Articles & Essays

     *This section includes select texts appearing in periodicals, collections of essays, and group-exhibition catalogues.

Abdo, Geneive. “Iran Goes Pop: Works by Warhol and Lichtenstein On Show in Iran After Twenty Years of Repression,” The Guardian (Manchester), Sept. 21, 1999, p. 16.

“The Agony and the Ecstasy,” Artnews (New York) 98, no. 4 (April 1999), p. 30.

Alexander, Darsie, and Bartholomew Ryan. International Pop. Minneapolis: Walker Art Center, [2015].

Allen, Jane Adams. “‘Pop’ Prince Rosenquist Looks Ahead,” The Washington Times, Oct. 24, 1986, section B, pp. 1, 9.

Alloway, Lawrence. “The Past Ten Decades,” Art in America (New York) 52, no. 4 (Aug. 1964) pp. 20–21.

_______. “Derealized Epic,” Artforum (New York) 10, no. 10 (June 1972), pp. 35–41.

[Althen, Michael, Thomas Kellein, and Angela Lampe.] Das Große Fressen: Von Pop bis Heute. Bielefeld, Germany: Kunsthalle Bielefeld, 2004.

Amy, Michaël. Fleurs: 1880–2010.  New York: Benrimon Contemporary, 2010. (ref. p. 31; illus. p. 32)

Anderson, Joel. “After Fire, Pop Art Icon Faces Bleak Landscape.” St. Petersburg Times, 27 April 2009: 1A, 5A.

Apple, R. W. “Discovering La Dolce Vita in a Cup,” The New York Times, Oct. 24, 2001, section F, p. 1.

Arbus, Doon. “The Man in the Paper Suit,” New York/The World
Journal Tribune Magazine, Nov. 6, 1966, pp. 7–9.

“Aripeka Artist Honored with Hall of Fame Award,” St. Petersburg Times, Dec. 5, 2000, section B, p. 2.

“Artists Talkin’ About Their Generation,” Boston Globe, Oct. 7, 2001, p. 6.

“Artists vs. Mayor Daley,” Newsweek (New York), Nov. 4, 1968, p. 117.

“Art: New Rosenquist Lithograph Commissioned by Troup,” Dallas Times Herald, Jan. 1, 1967, section A, p. 29.

“Art: Pop: Bing-Bang Landscapes,” Time (New York), May 28, 1965, p. 80.

“Art: Rosenquist and Lichtenstein Are Alive,” Time (New York), Jan. 26, 1968, p. 56.

Arundel, Anne. “Best Bets: Contemporary Masters,” The Washington Post, Feb. 21, 2002, section T, p. 20.

Ayers, Robert. “Reviews: James Rosenquist.” Artnews 109, no. 6 (June 2010): 100.

Baker, Kenneth. “Double Bonanza for Modern Art Fans: Legions of Work from the Elite Anderson Collection On View at the Palace, SFMoMA,” San Francisco Chronicle, Aug. 27, 2000, p. 58.

Baker, R. C. “The Information: James Rosenquist’s F-111 and Terry Winters’ Notebook Series.” The Village Voice, 22 Febraury 2012.

Barry, Rick. “Pop Art Bandage Helps ‘Heal’ Patients,” The Tampa Tribune, Jan. 31, 2002, p. 2.

B[attcock], G[regory]. “In the Museums: James Rosenquist,” Arts Magazine (New York) 42, no. 6 (April 1968), p. 54.

Bean, Shawn. “Premium Blend.” Florida International Magazine 7, no. 4 (April 2004): 90–91.

Benbow, Charles. “Rosenquist Portrait of the Artist at Home a One-Man Show of Exuberence,” St. Petersburg Times, Sept. 23, 1984, section E, pp. 1, 7.Berg, Paul. “About-Face from the Abstract,” Pictures (St. Louis Post-Dispatch magazine), Dec. 31, 1961, pp. 10–11.

