1990

Washington County Museum of Fine Arts, Hagerstown, Md., Art of the 60’s and 70’s, March 4–April 29.

James Goodman Gallery, New York, Pop on Paper, May 4–June 15. Exh. cat.

Tony Shafrazi Gallery, New York, American Masters of the 60’s: Early and Late Works, May 9–June 23.

Pensacola Museum of Art, Pensacola, Fla., Cars in Art: The Automobile Icon, May 11– June 30.

Nassau County Museum of Art, Roslyn Harbor, N.Y., Two Decades of American Art: The 60’s and 70’s, May 20–Sept. 3.

The Albuquerque Museum, Printers’ Impressions, June 10–Sept. 9.

Milwaukee Art Museum, Words as Image: American Art 1960–1990, June 15–Aug. 26. Traveled to Oklahoma City Art Museum, Nov. 17, 1990–Feb. 2, 1991; and Contemporary Arts Museum, Houston, Feb. 23–May 12, 1991.

Guild Hall, East Hampton, N.Y., Prints of the Eighties, June 17–July 29.

Nippon Convention Center, Makuhari Messe International Exhibition Hall, Tokyo, Pharmakon ’90: Makuhari Messe Contemporary Art Exhibition, July 28–Aug. 20.

Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., Art What Thou Eat, Sept. 2–Nov. 18. Traveled to New York Historical Society, New York, Dec. 18, 1990–March 22, 1991. Exh. cat.

Hofstra Museum, Hofstra University, Hempstead, N.Y., The Transparent Thread: Asian Philosophy in Recent American Art, Sept. 16–Nov. 11. Traveled to Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., Dec. 2, 1990–Feb. 14, 1991; The Salina Art Center, Salina, Kans., March 21–May 23, 1991; Sarah Campbell Blaffer Gallery, University of Houston, June 8–July 28, 1991; Crocker Art Museum, Sacramento, Calif., Sept. 6–Oct. 30, 1991; and Laguna Art Museum, Laguna Beach, Calif., Nov. 22, 1991–Feb. 9, 1992. Exh. cat.

The Museum of Modern Art, New York, High and Low: Modern Art and Popular Culture, Oct. 7, 1990–Jan. 15, 1991. Traveled to The Art Institute of Chicago, Feb. 20–May 12, 1991; and The Museum of Contemporary Art, Los Angeles, June 21–Sept. 15, 1991. Exh. cat., with texts by Kirk Varnedoe and Adam Gopnik.

Galerie Montaigne, Paris, Virginia Dwan et les Nouveaux Réalistes, Los Angeles, les Années 60, Oct. 23–Dec. 29.

Whitney Museum of American Art, New York, Image World: Art and Media Culture, Nov. 8, 1990–Feb. 18, 1991. Exh. cat., with essays by John G. Hanhardt, Marvin Heiferman, and Lisa Phillips.

Katonah Museum of Art, Katonah, N.Y., The Technological Muse, Nov. 11, 1990–Feb. 3, 1991. Exh. cat.

1991

Margo Leavin Gallery, Los Angeles, Twentieth Century Collage, Jan. 12–Feb. 16.

Henie Onstad Art Center, Oslo, Pop Art from the Lilja Collection, Feb. 9–April 1.

Galerie Nichido, Tokyo, Lichtenstein, Rauschenberg, Rosenquist, Feb. 18–26. Traveled to Galerie Nichido, Nagoya, March 1–9.

Tate Gallery, London, Aspects of Printmaking in Britain and the USA, 1959–1982, March 6–June 23.

National Gallery of Art, Washington, D.C., Art for the Nation: Gifts in Honor of the Fiftieth Anniversary of the National Gallery of Art, March 17–June 16.

Harumi New Hall, Tokyo International Trade Center, Tokyo Art Expo, March 30–April 3.

Virginia Beach Center for the Arts, Motion as a Metaphor, April 13–June 16. Exh. cat. by Sue Scott.

Guild Hall, East Hampton, N.Y., Aspects of Collage, May 5–June 9.

Dorsky Galery, New York, Prints, May 16–June 29.

