – The Peace Tower, March 2–May 28.

Woodward Gallery, New York, Spring Paper 8, March 4–April 28.

Miami Art Museum, Big Juicy Paintings (and More): Selections from the Permanent Collection, June 16–Sept. 17. Exh. cat. by Peter Boswell.

Museo de Bellas Artes de Bilbao, Spain, Mirada multiple, June 30–Sept. 24.

Thomas McCormick Gallery, Chicago, Works on Paper from the Collection of Art Enterprises, Ltd., July 14–Aug. 19.

Grimaldi Forum, Monaco, New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, July 14–Sept. 10. Exh. cat. edited by Germano Celant and Lisa Dennison.

Kunst- und Ausstellungshalle der Bundesrepublik Deutschland and Kunstumuseum Bonn, The Guggenheim Collection, July 21, 2006–Jan. 7, 2007.

Time Warner Center, New York, Beauty Has a Taste, Sept. 12–Oct. 9.

Minneapolis Institute of Arts, Minn., Vermillion Editions Limited: Prints, Multiples, Artist’s Books, 1977–1992, Oct. 14, 2006–Jan. 7, 2007.

Max Lang, New York, Gallery Selections, Nov. 1–28.

Los Angeles County Museum of Art, Magritte and Contemporary Art: The Treachery of Images, Nov. 19, 2006–March 4, 2007.

Max Lang, New York, Living with Pop, Dec. 1, 2006–January 20, 2007.

2007

Montana Museum of Art and Culture, The University of Montana, Missoula, The Collectors' Art, Jan. 23–March 3.

James Goodman Gallery, New York, Modern and Contemporary Masters, Feb. 5–March 10.

Contessa Gallery, Cleveland, Whole Lotta Pop!, Feb. 9–April 22.

Gulf Coast Museum of Art, Largo, Guild Hall: An Adventure in the Arts – The Permanent Collection of the Guild Hall Museum, East Hampton, New York, Feb. 9–April 30. Traveled to LSU Art Museum, Baton Rouge, La., March 1–May 31, 2008; Visual Arts Center, Panama City, Fla., June 15–Oct. 1, 2008; South Bend Regional Museum of Art, Ind., Oct. 18, 2008–Jan. 15, 2009; Turtle Bay Exploration Center, Redding, Calif., Feb. 5–May 3, 2009; Sangre de Cristo Art Center, Pueblo, Colo., May 21–Aug. 2, 2009; Southeast Missouri Regional Museum, Southeast Missouri State University, Cape Girardeau, Mo., Aug. 15–Oct. 31, 2009; Lakeview Museum of Arts and Sciences, Peoria, Ill., Nov. 15, 2009–Jan. 15, 2010; Mobile Museum of Art, Ala., Feb. 5–April 18, 2010; Museum of the Rockies, MSU, Bozeman, Mont., Feb. 17–May 20, 2012; Norton Museum, Shreveport, La., Feb. 5–March 31, 2013; Alexandria Museum of Art, Alexandria, La., April 12–June 15, 2013; Farmington Museum, Farmington, N. Mex., July 15–Sept. 22, 2013; and Pensacola Museum of Art, Fla., Aug. 15–Oct. 15, 2014.
— “Art: An Adventure in the Arts.” Tampa Bay Magazine 22, no. 1 (January-February 2007): 177.

National Art Museum, Beijing, Art in America: Three Hundred Years of Innovation, Feb. 10–April 5. Traveled to Shanghai Museum and Shanghai Museum of Contemporary Art, Shanghai, May 1–June 30; Pushkin Museum of Fine Arts, Moscow, July 24–Sept. 9; and Guggenheim Museum Bilbao, Spain, Oct. 11, 2007–April 27, 2008.

Nassau County Museum of Art, Roslyn Harbor, New York, Rembrandt to Rosenquist: Masters of Printmaking, Feb. 18–May 13.
—Genocchio, Benjamin. “Five Centuries of Printmaking Packed Into One Museum.” The New York Times, 1 April 2007.

Ekaterina Cultural Foundation, Moscow, Movement. Evolution. Art., Feb. 21–March 31.