_______. “Far Out, but No Laughing Matter,” Pictures (St. Louis Post-Dispatch magazine), Feb. 9, 1964, pp. 2–5.

Bennett, Lennie. “Gripping Reality: Artist James Rosenquist’s Universe Expands in Color and Thought.” St. Petersburg Times, 15 June 2008: 1L, 6L–7L.

Bernstein, Roberta. “Rosenquist Reflected: The Tampa Prints,” The Print Collector’s Newsletter (New York) 4, no. 1 (March–April 1973), pp. 6–8.

Boorsch, Suzanne. “New Editions: James Rosenquist,” Artnews (New York) 74, no. 7 (Sept. 1975), p. 52.

_______. “New Editions: James Rosenquist,” Artnews (New York) 77, no. 1 (Jan. 1978), p. 136.

Bourdon, David. “Art: Park Place: New Ideas,” The Village Voice (New York), Nov. 25, 1965, p. 11.

Braddock, Alan C. “Shooting the Beholder: Charles Schreyvogel and the Spectacle of Gun Vision.” American Art 20, no. 1 (Spring 2006): 36–59.

Bradley, Jeff. “Large-scale Art, Huge Images Fill Rosenquist Works,” Denver Post, March 26, 1999, section E, p. 22.

Braff, Phyllis. “Prints with All the Sweep of Their Century,” The New York Times, March 7, 1999, p. 24.
Braun, Emily. "Sex, Lies, and History." Modernism/modernity 10, no. 4 (November 2003): 729, 756.

Brewster, Todd. “Evolution of a Painting,” Life (Chicago) 4, no. 2 (Feb. 1981), pp. 84–94. Photographs by Robert Adelman.

Brooks, Valerie F. “The Art Market: Rosenquist’s Market: Pop Art Performs,” Artnews (New York) 83, no. 3 (March 1984), p. 27.

Calas, Nicolas, and Elena Calas. “James Rosenquist: Vision in the Vernacular,” Arts Magazine (New York) 44, no. 2 (Nov. 1969), pp. 38–39. Reprinted as “James Rosenquist’s Angular Vista,” in Calas and Calas, Icons and Images of the Sixties. New York: E. P. Dutton, 1971, pp. 117–22.

Canaday, John. “Pop Art Sells On and On–Why?” The New York Times Magazine, May 31, 1964, pp. 7, 48, 52–53.

_______. “It Would Be Awfully Nice If We Were All Wrong about the Whole Thing,” The New York Times, Feb. 25, 1968, section 2, p. 23.

_______. “Art: Well, the House Caught Fire, and—,” The New York Times, March 17, 1968, section D, p. 33.

Catala, Paul. “Pop Artist James Rosenquist Joins Florida Hall of Fame,” The Tampa Tribune, Dec. 5, 2000, p. 7.

Celant, Germano, and Lisa Dennison, eds. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Monaco: Grimaldi Forum, 2006.

Chandler, Mary Voelz. “213 Works Given to Denver Art Museum,” Rocky Mountain News (Denver), Feb. 8, 2002, section A, p. 5.

Charbonneaux, Catherine. “Marché: Le Pop Paie: James Rosenquist,” Connaissance des arts (Paris), no. 420 (Feb. 1987), p. 27.

Charney, Melvin. “Le Monde du Pop,” Vie des Arts (Paris), fall 1964, pp. 31–37.

Codik, Emily. “Things to Do: ‘The Serial Impulse at Gemini G.E.L.’ Opens at the National Gallery of Art.” Washingtonian, 30 September 2015.

“Commissioned Works by the Deutsche Guggenheim.” Deutsche Guggenheim Magazine, issue 4 (Summer 2008): 2.

Conroy, Sarah Booth. “Embassies Display America’s Artistic Gifts,” The Washington Post, June 5, 2000, section C, p. 2.

Cosford, Bill. “Is It Art? Asking Is Unnecessary,” The Miami Herald, May 15, 1983, section L, pp. 1, 5.

Cotter, Holland. “Advertisements for a Mean Utopia,” Art in America (New York) 75, no. 1 (Jan. 1987), pp. 82–89.