The Museum of Modern Art, New York, Seven Master Printmakers: Innovations in the Eighties, May 16–Aug. 13.

Leo Castelli Gallery, New York, Summer Group Exhibition, June 8–Sept. 15.

Tony Shafrazi Gallery, New York, Summertime, June 14–July 20.

Whitney Museum of American Art, New York, Constructing American Identity, June 19–Aug. 30. Exh. cat.

Setagaya Art Museum, Tokyo, Beyond the Frame: American Art 1960–1990, July 6–Aug. 18. Traveled to The National Museum of Art, Osaka, Aug. 29–Sept. 29; and Fukuoka Art Museum, Fukuoka, Nov. 15–Dec. 15.

Newport Harbor Art Museum, Newport Beach, Calif., Committed to Print, July 15–Sept. 23.

Meredith Long & Company, Houston, Important Works on Paper, Aug. 1–31.

Guild Hall, East Hampton, N.Y., A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection, Aug. 10–Sept. 22.
—Smith, Roberta. “Vision of the 60’s from Two Dealers Who Shaped It,” The New York Times, Aug. 16, 1991, Weekend, pp. 1, 17.
—Lipson, Karin. “View from an Active Era,” Newsday (New York), Aug. 21, 1991, p. 61.

Holm Gallery, London, Pop Art 1960–1969, Sept. 11–Oct. 26.

The Mayor Gallery, London, Summer Selection from the Sixties, Sept. 11–Oct. 26.

Waddington Graphics, London, Pop Art Prints in England, Sept. 11– Oct. 26.

Royal Academy of Arts, London, Pop Art, Sept. 13–Dec. 15. Exh. cat., Pop: An International Perspective, ed. Marco Livingstone. Traveled to Museum Ludwig, Cologne, as Die Pop Art Show, Jan. 23–April 19, 1992 (exh. cat.); Centro de Arte Reina Sofía, Madrid, as Arte Pop, June 16–Sept. 14, 1992 (exh. cat.); and Musée des Beaux-Arts de Montréal, Oct. 23, 1992–Jan. 24, 1993 (exh. cat.).
—Hughes, Robert. “Wallowing in the Mass Media Sea,” Time (New York), Oct. 28, 1991, pp. 102–03.

Modern Art Museum of Fort Worth, American Pop Art: A Survey of the Permanent Collection, Sept. 15–Nov. 4.

National Gallery of Art, Washington, D.C., Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, Sept. 15, 1991–Jan. 5, 1992.

Richard Green Gallery, Santa Monica, Five Artists from Coenties Slip: 1956–1965, Sept. 20–Oct. 27.

Musée d’Art Moderne et d’Art Contemporain, Nice, Collage of the Twentieth Century, Oct. 11–Nov. 24.

Paris, Foire Internationale d’Art Contemporain, Oct. 25–Nov. 1.

Vermillion Gallery, Minneapolis, Group Show: Works on Paper, Nov. 2–Dec. 11.

Leo Castelli Gallery, New York, Large Scale Drawings and Prints, Dec. 14, 1991–Feb. 1, 1992.

1992

Galerie Renate Kammer, Hamburg, Pop Art, Feb. 6–March 14.

Museum of Art, Fort Lauderdale, Stars in Florida, Feb. 7–March 22. Exh. cat., with introduction by Kenworth W. Moffett.

Richard L. Feigen & Company, Chicago, Contemporary Masterworks, May 15–June 20.

Yokohama Museum of Art, Innovation in Collaborative Printmaking: Kenneth Tyler 1963–1992, June 13–July 26.

Musée d’Art Moderne et d’Art Contemporain, Nice, Le Portrait dans l’Art Contemporain, July 3–Sept. 27.

Telfair Museum of Art, Savannah, Master Prints from Gemini G.E.L., Oct. 21–Dec. 13.

Brooks Museum of Art, Memphis, Pop on Paper, Nov. 21, 1992–Jan. 17, 1993.
—“The Visual Dimension,” Memphis Business Journal, Nov. 30, 1992, pp. 21, 24.

Richard Green Gallery, Santa Monica, The Pop Show, Dec. 3, 1992–Jan. 30, 1993.