Insitut Valencià d'Art Modern, Spain, Speed 1: Natura Naurata, Feb. 22–July 8.

Insitut Valencià d'Art Modern, Spain, El Pop Art en la colección del IVAM, March 15–May 27. Exh. cat. with foreward by Francisco Camps Ortiz and essays by Consuelo Císcar Casabán, William Jeffet, Santiago Olmo, Lluís Fernández, and Clare Carolin.

Princeton University Art Museum, Pop Art at Princeton: Permanent and Promised, March 24–Aug. 12.
—Genocchio, Benjamin. “A Look at the Roots of Pop.” The New York Times, 15 April 2007.

Leo Castelli Gallery, New York, The Wandering Eye: Works on Paper from the 60s and 70s, April 10–May 19.

Deutsche Guggenheim, Berlin, Affinities: Deutsche Guggenheim 1997–2007, New Acquisitions, Deutsche Bank Collection, April 28–June 24. Exh. cat. by Ariane Grigoteit.

Whatcom Museum of History and Art, Bellingham, Wash., American Abstraction: Works from the Washington Art Consortium Collection, May 13–Nov. 11.

Centro Arte Moderna e Contemporanea della Spezia, Italy, Il segno, il colore, la forma, May 15–June 10.

Woodward Gallery, New York, When Art Worlds Collide: The 60s, May 17–July 14.

Tacoma Art Museum, Washington, Sparkle Then Fade, May 17–Sept. 3.
—Hackett, Regina. "Solo Artists’ Works Come Together in Harmony in Tacoma Art Museum Exhibit." Seattle Post-Intelligencer, 7 June 2007.

Flint Institute of Arts, Mich., Recent Acquisitions of Works on Paper to the Flint Institute of Arts, June 2–Sept. 2.

Jacobson Howard Gallery, New York, Group Show, Summer.

Vonderbank Artgalleries, Berlin, Prime Time – Icons and Idols, June 29–Sept. 24.

Museum of Modern Art, New York, What is Painting? Contemporary Art from the Collection, July 7–Sept. 17.

Colorado Springs Fine Arts Center, The Eclectic Eye: Pop and Illusion – Selections from the Frederick R. Weisman Art Foundation, Aug. 4–Oct. 28.

Des Moines Art Center, Iowa, Sign Language, Aug. 24–Nov. 23.

Bruce Museum, Greenwich, Conn., Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Sept. 29, 2007–Jan. 6, 2008.

National Portrait Gallery, London, Pop Art Portraits, Oct. 11, 2007–Jan. 20, 2008. Traveled to Staatsgalerie Stuttgart, Germany, Feb. 23–June 8, 2008.

Museo Nacional de Bellas Artes, Santiago, Chile, Homenaje a Picasso, Oct. 25, 2007–Jan. 20, 2008.

Scuderie del Quirinale, Rome, Pop Art! 1956–1968, Oct. 26, 2007–Jan. 27, 2008.

2008

MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary, The Story Goes On: Contemporary Artists in the Wake of Van Gogh, Jan. 15–March 9.

Galerie Burkhard Eikelmann, Düsseldorf, Tom Wesselmann and the 11 POP Artists, Jan. 26–March 29.

Galerie Proarta, Zürich, Modern Prints, Feb. 1–16.

Nassau County Museum of Art, Roslyn Harbor, New York, Pop and Op, Feb. 17–May 4.

Fondation Beyeler, Riehen/Basel, Switzerland, Fernand Léger: Paris–New York, June 1–Sept. 7.

Jane Voorhees Zimmerli Art Museum, Rutgers University, Pop Art and After: Prints and Popular Culture, Sept. 2–Dec. 14.

Rosenbaum Contemporary, Boca Raton, Fla., All Colors in Mind, Sept. 5–30.

Galerie Wild, Zürich, Amerikanische Kunst & Pop Art, Sept. 12–Nov. 18.

Wetterling Gallery, Stockholm, The 30th Anniversary: Part I, Sept. 17–Oct. 11.

DePaul University Museum, Chicago, 1968: Art and Politics in Chicago, Sept. 18–Nov. 23. Exh. cat. with essay by Patricia Kelly.