_______. “A Postwar Survey, Semi-Wild at Heart,” The New York Times, Sept. 29, 2000, section E, p. 27.

_______. “We Set Off in High Spirits,” The New York Times, Aug. 3, 2001, section E, p. 32.

Coupland, Douglas. “James Rosenquist: F-111,” Artforum (New York) 32, no. 8 (April 1994), pp. 84–85.

C[owart], J[ack]. “Three Contemporary American Paintings,” The St. Louis Art Museum Bulletin 11, no. 5 (Sept.–Oct. 1975), pp. 88–95.

Crow, Kelly. “Scarred, Inspired by Fire.” The Wall Street Journal, 7 September 2012: C14.

_______. “Guggenheim Abu Dhabi Acquires Postwar Artworks.” The Wall Street Journal, March 22, 2013.

Davis-Platt, Joy. “Artists Mix Art and Politics in Fundraiser,” St. Petersburg Times, Dec. 10, 2001, p. 1.

Dalmas, John. “A Party for the Artsy,” The Journal News (Rockland County, N.Y.), June 7, 1977, section A, p. 7.

Dalton, David. “James Rosenquist: Swimmer in the Cosmic Mist.” Art 9 (Summer 2012): 3, 20–23.

Danto, Arthur C. “The Rebirth of the Modern.” The Nation 280, no. 4 (January 31, 2005): 32–35.

[Davidson, Susan, ed.] American Pop Icons. New York: Guggenheim Museum Publications, 2003.

Diblasi, Debra. “Seeing/Not Seeing,” SoMA (San Francisco), no. 11 (1990), pp. 30–33.

“A Display of Romantic Works,” USA Today (Arlington, Va.), Feb. 11, 2000, section D, p. 10.

Dunlop, Beth. “Mural Drives Borman Up the Wall,” The Miami Herald, Dec. 8, 1981, section A, pp. 1, 14.

Durand, Jean-Marie. “L’extase James Rosenquist, figure du Pop Art, exposé à Pantin.” Les Inrocks, 17 September 2016.

Ebony, David. “James Rosenquist at Acquavella.” Art in America 96, no. 5 (May 2008): 189.

El Pop Art en la colección del IVAM.  With foreward by Francisco Camps Ortiz and essays by Consuelo Císcar Casabán, William Jeffet, Santiago Olmo, Lluís Fernández, and Clare Carolin.  Valencia: Insitut Valencià d'Art Modern, 2007.

Esterow, Milton. “22 Stories Above Times Square.” Artnews 108, no. 10 (November 2009): 106–9.
Farrell, Jennifer. “Painter Rosenquist Lends Name to Gallery,” St. Petersburg Times, Feb. 26, 2000, p. 1.

_______. “Aripeka Jim,” St. Petersburg Times, June, 4, 2000,
section F, p. 1.

Feinstein, Roni. Circa 1958: Breaking Ground in American Art. With a foreword by Emily Kass. Chapel Hill, North Carolina: Ackland Art Museum, The University of North Carolina at Chapel Hill, 2008.

Felix, Zdenek. “Horizon Home Sweet Home,” Parkett (Zurich),
no. 58 (2000), pp. 52–55 (German), 56–57 (English). Trans. Catherine Schelbert.

“Fifteen Artists’ Protest Posted at Museum,” Richmond Times-Dispatch (Richmond, Va.), May 30, 1970, section B, p. 1.

“Fine Art,” St. Louis Post-Dispatch, Jan. 3, 2002, section G, p. 23.

Formaggio, Dino, Vladimiro Elvieri, Margaret A. Miller, Deli Sacilotto, Laura Gensini, and Mauro Mainardi. Art and the Printing Press - Cremona 2005. Cremona, Italy: A.D.A.F.A. (Amici dell’arte - Famiglia Artistica), 2005.

Foster, Hal. At the Guggenheim. London Review of Books 25, no. 24 (18 December 2003).

Frank, Priscilla. “James Rosenquist, Pop Art Legend, On Romney, Multiple Universes, and Young’uns Who ‘Don’t Know How to Paint.” Huffington Post, 22 October 2012.