The Museum of Contemporary Art, Los Angeles, Hand-Painted Pop: American Art in Transition 1955–62, Dec. 6, 1992–March 7, 1993. Traveled to Museum of Contemporary Art, Chicago, April 3–June 20, 1993; and Whitney Museum of American Art, New York, July 16–Oct. 3, 1993. Exh. cat., ed. Russell Ferguson, with essays by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver, and John Yau, published by Rizzoli.
—Artner, Alan G. “Pop Art’s Start,” Chicago Tribune, April 18, 1993, The Arts, pp. 14–15.
—Kimmelman, Michael. “Explosive Painting: The Path to Pop,” The New York Times, July 9, 1993, section C, pp. 1, 24.
—Patner, Andrew. “Hand-Painted Pop,” Art and Antiques 15, no. 7 (Aug. 1993), p. 87.
—Larson, Kay. “Reflux Action,” New York, Aug. 2, 1993, pp. 55–56.

1993

Pace Gallery, New York, Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip, Jan. 16–Feb. 13. Exh. cat., with essay by Mildred Glimcher.

Musée d’Art Moderne et d’Art Contemporain, Nice, 7 Maîtres de l’Estampe: Innovations des Années 80’s aux Etats-Unis, Jan. 22–March 14.

San Francisco Museum of Modern Art, The Anderson Collection Gift of American Pop Art, Feb. 4–May 23.

Leo Castelli Gallery, New York, Prints, March 20–April 17.

Rose Art Museum, Brandeis University, Waltham, Mass., Prefab: Reconsidering the Legacy of the Sixties, April 1–May 23.

Martin-Gropius-Bau, Berlin, Amerikanische Kunst im 20. Jahrhundert, Malerei und Plastik 1913–1993, May 8–July 25. Traveled to Royal Academy of Arts and The Saatchi Gallery, London, as American Art in the Twentieth Century–Painting and Sculpture 1913–1993, Sept. 16–Dec. 12.

United States Pavilion, Expo ’93, Taejon World’s Fair, Taejon, South Korea, Renewing Our Earth: The Artistic Vision; Art and the Environment, An Exhibition by American Artists, Aug. 7–Nov. 7.

The Murray and Isabella Rayburn Foundation, New York, Roma–New York, 1948–1964: An Art Exploration, Nov. 5, 1993–Jan. 10, 1994. Exh. cat. by Germano Celant.

Des Moines Art Center, F-111 and American Pop Images, Nov. 13, 1993–Jan. 30, 1994.

Contemporary Arts Center, Cincinnati, The Figure as Fiction: The Figure in Visual Art and Literature, Dec. 3, 1993–Jan. 23, 1994.

1994

Brenau University, Gainesville, Ga., Pop! A Print Survey of the Pop Art Style, from the Collection of Leo Castelli, March 25–May 10.

Florida International University Art Museum, Miami, American Art Today: Heads Only, April 8–May 6.

Museum of Fine Arts, Santa Fe, Museum of Romantic Modernism, One Hundred Years, June 4–July 31.

Graphicstudio, University of South Florida, Tampa, Portraits: Selections from Twenty-five Years of Graphicstudio Works, Sept. 16–Oct. 31.
—Milani, Joanne. “’Portraits’ Pictures Work of Graphicstudio Stars,” The Tampa Tribune, Oct. 6, 1994, pp. 1, 5.
—Milani, Joanne. “Graphicstudio Masters: For Twenty-five Years,” The Tampa Tribune, Oct. 7, 1994, Friday Extra!, unpaginated.

Marlborough Graphics, New York, The Pop Image: Prints and Multiples, Nov. 9–Dec. 3.

1995

Kunstal, Rotterdam, Pop Art, April 8–Oct. 29. Exh. cat., with text by Cees Straus.

Yale University Art Gallery, New Haven, Collecting with Richard Brown Baker: From Pollock to Lichtenstein, May 19–Sept. 13. Exh. cat.
—“Richard Brown Baker Makes Art Gift to Yale Gallery,” Antiques and The Arts Weekly (Newtown), June 23, 1995, p. 59.