Ackland Art Museum, The University of North Carolina at Chapel Hill, Circa 1958: Breaking Ground in American Art, Sept. 21, 2008–Jan. 4, 2009. Exh. cat. by Roni Feinstein.

Jablonka Galerie, Zürich, Reverb, Nov. 14, 2008–Jan. 31, 2009.

J. Johnson Gallery, Jacksonville Beach, Fla., Contemporary Prints, Nov. 21, 2008–Feb. 20, 2009.

Gemini G.E.L., Los Angeles, Black and White Show, Dec. 2008–Jan. 2009.

2009

Jacobson Howard Gallery, New York, Gallery Artists, Jan.

Fisher Landau Center for Art, Long Island City, New York, Five Decades of Passion–Part One: The Eye of the Collector, 1968–1988, Jan. 4–April 5.

Leslie Sacks Contemporary, Santa Monica, Calif., Universal Limited Art Editions Then and Now, Jan. 17–Feb. 28.

Museum Tinguely, Basel, Switzerland, Scapa Memories: Eine Sammlung, Feb. 4–April 19.

McNay Art Museum, San Antonio, Texas, American Concepts and Global Visions/Selections from the AT&T Collection: Contemporary Paintings and Sculpture, Feb. 11–May 17.

Berkeley Art Museum and Pacific Film Archive, University of California, Galaxy: A Hundred or So Stars Visible to the Naked Eye, Feb. 25–Aug. 30.

The Museum of Contemporary Art, Los Angeles, A Changing Ratio: Painting and Sculpture from the Collection, March 1–Sept. 28.

Leo Castelli Gallery, New York, Electricity: Jim Dine, Dan Flavin, Joseph Kosuth, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Keith Sonnier, Robert Watts, March 6–April 25.

CAS Gallery, Kean University, Union City, New Jersey, Past Pop: Robert Rauschenberg and James Rosenquist Graphics, March 31–May 7. Exh. cat. with an introduction by Feil Tetkowski and an essay by Lewis Kachur.

White Columns, New York, 40th Anniversary Benefit Auction, April 24–May 16.

Armand Bartos Fine Art, New York, Collect with Us, April 30–May 30.

Singapore Tyler Print Institute, Singapore, Pulp Stories II, May 8–July 11.

Gagosian Gallery, New York, Go Figure, May 9–June 13.

Galerie Wild, Zürich, Summertime, July 3–Sept. 1.

Haunch of Venison, New York, The Figure and Dr. Freud, July 8–Aug. 22.
—Rosenberg, Karen. “Art in Review: The Figure and Dr. Freud.” The New York Times, 14 August 2009.

Michael Rosenthal Gallery, Los Gatos, California, Annual Biennial, Aug. 1–Sept. 5.

The Menil Collection, Houston, Body in Fragments, Aug. 21, 2009–Feb. 28, 2010.

Allen Memorial Art Museum, Oberlin College, Ohio, Out of Line: Drawings from the Allen from the Twentieth Century and Beyond, Sept. 1–Dec. 23.

Palm Springs Art Museum, Calif., The Passionate Pursuit: Gifts and Promised Gifts of Donna and Cargill Macmillan, Jr., Sept. 5, 2009–Feb. 7, 2010. Exh. cat. by Daniell Cornell.

The Arnold and Marie Schwartz Gallery Met, The Metropolitan Opera, New York, Something About Mary, Sept. 22, 2009–Jan., 2010.
—Vogel, Carol. "Inside Art: Mary Magdalene Show." The New York Times, September 11, 2009.
—Loos, Ted. “Art: Acts of Faith.” Vogue (October 2009): 197.

Centro Arte Moderna e Contemporanea della Spezia, Italy, Da Hartung a Warhol: Presenze internazionali nella collezione Cozzani, Sept. 25–Nov. 3.

Moderna Museet, Malmö, Sweden, The 60s – The Moderna Museet Collection, Dec. 26, 2009–Feb. 27, 2011.

2010

Woodward Gallery, New York, Big Paper Winter, Jan. 16–Feb. 27.