Fredricksen, Barbara. “Aripeka’s Artists Pop Up, Even on U.S. 19,” St. Petersburg Times, Feb. 24, 2001, p. 1.

Frisch, Marianne Brunson. “Letters to the Editor: At Reader’s Digest, Good Art, Good Vibes,” The Wall Street Journal (New York), May 1, 2000, section A, p. 3.

Gabriel, Trip. “Rosenquist Up Close,” United (Greensboro) 30, no. 2 (Feb. 1985), pp. 46–51, 60–61.

Galison, Peter L., Gerald Holton, and Silvan S. Schweber, eds. Einstein for the 21st Century: His Legacy in Science, Art, and Modern Culture. Princeton, New Jersey: Princeton University Press, 2008.

Gassiot-Talabot, Gérald. “Les ambiguïtés de James Rosenquist,” XXe Siècle (Paris), no. 41 (Dec. 1973), pp. 106–11.

Geldzahler, Henry. “James Rosenquist’s F-111,” The Metropolitan Museum of Art Bulletin (New York) 26, no. 7 (March 1968), pp. 276–81.

Gladstone, Valerie. “James Rosenquist: Vikings and Vodka,” Artnews (New York) 90, no. 8 (Oct. 1991), pp. 73–74.

Glueck, Grace. “Art People,” The New York Times, April 16, 1982,
section C, p. 25.
_______. “A Collector’s Collector Whose Works Went Pop,” The New York Times, May 4, 2001, section E, p. 35.

Goldman, Judith. “James Rosenquist,” in Contemporary Masters: The World Print Awards, exh. cat. San Francisco: World Print Council, in cooperation with San Francisco Museum of Modern Art; California College of Arts and Crafts, Oakland; and Osaka University of Arts, 1983, pp. 49–52.

_______. “Time on His Mind.” Vogue 197, no. 10 (October 2007): 404–9.

Goukassian, Elena. “Express: ‘Pop Art Prints,’ at the Smithsonian American Art Museum, Proves that Pop Artists Weren’t Shallow.” The Washington Post, 3 April 2014.

Gratz, Roberta Brandes. “Daily Closeup,” New York Post, April 25, 1972, p. 41.

Green, Alison. “James Rosenquist.” Art Monthly, no. 301 (November 2006): 16–17.

Greenfeld, Josh. “Sort of the Svengali of Pop,” The New York Times Magazine, May 8, 1966, pp. 34–35, 38.

Glenn, Constance W. “Stories in T-Shirt Yellow/Geschichten in
T-Shirt-Gelb,” Parkett (Zurich), no. 58 (2000), pp. 66–67 (English), 68–71 (German). Trans. Susanne Schmidt.

Goldman, Judith. James Rosenquist: Menil Collection and Museum of Fine Arts, Houston. Artnews 102, no. 9 (October 2003): 132–133.

Grossman, Cathy Lynn. “Deserving Equal Space,” The Miami Herald, Dec. 10, 1981, section B, p. 1.

Guiducci, Mark. “James Rosenquist on the Re-staging of his F-111 at MoMA, the Zen of Duchamp, and Teaching Dalí to Drink a Screwdriver.” Vanity Fair, 20 January 2012.

Hale, Barrie. “Pop! You’re (Still) Surrounded,” The Telegram (Toronto), Sept. 25, 1965, p. 73.

Hamilton, Susan. “Big Is Beautiful,” The Peak (Singapore) 11, no. 7 (1995), pp. 48–53.

Hanson, Sarah P. “Value Judgments.” Art + Auction 35, no. 2 (October 2011): 102–107, 122.

Harper, Cheryl. A Happening Place. With essays by Constance W. Glenn and Sid Sachs.

Heartney, Eleanor. “Rosenquist Revisted,” Artnews (New York) 85, no. 6 (summer 1986), pp. 98–103.

_______. “James Rosenquist at Gagosian,” Art in America (New York) 89, no. 11 (Nov. 2001), p. 145.

Hermsen, Karen, et al. “Across the Region,” The Tampa Tribune, Dec. 10, 2001, p. 2.