Marisa del Re Gallery and O’Hara Gallery, New York, The Popular Image: Pop Art in America, Oct. 26–Dec. 9.

1996

Gagosian Gallery, Los Angeles, Leo Castelli: An Exhibition in Honor of His Gallery and Artists, Jan. 29–March 16.

Leo Castelli Gallery, New York, New Works, Feb. 10–March 9.

The Museum of Modern Art, New York, Thinking Print: Books to Billboards, 1980–95, June 20–Sept. 10.

Musée d’Art Moderne et d’Art Contemporain, Nice, Chimériques Polymères, le plastique dans l’art du XXème siècle, June 29-Sept. 15.

Cincinnati Art Museum, Pop Prints, July 22, 1996–Jan. 21, 1997.

The Art Museum, Florida International University, Miami, Miami Pops! Pop Art from Miami Collections, Sept. 20–Nov. 20. Exh. cat.
—Turner, Elisa. “Art Museum Goes Pop with Local Collectors’ Pieces,” The Miami Herald, Sept. 15, 1996, The Arts, pp. 1, 41.

Los Angeles County Museum of Art, Hidden in Plain Sight: Illusion in Art from Jasper Johns to Virtual Reality, Oct. 27, 1996–Jan. 12, 1997.

Centre Georges Pompidou, Paris, Face à l’Histoire, 1933–1996: L’artiste moderne devant l’événement historique, Dec. 19, 1996–April 7, 1997.

1997

Leo Castelli Gallery, New York, Exploration and Innovation: The Artists of the Castelli Gallery, Part One, 1957–1997, Oct. 25–Nov. 15. <>

The Pacific Design Center, Los Angeles, Gemini G.E.L.: Celebrating Thirty Years, Jan. 20–Feb. 24.

Corcoran Gallery of Art, Washington, D.C., Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997, Feb. 15–June 30. Traveled to Gallery of Contemporary Art, University of Colorado Springs, Aug. 4–Sept. 19; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Oct. 27, 1997–Jan. 4, 1998; and Sezon Museum of Art, Tokyo, Feb. 27–April 6, 1998. Exh. cat.
—Christakos, John. “The Proof Is in the Printing,” The Daily Yomiuri (Tokyo), March 24, 1998, p. 10.

Salvador Dalí Museum, St. Petersburg, Fla., Prints and Processes, April 4–Nov. 2.

Contemporary Arts Museum, Houston, Finders/Keepers, May 10– Aug. 3.

University Art Museum, California State University, Long Beach, The Great American Pop Art Store: Multiples of the Sixties, Aug. 26–Oct. 26. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, N.J., Nov. 22, 1997–Feb. 22, 1998; The Baltimore Museum of Art, March 25–May 31, 1998; Montgomery Museum of Fine Arts, June 27–Aug. 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Oct. 3–Dec. 6, 1998; Marion Koogler McNay Art Museum, San Antonio, Jan. 18–March 14, 1999; Wichita Art Museum, April 11–June 6, 1999; Muskegon Museum of Art, Muskegon, Mich., July 29–Sept. 12, 1999; Joslyn Art Museum, Omaha, Oct. 23, 1999–Jan. 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, Feb. 3–March 26, 2000; and The Toledo Museum of Art, June 4–Aug. 13, 2000.
—Van Gelder, Lawrence. “Footlights,” The New York Times, May 31, 2000, p. 1.

Musée d’Art Moderne et d’Art Contemporain, Nice, De Klein à Warhol: Face-à-Face, France/Etats-Unis, Nov. 14, 1997–March 16, 1998.

Contemporary Arts Center, New Orleans, The Prophecy of Pop, Nov. 24, 1997–Feb. 7, 1998.
—Waddington, Christopher. “Prophets of Pop; Works by Warhol, Basquiat, Haring and More Make Their New Orleans Debut in a CAC Show,” The Times-Picayune (New Orleans), Dec. 6, 1997, section E, p. 1.
—Waddington, Christopher. “Pop Art’s Family Tree Takes Root at the CAC; Warhol Is the Poster Boy, but Others Up the Artistic Ante,” The Times-Picayune (New Orleans), Jan. 9, 1998, section L, p. 14.