Pace Gallery, New York, Pastiche, April 2–24.

Acquavella Galleries, Inc., New York, Robert and Ethel Scull: Portrait of a Collection, April 13–May 27. Exh. cat. by Judith Goldman.
—Kaplan, Fred. “Showing a Couple’s Eye for Art (and Money).” The New York Times, 10 April 2010.
—Kazanjian, Dodie. "People Art Talking About: Art." Vogue 200, no. 4 (April 2010): 200.
—Fones, Sarah. “The Sculls’ Warhols, Jasper Johns and Rauschenbergs All Together Again.” Black Book Magazine, 13 April 2010.
—Smith, Roberta.  “Appetite for New and Next New.” The New York Times, 16 April 2010.
—Naves, Mario. “Passing the Buck.” City Arts, 20 April 2010: 8.
—Lindemann, Adam. “Schooled by the Sculls.” The New York Observer, 21 April 2010.
—Camhi, Leslie. “Just Looking: Collective Identity.” The New York Times Style Magazine, 7 May 2010.
—Zeitz, Lisa. “Keine Angst vorm Neuen.” Frankfurter Allgemeine Sonntagzeitung, No. 19 (May 16, 2010).
—Neil, Jonathan T.D. “Robert and Ethel Scull: Portrait of a Collection.” Art Review 42 (Summer 2010): 142.

Galleria 1000 Eventi, Milan, XXL, April 23–June 25.

Benrimon Contemporary, New York, Fleurs: 1880–2010, May 6–June 5. Exh. cat. by Michaël Amy.

Loretta Howard Gallery, New York, Artists at Max's Kansas City, 1965–1974: Hetero-Holics and Some Women Too, Sept. 15–Oct. 30.

Museum of Modern Art, New York, Counter Space: Design and the Modern Kitchen, Sept. 15, 2010–March 14, 2011.
—Smith, Roberta. “The Heart That Beats, Heats, Chills and Whips.” The New York Times, 19 September 2010: C1.

Museum of Modern Art, New York, On to Pop, Sept. 29, 2010–April 25, 2011.

Phyllis Harriman Mason Gallery, The Art Students League of New York, Will Barnet and The Art Students League, Oct. 5–31. Exh. cat. by Pamela N. Koob.

Galerie Thomas Modern, Munich, Popular: Brands, Symbols, Icons 1960–2010, Nov. 26, 2010–Feb. 19, 2011.

Whitney Museum of American Art, New York, Singular Visions, Dec. 16, 2010–Aug. 5, 2012.

2011

Whitney Museum of American Art, New York, Legacy: The Emily Fisher Landau Collection, Feb. 10–May 1. Traveled to Norton Museum of Art, West Palm Beach, Fla., Feb. 21–June 2, 2013; Grand Rapids Art Museum, Mich., Feb. 2–April 27, 2014; and San Jose Museum of Art, Calif., June 5–Sept. 14, 2014. Exh. cat. edited by Dana Miller, with essays by Donna De Salvo and Joseph Giovannini.

Meadows Museum of Art, Shreveport Centenary College, La., Copley to Warhol: American Art Celebrating the New Orleans Museum of Art, Feb. 20–April 17. Traveled to Alexandria Museum of Art, La., May 7–July 13; Paul and Lulu Hilliard University Art Museum, University of Louisiana at Lafayette, July 23–Sept. 18; and Louisiana State University Museum of Art, Baton Rouge, Oct. 8–Dec. 4.

Peggy Guggenheim Collection, Venice, Italy, Ileana Sonnabend: An Italian Portrait, May 29–Oct. 2.

Museum of Contemporary Art, Los Angeles, Common Objects: Pop Art from the Collection, June 30–Oct. 10.

Hickory Museum of Art, North Carolina, NY 10 and International 10 Portfolios, July 14– Nov. 6.

Fundación Juan March, Madrid, Spain, Homage to Leo Castelli – 9 Works by 9 Artists, July 29–Sept. 3. Traveled to Museu Fundación Juan March de Palma, Palma de Mallorca, Spain, Dec. 27, 2011–Feb. 11, 2012.