Herriman, Kat. “Strange Bedfellows? James Rosenquist Shows at Donald Judd’s House in SoHo.” Blouin Art Info International, 13 May 2016.

Hertenstein, Barbara. “‘Art in Bloom 2001’ Blossoms with Flower Power This Weekend,” St. Louis Post-Dispatch, March 15, 2001, p. 3.

H[ess], T[homas] B. “Editorial: It Shouldn’t Happen to a Hoving
Happening,” Artnews (New York) 67, no. 2 (April 1968), p. 29.

Horn, Laurie. “Playing Critic at the Art Center,” The Miami Herald, April 26, 1983, section C, p. 6.

Hulten, Pontus. “For Jim/Für Jim,” Parkett (Zurich), no. 58 (2000), p. 51 (English and German). Trans. Wilma Parker.

“It’s Jimmy Rosenquist—An Artist in the Age of Pop,” The Tower (New York), April 10, 1967, pp. 4–5. Photographs by Bob Adelman.

Itzkoff, Dave. “Arts, Briefly: Pop Artist’s Works Lost in Fire.” The New York Times, 28 April 2009: C2.

Jacobson, Aileen. “At Hofstra, Printmaking from Dürer to Warhol and Beyond.” The New York Times, March 17, 2016: L18.

“Jarring Blend of Billboard Pieces,” Life (Chicago) 52, no. 24 (June 15, 1962), p. 116.

Jeffet, William. “James Rosenquist, entre el Pop y el Surrealismo,” Lapiz (Madrid), no. 167 (2000), pp. 16–19.

Jensen, Knud W. “Pop-kunst pa Louisiana,” Louisiana Revy (Humlebaek, Denmark), no. 4 (April 1964), pp. 3–7.

Johnson, Patricia. “Channeling Icons: Menil Showcases Pop Art Works,” Houston Chronicle, Jan. 27, 2001, section D, p. 5.

Johnson, Philip. “Young Artists at the Fair and at Lincoln Center,”
Art in America (New York) 52, no. 4 (Aug. 1964), pp. 112–21.

Johnson, Ray. “Abandoned Chickens,” Art in America (New York) 62, no. 6 (Nov.–Dec. 1974), pp. 107–12.

Kalina, Richard. James Rosenquist at Full Scale. Art in America 92, no. 2 (February 2004): 96–103, 135.

Karcher, Eva. “Blumengrusse Aus Flo,” Ambiente (Munich), no. 10 (Oct. 1990), pp. 68–72.

Kastner, Jeffrey. “In the Studio: James Rosenquist.” Art + Auction 31, no. 3 (November 2007): 86–92.

Kelly, Edward. “A Review of Neo-Dada,” Art Voices Magazine (New York) 3, no. 4 (April–May 1964), pp. 11–14.

Kennedy, Randy. “James Rosenquist and Erró Discuss a Long Friendship Forged in Pop Art.” The New York Times, March 17, 2016: C23.

Keys, Elizabeth. “Pop Art Debuts with James Rosenquist Exhibit in Oklahoma State University Postal Plaza Gallery’s ‘New York Project’.” Stillwater News Press, 19 November 2014.

Kifner, John. Artist’s Journey from Billboards to Supersize Art. The New York Times, 29 October 2003: B1, B2.

Kimmelman, Michael. Mixing Catchy Pop Images to Make Haiku Writ Large. The New York Times, 17 October 2003: E33, E42.

Knight, Christopher. “Art Review; Panza’s Two Divergent Worlds: While Part 1 of the MoCA Exhibition Features Critically Important Works, More Recent Post-Mainstream Selections in Part 2 Are Less Consistent,” Los Angeles Times, Feb. 5, 2000, section F,
p. 1.

_______. “Art Review; 2001: A Space Oddity; ‘Contemporary Art and the Cosmos’ Is Another Victim of Theme-Show Fever, in Which Works with a Common Element or Two Are Packaged in a Shorthand Stab at Significance,” Los Angeles Times, Feb. 10, 2001, section F, p. 1.