1998

Galeria de Arte IBEU Copacabana, Rio de Janeiro, Artistas Norte-Americanos, Jan. 13–March 13. Exh. cat.

Seattle Art Museum, Paintings from the Jon and Mary Shirley Collection, March 4–May 9.

Hara Museum of Contemporary Art, Tokyo, The Painted Vision: Selections from the Hara Museum’s Permanent Collection, July 11–Oct. 11.

Kalamazoo Institute of Arts, Art and the American Experience, Sept. 13–Dec. 6. Exh. cat., with text by Jan van der Marck.

Solomon R. Guggenheim Museum, New York, Rendezvous: Masterpieces from the Centre Georges Pompidou and the Gugenheim Museums, Oct. 16, 1998–Jan. 24, 1999. Exh. cat., with essays by Bernard Blistène and Lisa Dennison, Yve-Alain Bois, Stanley Cavell, Jean-Louis Cohen, and Mark C. Taylor, and texts by Craig Houser.

1999

Colorado University Art Galleries, Boulder, Pop! Selections From the Colorado Collection, Jan. 22–March 30.
—Chandler, Mary Voelz. “’Pop!’ Exposes Light, Dark Sides of Art,” Rocky Mountain News (Denver), Jan. 31, 1999, section D, p. 6D.

Spencer Museum of Art, University of Kansas, Lawrence, Decade of Transformation: American Art of the 1960s, Jan. 23–March 14. Exh. cat., ed. David Cateforis, with essays by Cateforis, Jill R. Chancey, Stefanie Olson, and Rachel Epp Buller.

Centre Cultural de la Fundació “la Caixa,” Barcelona (organized with Schirn Kunsthalle, Frankfurt am Main), Made in USA 1940–1970: De l’Expressionisme Abstracte al Pop, Jan. 28–March 28. Traveled to Schirn Kunsthalle, as Between Art and Life: Vom Abstrakten Expressionismus zur Pop Art, April 30–July 10. Exh. cat. (Barcelona), in Spanish, Catalan, and English, with introduction by Lluis Monreal and texts by Thomas M. Messer and Irving Sandler. Exh. cat. (Frankfurt), in German and English, with introduction by Thomas M. Messer, and text by Irving Sandler.

The Museum of Modern Art, New York, Pop Impressions Europe/ U.S.A.: Prints and Multiples from the Museum of Modern Art, Feb. 18–May 18. Exh. cat.
—Glueck, Grace. “Pop’s Fifteen Minutes Keeps On Ticking,” The New York Times, April 23, 1999, section E, part 2, p. 33.

Seattle Art Museum, The Virginia and Bagley Wright Collection of Modern Art, March 4– May 9.

Massachusetts Museum of Contemporary Art, North Adams, Test Site, May 30, 1999–March 15, 2000.
—Smith, Robert F. “Test Site,” Artnews (New York) 98, no. 9 (Oct. 1999), p. 195.

Museu de Arte Contemporânea de Serralves, Porto, Circa 1968, June 6–Aug. 29.

Whitney Museum of American Art, New York, The American Century: Art and Culture 1900–2000/Part II, 1950–2000, Sept. 26, 1999–Feb. 13, 2000.

National Building Museum, Washington, D.C., Tools as Art V: Fantasy at Work, Nov. 19, 1999–Jan. 9, 2000.
—O’Sullivan, Michael. “Building Castles in the Air,” The Washington Post, Nov. 19, 1999, p. 68.

Michael Carr Art Dealer, Sydney, Old and New: The Millennium Summer Exhibition 1999–2000, Nov. 30, 1999–Jan. 16, 2000.
—Glass, Alexie. “The Galleries,” Sydney Morning Herald, Nov. 20, 1999, p. 16.

The Museum of Contemporary Art, Los Angeles, Panza: The Legacy of a Collector, Dec. 12, 1999–April 30, 2000. Exh. cat., ed. Cornelia H. Butler.
—Knight, Christopher. “Panza’s Two Divergent Worlds,” Los Angeles Times, Feb. 5, 2000, section F, p. F1.