David Zwirner, New York, Artists for Haiti, Sept. 6–14. Traveled to Christie’s, New York, Sept. 17–20.

Ludwig Museum - Museum of Contemporary Art Palace of Arts, Budapest, Hungary, East of Eden – Photorealism: Versions of Reality, Sept. 14, 2011–Jan. 15, 2012.

Solomon R. Guggenheim Museum, New York, Pop Objects and Icons from the Guggenheim Collection, Sept. 30, 2011–Feb. 8, 2012.
—Schwendener, Martha. “It’s the ‘60s; Detach Yourself.” The New York Times, 13 January 2012: C34.

The Pace Gallery, New York, Burning, Bright: A Short History of the Light Bulb, Oct. 28–Nov. 26.

Gagosian Gallery, New York, The Private Collection of Robert Rauschenberg, Nov. 3–Dec. 23. Exh. cat. by Robert Storr and Mimi Thompson.

New Orleans Museum of Art, La., NOMA 100: Gifts for the Second Century, Dec. 16, 2011–Jan. 22, 2012.

2012

Daum Museum of Contemporary Art, Sedalia, Mo., 10! The First Decade, Feb. 4–July 29.

Acquavella Galleries, Inc., New York, Masterworks from Degas to Rosenquist, Feb. 6–April 6. Exh. cat.

Islip Art Museum, East Islip, New York, Prints Please: Selections from Universal Limited Art Editions, Feb. 8–March 25.
—Jacobson, Aileen. “Making Prints, and Leaving an Impact.” New York Times, 4 March 2012: L10.

Salone Degli Incanti, Triesta, Italy, The Flash of Nature, Feb. 12–April 9.

Larissa Goldston Gallery, New York, In the Garden: Editions, April 6–May 12.

Ulmer Museum, Germany, At Eye Level: Masterpieces of Medieval and Modern Art, May 5, 2012–Jan. 6, 2013.

Large Glass, London, A Drawing While Waiting for an Idea - Prototypes, Artists’ Proofs and First Constructions, May 31–Sept. 19.

Art Affairs Gallery, Amsterdam, Works on Paper – Summer Sale, July 8–Aug. 25.

Georgia Museum of Art, University of Georgia, Athens, The New York Collection for Stockholm, Aug. 18–Oct. 28.

Vitra Design Museum, Weil am Rhein, Germany, Pop Art Design, Oct. 13, 2012–Feb. 3, 2013. Traveled to Louisiana Museum of Modern Art, Humlebæk, Denmark, Feb. 22–June 9, 2013; Moderna Museet, Stockholm, Sweden, June 29–Sept. 22, 2013; Barbican Art Gallery, London, Oct. 22, 2013–Feb. 9, 2014; Philbrook Museum of Art, Tulsa, Okla., March 2–May 25, 2014; Emma Espoo Museum of Modern Art, Espoo, Finland, Feb. 18–May 10, 2015; and Henie-Onstad Kunstsenter, Hovikodden, Norway, June 5–Oct. 4, 2015. Exh. cat.

Baltimore Museum of Art, Md., On Paper: Drawings from the Benesch Collection, Nov. 18, 2012–Feb. 10, 2013.

Guggenheim Bibao, Spain, Selections from the Guggenheim Museum Bilbao Collection III, Nov. 20, 2012–Oct. 27, 2013.

Minneapolis Institute of Art, Minn., The World at Work: Images of Labor and Industry, 1850 to Now, Dec. 22, 2012–Nov. 10, 2013.

2013

Mahady Gallery, Marywood University, Scranton, Penn., Prints in a Series, Feb. 18– March 24.

Martin-Gropius-Bau, Berlin, From Beckmann to Warhol: Art of the 20th and 21st Centuries – The Bayer Collection, March 22–June 9.

John Berggruen Gallery, New York, The Time is Now, April 4–May 11.

Acquavella Galleries, New York, The Pop Object: The Still Life Tradition in Pop Art, April 10–May 24. Exh. cat. by John Wilmerding.

McClain Gallery, Houston, Celestial, June 1–Aug. 3.

Ca’Pesaro, Galleria Internazionale d’Arte Moderne, Venice, Italy, The Sonnabend Collection, June 1–Nov. 25.