Kohen, Helen L. “‘Star Thief’ Deserves Better Reputation,” The Miami Herald, May 13, 1983, section C, p. 12.

Kozloff, Max. “Art,” The Nation (New York), April 29, 1968, pp. 578–80.

Killeen, Michael. Rosenquist. Soloarte, no. 2, (November-December 2003): 110–115.

Kinsman, Jane. “Rosenquist: Welcome to the Water Planet.” artonview, no. 46 (Winter 2006): 24–31.

_______. “Rosenquist: Welcome to the Water World.” Imprint (The Journal of the Print Council of Australia Inc.) 41, no. 2 (Winter 2006): 36–37.

Kramer, Hilton. “Art: A New Hangar for Rosenquist’s Jet-Pop ‘F-111,’” The New York Times, Feb. 17, 1968, p. 25.

Kunitz, Daniel. “In the Studio: James Rosenquist, Master of Space and Time.” Art + Auction 37, no. 6 (February 2014): 66–70.

Kuspit, Donald. “James Rosenquist—The Fragments of a Romance: The Romance of the Fragment,” C Magazine (Toronto), no. 11 (June 1986), pp. 70–73.

_______. James Rosenquist, Surrealist Esthete. Artnet Magazine, November 17, 2003.

Lamb, John. “Plains Art Museum Gets $1.2 Million Mural.” The Forum (Fargo-Moorhead), 3 February 2010: B2.

Lane, Mary M. “Swedish Scientists Get Ready to Sell a Trove of Art.” The Wall Street Journal, 5 February 2015.

[Lavin, Sylvia.] Modern Views. With a foreword by Paul Goldberger. New York: Assouline Publishing, 2010.

Lavrador, Judicaël. “Rosenquist, le papy pop art.”  Libération, 16 October 2016.

Leiser, Erwin. “James Rosenquist,” Frankfurter Allgemeine Magazin, Aug. 22, 1986, pp. 13–18.Letofsky, Irv. “Will Jones After Last Night,” Minneapolis Tribune,
Nov. 18, 1968, p. 30.

Lewis, Jo Ann. “Around the World, Diplomatic Displays; US Embassies, Benefiting from Artists’ Touch—and Largess,” The Washington Post (Final Edition), Feb. 25, 2001, section G, p. 4.

Lindemann, Adam. “Schooled by the Sculls.” The New York Observer, 21 April 2010.

Lingemann, Susanne. “Mystiker mit Hang zur Grösse,” Art: Das Kunstmagazin (Hamburg), no. 3 (March 1993), pp. 78–91.

Lippard, Lucy R. “James Rosenquist: Aspects of a Multiple Art,” Artforum (Los Angeles) 4, no. 4 (Dec. 1965), pp. 41–45.

Litt, Steven. “Icon of the Sixties,” The Plain Dealer (Cleveland), Oct. 26, 1991, section F, pp. 1–2.

Littlejohn, David. “The Gallery: One Collection, Many Suitors—Two Shows in California Display a Wealth of Postwar Art; The Tastes of Hunk and Moo,” The Wall Street Journal (New York), Nov. 7, 2000,
section A, p. 24.

Lobel, Michael. “Rosenquist’s Craft­—Painting and the Limits of the Machine/Rosenquists Handwerk—Die Malerei und die Grenzen des maschinell Machbaren,” Parkett (Zurich), no. 58 (2000), pp. 60–61 (English), 62–65 (German). Trans. Wilma Parker.

Lobel, Michael, et al. Sign Language. Artforum 42, no. 2 (October 2003): 126–133.

Loft, Kurt. “James Rosenquist,” The Tampa Tribune, May 20, 1984, section G, pp. 1–2.

_______. “Film on James Rosenquist Paints Artist into a Corner,” The Tampa Tribune, May 22, 1987, section F, p. 3.

Loring, John. “James Rosenquist’s Horse Blinders,” Arts Magazine (New York) 47, no. 4 (Feb. 1973), pp. 64–65.

