1990

Statement, in James Rosenquist’s Commissioned Works. Stockholm: Painters Posters in association with Wetterling Gallery, 1990, p. 6.

1992

Statement, in Paul Gardner, “Do Titles Really Matter?” Artnews (New York) 91, no. 2 (Feb. 1992), p. 95.

Statement, in James Rosenquist: Paintings 1990–1992, exh. cat. Madrid: Galería Weber, Alexander y Cobo, 1992, pp. 1 (Spanish), 31 (English).

Statements, in James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, exh. cat., trans. Nathalie Brunet, Neal Cooper, and Hélène Gille. Paris: Galerie Thaddaeus Ropac, 1992, pp. 15, 39 (English and French). Reprinted in James Rosenquist: The Serenade for the Doll after Claude Debussy or Gift Wrapped Dolls and Masquerade of the Military Industrial Complex Looking Down on the Insect World, exh. cat. New York: Leo Castelli Gallery, 1993, pp. 5, 15.

1993

Statement, in Milton Esterow, “The Second Time Around,” Artnews (New York) 92, no. 6 (summer 1993), p. 152.

Statement, in Margot Mifflin, “What Do Artists Dream?” Artnews (New York) 92, no. 8 (Oct. 1993), p. 149.

1994

Statement, in Eugenia Bone, “Welcome to Sponge City,” The New York Observer, May 9, 1994, p. 15.

1995

Statement, in “Returned to Sender: Remembering Ray Johnson: R.S.V.P.,” Artforum (New York) 33, no. 8 (April 1995), pp. 75, 113.

1996

Statement, in James Rosenquist, 4 E 77 St 1970 Revisited and New Paper Constructions from Gemini G.E.L., exh. cat. New York: Leo Castelli Gallery, 1996, p. 1.

Statement, in Target Practice: Recent Paintings by James Rosenquist, exh. cat. Chicago: Feigen, 1996, p. 1. Reprinted in James Rosenquist: New Works 1996, exh. cat. Singapore: Wetterling Teo Gallery, 1996, p. 2.