Gemini G.EL. at Joni Moisant Weyl, New York, Summer Sailing, July 10–Sept. 7.

Minneapolis Institute of Arts, Minn., It’s New / It’s Now: Recent Gifts of Contemporary Prints and Drawings, July 14–Sept. 1.

Krannert Art Museum, University of Illinois at Urbana-Champaign, Correspondents of Ray Johnson, Aug. 30, 2013–Jan. 5, 2014.

McClain Gallery, Houston, More Than a Likeness, Sept. 7–28.

Sean Kelly Gallery, New York, From Memory: Draw a Map of the United States, Sept. 13–Dec. 19.

Museum of Art, Washington State University, Pullman, Made in U.S.A.: Rosenquist / Ruscha, Sept. 20–Dec. 14.

Daum Museum of Contemporary Art, Sedalia, Mo., Fit to Print, Sept. 21–Dec. 17.

MANA Contemporary, Jersey City, New Jersey, Pop Culture: Selections from the Frederick R. Weisman Art Foundation, Sept. 29–Dec. 28. Traveled to Boca Raton Museum of Art, Fla., Jan. 12, 2014–April 23, 2014.

Palm Springs Art Museum in Palm Desert, Calif., Galen at the Galen, Nov. 2, 2013–Feb. 2, 2014.

Kemper Museum of Contemporary Art, Kansas City, Mo., Area Code, Nov. 8, 2013–May 25, 2014.

The Museum of Modern Art, New York, Ileana Sonnabend: Ambassador for the New, Dec. 21, 2013–April 21, 2014. Exh. cat. by Ann Temkin and Claire Lehmann.
—Cotter, Holland. “A Legendary Dealer’s Eagle Eye.” The New York Times, 20 December 2013: C25.

2014

Woodward Gallery, New York, Sur-Real, Jan. 4–Feb. 22.

Brooklyn Museum, New York, Witness: Art and Civil Rights in the Sixties, March 7–July 6.

Nassau County Museum of Art, Roslyn Harbor, New York, Garden Party, March 8–July 6. —Rumsey, Spencer. “Flower Power Blooms at Nassau Museum’s ‘Garden Party’ Show.” Long Island Press, 2 April 2014.
—Graff, Roberta. “Museum Beat: Garden Party Blooms in Nassau County.” Long Island Herald, 28 March 2014.

Smithsonian American Art Museum, Washington, D.C., Pop Art Prints, March 21–Aug. 31. Traveled to Robert Hull Fleming Museum, University of Vermont, Burlington, Vt., Feb. 2–May 22, 2016; Mennello Museum of American Art, Orlando, Fla., June 10–September 11, 2016. —Goukassian, Elena. “Express: ‘Pop Art Prints,’ at the Smithsonian American Art Museum, Proves that Pop Artists Weren’t Shallow.” The Washington Post, 3 April 2014.
—Young, Jessica Bryce. “Pop Art Prints from the Smithsonian Pack a Serious Punch at the Mennello.” Orlando Weekly, 8 June 2016.
—“Entertainment/Theater & Arts: Things are Popping at the Mennello Museum.” Orlando Sentinel, 11 August 2016.

Luxembourg & Dayan, New York, The Shaped Canvas, Revisited, May 11–July 3.

Serlachius Museum Gösta, Mänttä, Finland, Superpop!, June 14–Sept. 28.

Rachel Uffner Gallery, New York, The Crystal Palace, June 28–Aug. 16.

Whitney Museum of American Art, New York, Shaping a Collection: Five Decades of Gifts, July 17–Oct. 19.

Cantor Arts Center at Stanford University, Calif., Pop Art from the Anderson Collection at SFMOMA, Aug. 13, 2014–Oct. 26, 2015.

Ikon Ltd. Contemporary Art, Santa Monica, Calif., Ikon 15 Year Anniversary (2014), Sept. 6–Nov. 8.

Addison Gallery of American Art, Phillips Academy, Andover, Mass., POP!: Selections from the Collection, Sept. 7, 2014–Jan. 2, 2015.