Lucoff, Morton, and Donald P. Myers. “Flying Bacon,” The Miami News, Dec. 8, 1981, section A, pp. 5–6.

Maki, Jasmine. “N.D. Native James Rosenquist’s 17-by-46 foot, One-piece Painting on Display at North Dakota Museum of Art.” Grand Forks Herald, 21 August 2013.

Marger, Mary Ann. “Inside the World of a Pop Artist,” St. Petersburg Times, May 22, 1987, section D, pp. 1, 4.
_______. “Rosenquist to Be Inducted in Florida Hall of Fame,” St. Petersburg Times, June 10, 2001, section F, p. 8.

Margold, Jane. “Old Trends Will Shape New Works,” Newsday (New York), Jan. 4, 1968, section A, pp. 3, 5.

Martin, Judy Wells. “‘Days of Miracles’ Haven’t Ended for Murals Wizard,” The Florida Times-Union (Jacksonville), June 14, 1978, section A, p. 10.

Mason, Brook. “Home from Home: James Rosenquist at the Judd Foundation.” Wallpaper*, 24 May 2016.

McGill, Douglas C. “One of Pop Art’s Pioneers Is Making Waves Again,” The New York Times, June 22, 1986, section 2, pp. 1, 29.

_______. “Pop Artist Rearranges Modern Life,” Sarasota Herald- Tribune, June 29, 1986, section G, pp. 1, 4.

_______. “Pop Goes the Brush,” St. Petersburg Times, July 6, 1986, section E, pp. 1, 4.

McGuigan, Cathleen. “Newsmakers,” Newsweek (Los Angeles), Jan. 25, 1982, p. 61.

Mednicov, Melissa L. “Pink, White, and Black: The Strange Case of James Rosenquist’s Big Bo.” Art Journal 73, no. 1 (Spring 2014): 60–75.

M[essinger], L[isa] M. “Twentieth Century: James Rosenquist,” in Recent Acquisitions: A Selection 1993–1994, special issue of The Metropolitan Museum of Art Bulletin (New York) 52, no. 2 (fall 1994), p. 73.

_______. “Twentieth Century: James Rosenquist,” in Recent Acquisitions: A Selection 1995–1996, special issue of The Metropolitan Museum of Art Bulletin (New York) 54, no. 2 (fall 1996), p. 64.

Milani, Joanne. “Adventures in Art,” The Tampa Tribune, June 10, 2001, p. 10.

Miller, Dana, Ed. Legacy: The Emily Fisher Landau Collection. With essays by Donna De Salvo and Joseph Giovannini. New York: Whitney Museum of American Art, 2011.

Mills, Nicolaus. “F-111:Death-Dealing, Pop-Art Masterpiece.” The Daily Beast, 15 October 2014.

Miro, Marsha. “Star Thief Invades DIA,” Detroit Free Press, Feb. 10, 1987, section D, p. 8. Photographs by Manny Crisostomo.

Moss, Hilary. “Installing Pop Art in Donald Judd’s Former Home.” The New York Times Style Magazine, 19 April 2016.

Nadelman, Cynthia. “Reviews: New York.” Artnews 111, no. 10 (November 2012): 144.

Nakamura, Marie-Pierre. James Rosenquist. Art Actuel, no. 29 (November-December 2003): 76–79.

Neil, Jonathan T.D. “Robert and Ethel Scull: Portrait of a Collection.” Art Review 42 (Summer 2010): 142.

Nelson, Garet. “Artist Honored for Pop Prowess,” St. Petersburg Times (Hernando Times Edition), May 7, 1987, pp. 1, 7.

Norland, Gerald. “Pop Goes the West,” Arts Magazine (New York) 37, no. 5 (Feb. 1963), pp. 60–61.

“One Man’s Healing Vision,” St. Petersburg Times, Feb. 10, 2002, section F, pp. 10, 8.

Osborne, Catherine. “A Brush with Greatness,” Profiles, Inc. (New York) 1, no. 1 (March 1988), pp. 34–35, 72.