Museum Ludwig, Cologne, Germany, Ludwig Goes Pop, Oct. 2, 2014–Jan. 11, 2015.

Richard L. Feigen & Co., Inc., New York, Ray Johnson’s Art World, Nov. 7, 2014–Jan. 16, 2015. Exh. cat. by Frances F.L. Beatty.

Museum of Fine Arts, St. Petersburg, Fla., Robert Rauschenberg and James Rosenquist: Images from Everywhere, Prints and Photographs, Nov. 15, 2014–Jan. 11, 2015.

2015

Paul Kasmin Gallery, New York, The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art, Jan. 13–March 14.

Walker Art Center, Minneapolis, International Pop, April 11–Sept. 6. Traveled to Dallas Museum of Art, Texas, Oct. 11, 2015–Jan. 17, 2016; and Philadelphia Museum of Art, Feb. 18–May 15, 2016. Exh. cat. by Darsie Alexander and Bartholomew Ryan.

Acquavella Galleries, New York, Off Canvas: Drawing, April 15–June 12. Exh. cat.

Museum der Moderne Salzburg, Austria, E.A.T. – Experiments in Art and Technology, July 25–Nov. 1.

Harvard Art Museums, Cambridge, Mass., Corita Kent and the Language of Pop, Sept. 3, 2015–May 8, 2016. Traveled to San Antonio Museum of Art, Texas, Feb. 13, 2016–May 8, 2016.

National Gallery of Art, Washington, D.C., The Serial Impulse at Gemini G.E.L., Oct. 4, 2015–Feb. 7, 2016. Traveled to Los Angeles County Museum of Art, Calif., September 11, 2016–January 2, 2017.
—Codik, Emily. “Things to Do: ‘The Serial Impulse at Gemini G.E.L.’ Opens at the National Gallery of Art.” Washingtonian, 30 September 2015.

2016

Gemini G.E.L., Los Angeles, Selected Works: Made in L.A., Jan. 13–March 31.

Art Gallery of Ontario, Toronto, Canada, SuperReal: Pop Art from the AGO Collection, Jan. 16–ongoing.
—Adams, James. “It’s a Whopper All Right: Floor Burger Returns to the AGO.” The Globe and Mail (Toronto), 15 January 2016.

Galerie Fluegel-Roncak, Nuremberg, Germany, Winter Accrochage, Jan. 19–Feb. 29.

Hofstra University Museum, Hofstra University, Hempstead, New York, In Print, Feb. 16–Sept. 18.
—Jacobson, Aileen. “At Hofstra, Printmaking from Dürer to Warhol and Beyond.” The New York Times, March 17, 2016: L18.

Museum of Modern Art, New York, From the Collection: 1960–1969, March 26, 2016–March 12, 2017.
—Smith, Roberta. “Art: MoMA Revisits the 1960s.” The New York Times, 27 March 2016: AR6.
—Smith, Roberta. “Tumultuous Era in Many Guises.” The New York Times, 8 April 2016: C19.

Farnsworth Art Museum, Rockland, Maine. Pushing Boundaries. Dine, Graves, Lichtenstein, Rauschenberg and Rosenquist: Collaborations with Donald Saff, June 18, 2016–Jan. 22, 2017.

Acquavella Galleries, New York, Postwar New York: Capital of the Avant-Garde, July 5–Sept. 30.

The Baker Museum, Artis–Naples, Fla., New Acquisitions: In Context – From the Collection of Paul and Charlotte Corddry, Sept. 6–Oct. 23.

Neuberger Museum of Art, Purchase, New York, POP! Prints from the Permanent Collection, Oct. 30, 2016–Feb. 19, 2017.

Galerie Fluegel-Roncak, Nuremberg, Germany, Winter Accrochage, Dec. 1, 2016–Jan. 28, 2017.

2017

Hillstrom Museum of Art, Gustavus Adolphus College, Saint Peter, Minn., Rosenquist/Ruscha, and Recent Acquisitions, Feb. 13–April 23.
—Murray, Robb. “Works of Rosenquist, Ruscha on Display at Gustavus Gallery.” Mankato Free Press (Minnesota), 17 February 2017.