O’Sullivan, Michael. “Building Castles in the Air,” The Washington Post, Nov. 19, 1999, p. 68.

Panza, Giuseppe. Giuseppe Panza: Memories of a Collector. Milan: Editoriale Jaca Book S.p.A., 2006.

Parsons, Sarah Fatima. "Das nächste wird grauenhaft!" Artinvestor 5, no. 1 (2005): 46–52.

Paschal, Huston, and Linda Johnson Dougherty. Defying Gravity: Contemporary Art and Flight. With contributions by Robert Wohl, Anne Collins Goodyear, and Laura M. Andre. Raleigh, North Carolina: North Carolina Museum of Art, 2003.

Peers, Alexandra. “Art and Money,” The Wall Street Journal (New York), June 9, 2000, section W, p. 10.

Perreault, John. “Art: Too Much of the Same,” The Village Voice (New York), Feb. 22, 1968, p. 18.

Philadelphia: The Jewish Community Centers of Greater Philadelphia, [2003].

Pincus-Witten, Robert. “Rosenquist and Samaras: The Obsessive Image and Post-Minimalism,” Artforum (New York) 11, no. 1 (Sept. 1972), pp. 63–69.

Pitman, Joanna. “Putting the Fizz into Pop.” The Times (London), 24 October 2006.

Porter, Bob. “Rosenquist Has Local Tie,” Dallas Times Herald, Jan. 6, 1966, section A, p. 14.

Powers, Austin M. James Rosenquist: Speed of Light Lithograph Series. New York:Universal Limited Art Editions / Beijing: DaFeng Gallery, 2009.

“Prints and Portfolios Published: James Rosenquist, Night Transitions,” The Print Collector’s Newsletter (New York) 16, no. 5 (Nov.–Dec. 1985), p. 179.

“Prints and Portfolios Published: James Rosenquist, Off the Continental Divide,” The Print Collector’s Newsletter (New York) 5, no. 3 (July–Aug. 1974), p. 66.

“Prints and Portfolios Published: James Rosenquist, Time Door Time D’Or,” The Print Collector’s Newsletter (New York) 21, no. 1 (March–April 1990), p. 26.

Ragon, Michel. “Les Etats Unis sont à la recherche d’un art national,” La galerie des arts (Paris), no. 17 (June 1964), pp. 13–14.

Rainbird, Sean, Ed. Print Matters: The Kenneth E. Tyler Gift.  With an essay by Pat Gilmour. London: Tate Publishing, 2004.

Reif, Rita. “James Rosenquist Painting Auctioned for Record Price,” The New York Times, Nov. 13, 1986, p. 21.

“Revealed: Rosenquist’s Monumental Tribute to Human Rights.” The Art Newspaper (Art Basel Daily Edition), 13 June 2006: 1.

Rose, Matthew. “Signs of His Times: Pop Master James Rosenquist Scales New Heights.” Art and Antiques 31, no. 5 (May 2008): 52–56.

Rosenberg, Karen. “Art in Review: James Rosenquist, Time Blades.” The New York Times, 16 November 2007.

Rosenquist, James. “Eulogy [for Leo Castelli],” Time (New York), Sept. 6, 1999, p. 25.

Rukeyser, William S. “The Editor’s Desk,” Fortune (Los Angeles), June 27, 1983, p. 4.

Russell, John. “Some Special Printmakers,” The New York Times, Jan. 21, 1979, pp. 25–26.

_______. “Time after Time/Am Puls der Zeit,” Parkett (Zurich), no. 58 (2000), pp. 29–31 (English), 33–35 (German). Trans. Wilma Parker.

Saarinen, Aline B. “Explosion of Pop Art: A New Kind of Fine Art Imposing Poetic Order on the Mass-produced World,” Vogue (New York), April 1963, pp. 78–89.

Sandberg, Betsy. “Life: James Rosenquist,” The Daily Freeman (Kingston, N.Y.), Dec. 8, 1986, p. 7.

Saltz, Jerry. First-Round Knockout. The Village Voice, November 18, 2003.

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